张庚及其系列戏剧概论

发布时间：2018-06-15 02:09

本文选题：戏剧概论 + 戏剧艺术引论　；参考：《文艺研究》2017年07期

【摘要】：张庚作为中国当代著名戏剧理论家、批评家,戏剧工作的领导者,一生编导戏剧作品,撰写戏剧理论著作,对中国戏剧的创新、戏剧理论的建构以及戏剧视野的拓展,做出自己的贡献。张庚的《戏剧艺术引论》包括综合艺术、演员表演、剧本创作、舞台美术等方面的内容,是一部具有开创意义的戏剧理论著作。张庚的《戏曲艺术论》分为八章,分别是"中国戏曲形成过程"、"戏曲剧本—剧诗"、"戏曲音乐"、"戏曲的表演艺术"、"舞台美术"、"导演"、"戏曲艺术与生活"、"百花齐放、推陈出新"。在《戏曲艺术论》中,张庚展示中国戏曲各个历史时期的特点和过程,论述中国戏曲文学的剧诗特性,辨析戏剧性与音乐性的矛盾,强调舞台美术不在布景而在人物造型,提出导演对一部戏要有整体性的思考等等。这些思想、理念都成为中国戏曲理论的重要组成部分。
[Abstract]:As a famous contemporary Chinese drama theorist, critic and leader of drama work, Zhang Geng has edited drama works, written drama theory works, innovated the Chinese drama, constructed the drama theory and expanded the theatrical field of vision. Make your own contribution. Zhang Geng's introduction to Drama Art, which includes comprehensive art, actor performance, script writing, stage art and so on, is a theoretical work of drama with pioneering significance. Zhang Geng's "on the Art of Drama" is divided into eight chapters, which are "the forming process of Chinese Opera", "Drama Screening-Drama poem", "Opera Music", "the Performing Art of Drama", "stage Art", "Director", "Art of Drama and Life", "blooming in a hundred Flowers, pushing Chen to New ideas". In "on the Art of Drama", Zhang Geng displays the characteristics and processes of each historical period of Chinese opera, discusses the characteristics of Chinese opera literature, discriminates the contradiction between drama and musicality, and emphasizes that the stage art is not in the setting but in the character modeling. Put forward that the director of a play to have a holistic thinking, and so on. These thoughts and ideas have become an important part of Chinese opera theory.
【作者单位】：中国艺术研究院;
【分类号】：I207.3

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