诗性的后现代—台湾新世代诗歌的碎片化美学

发布时间：2018-07-07 12:04

本文选题：台湾诗歌 + 后现代　；参考：《南京师范大学》2017年硕士论文

【摘要】：二十世纪七八十年代之后的台湾由于独特的政治经济状况,已经进入了信息消费时代。台湾“后工业时代”即“互联网讯息社会”、“消费社会”的快速发展,显现出它强大的信息复制能力,迅捷的网络传播能力,以及形式与内容互相分离等特征。反映到文化上,显而易见的是各种次级文化不断崛起,并且逐步呈现出蓬勃兴盛之势;具有后现代主义倾向的诗人,打碎了曾经的中心、均衡、和谐、统一的概念,相反,他们更多关注的是离散、非中心、边缘化的状态,这些关注恰恰扣合台湾整个文化发展的大趋势,同时也映衬了岛内外频繁变动的社会政治局势和脉动。正因为如此,台湾的后现代诗歌格外引入瞩目,它具备着后现代诗歌的本质特征,即“解构中心”和“反理性”,将一切既成秩序颠覆,消解权力话语,以反中心、反理性、反文化的姿态形成抗拒之势。它们质疑历史,质疑启蒙主义宏大叙事的合法性,更是对知识的权威性,价值的终极意义,以及真理的永恒性产生极大的怀疑。诗作中将后现代的思维带入语言,力图寻求边缘性来打破曾经的范式,因而这些诗歌具有独特的审美内涵。本文以台湾新世代诗歌为研究对象,把它置于后现代的视域之下,全面地审视和探究这些诗歌所具有的审美意义与影响。首先,结合台湾的社会经济状况,分析其所具备的后现代“碎片化”特质,以及其诗歌发展充分表现出的后现代精神与思想。然后,具体从言、象、意的维度对台湾后现代诗进行系统的分析,“言”的角度主要分析诗歌语言的不确定性,文本结构“空隙”特征,以及文类界限的模糊性;“象”的角度主要分析后现代诗歌意象的流动性和拼接性,来深入挖掘其碎片化的审美特征;“意”的角度主要是分析台湾后现代诗的精神意蕴,从哲学、社会和文化的视角探索其生成的美学意义及影响,并搜寻台湾后现代诗“碎片化”之后复归完整的可能性。台湾后现代诗人运用后现代主义的哲学理念来反抗固有的意识形态本体中心化,唤醒人们对于既定的传统西方思维和阐释方式的深入思索,以看似虚无以及支离破碎的文本游戏来表达深刻的用意,在分裂的文本之中形成对后现代碎片化的外部世界的极大观照,折射出人类社会置身于现代荒原的断裂之感。本文通过分析台湾后现代诗歌在意象、结构、意蕴中的解构特征,充分展示了后现代诗的不确定性原则,从诗中我们可以解读出当今社会人类生存巨大的精神危机与人文困惑。
[Abstract]:Taiwan has entered the era of information consumption due to its unique political and economic situation since the 1970s and 1980s. The rapid development of "Internet information society" and "consumer society" in Taiwan's "post-industrial era" shows its strong ability of information reproduction, rapid network transmission, and the separation of form and content from each other. Reflected in the culture, it is obvious that all kinds of secondary cultures are rising up, and gradually taking on a thriving trend; the poet with a postmodernism tendency has broken the once central, balanced, harmonious, unified concepts, on the contrary, They pay more attention to the discrete, non-central and marginalized state. These concerns are in line with the general trend of Taiwan's entire cultural development, and also reflect the frequent changes in the social and political situation and pulsation inside and outside the island. It is precisely because of this that Taiwan's post-modern poetry has attracted special attention. It has the essential characteristics of post-modern poetry, namely, "deconstruction center" and "anti-rationality", which subverts all established order, dispels power discourse, and takes anti-center and anti-rationality. Anti-cultural posturing forms a tendency to resist. They question the history and the legitimacy of the great narration of enlightening doctrine, but also doubt the authority of knowledge, the ultimate meaning of value and the permanence of truth. Poetical works bring postmodern thinking into language and seek edge to break the former paradigm, so these poems have unique aesthetic connotations. This paper takes the poetry of the new generation in Taiwan as the research object, puts it under the field of postmodernism, and comprehensively examines and explores the aesthetic significance and influence of these poems. First of all, according to the social and economic situation of Taiwan, this paper analyzes the character of "fragmentation" of postmodernism, and the spirit and thought of postmodernism which is fully manifested in the development of Taiwan's poetry. Then, from the perspective of speech, image and meaning, this paper makes a systematic analysis of the postmodern poetry in Taiwan. From the perspective of "Yan", it mainly analyzes the uncertainty of poetic language, the characteristics of "gap" in text structure, and the fuzziness of the boundary of literary category. The angle of "Xiang" mainly analyzes the fluidity and splicing of postmodern poetic images to dig into its fragmentary aesthetic characteristics, while the angle of "meaning" is mainly to analyze the spiritual implication of post-modern poetry in Taiwan, and from the perspective of philosophy, From the perspective of society and culture, it explores the aesthetic significance and influence of its formation, and searches for the possibility of returning to the whole after the "fragmentation" of Taiwan's postmodern poetry. The postmodernist poets in Taiwan use the philosophy of postmodernism to resist the inherent ideological Noumenon centralization and awaken people to think deeply about the established traditional western thinking and interpretation. With the seemingly nihilistic and fragmented text game to express the profound intention, in the split text to form a great view of the post-modern fragmentation of the external world, reflecting the human society in the modern wilderness in the sense of rupture. By analyzing the deconstruction characteristics of postmodern Taiwanese poetry in image, structure and implication, this paper fully demonstrates the principle of uncertainty of postmodern poetry, from which we can interpret the great spiritual crisis and humanistic puzzlement of human existence in modern society.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.25

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