论麦家小说中的“蒙面人”形象

发布时间：2018-08-01 11:57

【摘要】：麦家是近年来文坛上异军突起的一位作家,他以独特的视角和智性的写作为当代小说发掘了一个全新的密码领域,因此,他享有“新智力小说之父”“谍战小说之父”“特情小说之父”等称誉,其代表作《暗算》荣获2007年茅盾文学奖。在麦家的密码题材和悬疑叙事下,一系列天才蒙面人形象引发人们对于历史的真实性和政治损害天才的思考。本文分为五个部分。第一部分是绪论,包括选题意义,研究现状和本研究的内容与方法。第二部分讨论麦家密码题材的选择和蒙面人形象生成的原因。主要从麦家的人生经历,和他对于文学(读者)市场及大众眼光的把握,阐释麦家选择“蒙面人”作为描写对象的原因,并对“蒙面人”作出解读；第三部分详细分析麦家小说中的蒙面人形象。根据对文本的解读,将蒙面人形象分为“听风者”、“看风者”和“捕风者”三类,听风者即侦听人员,负责寻找敌台频率,抄录密码；看风者为破译人员,负责解密；捕风者为行动人员,负责在敌方从事卧底工作。这三类形象的共同之处：都为国家和人民作出巨大贡献,但是却在政治的压迫下失去自我,在命运的操控下失去生命,并且最终因为各类原因,无法被铭记被歌颂,因此是“蒙面人”形象。第四部分研究麦家如何运用悬疑叙事来塑造这类蒙面人形象。主要从真假难辨.留白空间,结构迷宫和黑色语言四方面来探讨麦家对于历史的真实和命运的无常的思考。第五部分探讨麦家小说“蒙面人”形象的成功意义。首先,“蒙面人”形象是麦家对于红色经典的一个重塑；其次,是麦家张扬个人风格的展示；最后,麦家的蒙面人形象超越了雅俗的界限,形成自己独特的一个人物系列。同时认识到,偏于类型化和自我重复是麦家创作的不足之处。
[Abstract]:Mai Jia is a new writer in the literary world in recent years. With his unique perspective and intellectual writing, he has explored a new field of cryptography for contemporary novels. He enjoys the praise of "Father of New Intelligence novels" Father of spy war novels "and" Father of Special Love novels ", and his masterpiece" secret calculation "won the 2007 Mao Dun Prize for Literature. Under Mai's cryptographic theme and suspense narration, a series of masked genius images arouse people's thinking about the authenticity of history and political damage to genius. This paper is divided into five parts. The first part is the introduction, including the significance of the topic, the status quo of the study and the content and methods of this study. The second part discusses the choice of mai-Jia cipher theme and the reasons for the formation of masked man image. Mainly from the Mai family's life experience, and his grasp of literature (reader) market and the public vision, explains the reason why the Mai family chooses "Mask Man" as the description object, and makes the explanation to "Mask Man"; The third part analyzes the image of the masked man in the novels of Mai Jia in detail. According to the interpretation of the text, the image of the masked man is divided into three categories: "wind listener", "wind watcher" and "wind catcher". The wind catcher is an operational person who is responsible for undercover work with the enemy. What these three kinds of images have in common: they all make great contributions to the country and the people, but they lose themselves under the oppression of politics, lose their lives under the control of fate, and, ultimately, cannot be remembered and praised for various reasons, Therefore, it is the image of "masked man". The fourth part studies how Mai Jia uses suspense narration to mold this kind of masked person image. Mainly from the truth and falsehood difficult to distinguish. White space, structural labyrinth and black language are four aspects of Mai's thinking about the truth of history and the impermanence of fate. The fifth part discusses the successful significance of the Mask Man in Mai's novels. First, the image of "Mask Man" is a remolding of the Red Classic by the Mai family; secondly, it is the display of the personal style of the Mai Jia; finally, the Mask Man Image of the Mai family transcends the boundary of elegance and vulgarity, and forms its own unique series of characters. At the same time, it is recognized that typology and self-repetition are the shortcomings of Mai's creation.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.42

【相似文献】