尽得“古意”而形神兼备——元初题画诗与“高尚士夫画”综论

发布时间：2018-08-04 08:03

【摘要】：南北文艺的发展在元初一段时间里基本上各守畛域,这一局面一直持续到元世祖忽必烈下诏征召南人北上为官才被打破。除了征召南方文士北上外,元廷还委派北方官员赴江南地区任职,其中不乏精通书画的著名文臣。他们以传世的唐宋书画名作为效仿对象,在重视形似的基础上追求神似,其具专业水准的书画作品是到南方后才创作出来的。江南士人在与他们的交往过程中写的一些题画诗和书画题跋,不仅是对他们艺术创作的欣赏,也使诗学的"宗唐得古"与文人书画在得"古意"问题上实现会通。南北的诗人画家在题画诗和书画创作中努力探寻新的文艺发展途径,追求清雅品格和天真之趣,明确了"高尚士夫画"需形神兼备的文艺思想。
[Abstract]:In the early Yuan Dynasty, the development of the literature and art in the north and south basically adhered to each other. This situation lasted until Hu Bilie summoned the southern people to go to the north to serve as officials. In addition to recruiting southern scholars to go north, the Yuan government also appointed northern officials to serve in the south of the Yangtze River, including famous literati who were proficient in calligraphy and painting. They follow the name of Tang and Song Dynasty as imitators and pursue the likeness on the basis of attaching importance to the likeness. Their professional works of calligraphy and painting were only created in the south. The calligraphy and painting poems and paintings written by the scholars in the south of the Yangtze River not only appreciate their artistic creation, but also make the poetics "Zongtang Degu" and literati calligraphy and painting come into contact with each other on the question of "ancient meaning". The poets and painters in the north and south try to explore new ways of literary and artistic development, pursue the elegant character and naive interest, and make clear the literary and artistic thought that the painting of Gao Shangshifu needs both form and spirit.
【作者单位】：南开大学文学院;
【基金】：国家社会科学基金重点项目“明清诗学与书画艺术会通研究”(项目批准号:16AZW010)的阶段性成果
【分类号】：J212;I207.22

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