论周立波小说的“女性化”倾向

发布时间：2018-06-09 21:12

本文选题：周立波小说 + 女性化　；参考：《湖南理工学院》2017年硕士论文

【摘要】：性别心理对于作家的创作具有重要意义,周立波小说阴柔的艺术风格与“女性化”创作心理有着十分密切的联系,本文立足于此,阐述了周立波小说创作所体现出来的“女性化”艺术特征,探讨这一艺术表征背后的深层意蕴,即主体间性的客观存在,并将这一艺术特征纳入现代同类创作历史中予以考察,以寻求周立波小说在中国现当代文学发展进程中所发挥的特殊作用。本文一共分为三个部分:第一部分绪论,介绍了周立波小说的研究现状,说明了本选题的背景与意义,并对“女性化”和“主体间性”进行了初步的界定。第二部分正文,共分三章。第一章从叙述姿态、情感特点、人物形象三个方面论证了周立波小说“女性化”的创作心理。系统梳理周立波小说“女性化”的艺术表征是为了挖掘其中的独特内涵,即主体间性。因此,第二章围绕着身体与爱情两个维度对其主体间性进行了深层的考察,一方面,周立波表现出对于女性主体的尊重与建构;另一方面,周立波毕竟是一个男性作家,不可能完全放弃其男性主体,主体间性存在着某种失和。第三章将周立波小说的“女性化”放在纵向的历史中进行考察,认为周立波小说的“女性化”所体现的阴柔指向一种现代的认识“装置”。从忧郁到纯净的情绪转化中,显示出周立波对以郁达夫为代表的现代传统的超越;在自然风景从梦境到现场的切换中,表明了周立波对沈从文的超越。值得注意的是,阴柔本身处于一种杂糅的状态,孙犁的阴柔是由传统审美价值观主导,周立波小说则体现出阴柔的现代嬗变。第三部分结语,对周立波小说中的“女性化”倾向进行了总体评价,指出周立波小说的“女性化”特质内在着作者构建男性主体与女性主体间多元并存关系的努力,而“女性化”与主流政治话语是一种既相互消解、又相互利用的关系,最后就本选题研究的进一步深化与拓展提出了粗浅的看法。
[Abstract]:The gender psychology is of great significance to the writer's creation. The feminine artistic style of Zhou Libo's novel is closely related to the "feminization" creation psychology. This article, based on this, expounds the artistic features of "feminization" embodied in Zhou Libo's novel creation, and probes into the deep implication behind this artistic representation, that is, the inter subjectivity. The objective existence of sex, and the introduction of this artistic feature into the modern history of the same kind, will be investigated in order to find the special function of Zhou Libo's novel in the development of Chinese contemporary literature. This article is divided into three parts: the first part is the introduction, introducing the research status of Zhou Libo's novels, and explaining the background and the background of this topic. The meaning of "feminization" and "intersubjectivity" has been preliminarily defined. The second part of the text is divided into three chapters. The first chapter demonstrates the creation psychology of "feminization" from the three aspects of narrative attitude, emotional characteristics and character image. It systematically combs the artistic representation of "feminization" of Zhou Libo's small theory in order to excavate it. In the second chapter, the second chapter focuses on the inter subjectivity of the body and the two dimensions of love. On the one hand, Zhou Libo shows the respect and construction of the female subject; on the other hand, Zhou Libo is a male family, and it is impossible to completely abandon the male subject and save the intersubjectivity. In the third chapter, in the third chapter, the "feminization" of the novel is studied in the longitudinal history, and the feminization of Zhou Libo's novel is considered as a modern "device". From melancholy to pure emotional transformation, Zhou Libo shows the modern tradition of Yu Dafu, represented by Yu Dafu. More; in the change of natural scenery from dream to scene, it shows Zhou Libo's Transcendence to Shen Congwen. It is worth noting that the femininity itself is in a mixed state, the femininity of Sun Li is dominated by the traditional aesthetic values, and Zhou Libo's novel embodies the feminine modern evolution. The third part is the conclusion of the "women" in Zhou Libo's novels. The tendency of "transformation" has been evaluated in general. It is pointed out that the "feminization" characteristics of Zhou Libo's novels are inherent in the author's efforts to construct the multiple coexistence of the male subject and the female subject, while "feminization" and the mainstream political discourse are a kind of mutual digestion and mutual utilization. Finally, the further deepening and expansion of this topic research is made. A shallow view is put forward.
【学位授予单位】：湖南理工学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

【参考文献】