世事等空花,人生如梦寐——从《三钗梦》看经史学家改编的红楼戏曲
发布时间：2018-07-29 07:15
【摘要】：与孔昭虔、石韫玉、陈钟麟等经史学家改编的红楼梦戏曲相比较,许鸿磐《三钗梦》极有代表性。剧作用梦幻说架设戏剧结构,布局有内在逻辑关系;用色空说简化悲剧要旨,主题更明确;以诗教说摹写人物形象,发乎情止乎礼的人物设置更具一致性。对于原小说悲剧性结局的保持也是经史学家改编红楼戏的一个特征。
[Abstract]:Compared with Kong Zhaoqian, Shi Yunyu, Chen Zhonglin, etc. The drama function fantasy theory sets up the drama structure, the layout has the inherent logical relation; uses the color empty theory to simplify the tragic gist, the theme is clearer; the poem teaches the theory to imitate the character image, sends the emotion to stop the ceremony character setting to be more consistent. The maintenance of the tragic ending of the original novel is also a feature of Honglou Opera adapted by historians.
【作者单位】： 烟台大学人文学院;
【基金】：2014年度山东省哲学社会科学规划研究项目“齐鲁曲家地域特征研究”(项目编号:14BWXJ03)阶段性成果之一
【分类号】：I207.411
本文编号：2151921
[Abstract]:Compared with Kong Zhaoqian, Shi Yunyu, Chen Zhonglin, etc. The drama function fantasy theory sets up the drama structure, the layout has the inherent logical relation; uses the color empty theory to simplify the tragic gist, the theme is clearer; the poem teaches the theory to imitate the character image, sends the emotion to stop the ceremony character setting to be more consistent. The maintenance of the tragic ending of the original novel is also a feature of Honglou Opera adapted by historians.
【作者单位】： 烟台大学人文学院;
【基金】：2014年度山东省哲学社会科学规划研究项目“齐鲁曲家地域特征研究”(项目编号:14BWXJ03)阶段性成果之一
【分类号】：I207.411
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