四言诗演变的文体学考察

发布时间：2018-07-11 10:47

  本文选题：《诗》四言 + 分章合乐　； 参考：《中国人民大学学报》2017年04期

【摘要】：《诗》四言简质未舒,但以虚字衬贴、叠字形容、章句字词重复间破板质,而且分章合乐适于言志的歌咏。赋在一章具有整体性和结构性的作用,比兴则仅有暂时性和片段性的功能。《诗》四言与《书》四言散语实字并列及赋体四言散语一顺铺陈具有本质的区别,但汉代四言参合《诗·颂》和《书》语,愈显典重。汉末以降文人创制已非分章合乐,或自抒怀抱,或受五言、骈体影响,工于属对锻炼,及唐人四言都从拟乐府而来,终乖《诗》体本调。
[Abstract]:"Poems" is not easy, but with empty words, repeat words, the words of Zhang sentence repeatedly break the quality of the board, and the music is suitable for the singing of words and aspirations. Fu has the function of integrity and structure in one chapter, but Bi Xing has only temporary and piecemeal function. But in the Han Dynasty, the four characters combined the Ode of Poems and the words of Book, which became more and more important. In the end of the Han Dynasty, it was no longer a piece of music to be created by scholars, or to express their feelings, or to be influenced by five characters and parallel styles, and to work for exercise, and all four characters of the Tang Dynasty came from Yuefu.
【基金】：国家社会科学基金一般项目“中国古代诗法理论的现代阐释”(12BZW013)
【分类号】：I207.22
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本文编号：2114894