论《水浒传》主题的图像传播——以“义”为中心
发布时间：2018-08-18 11:18
【摘要】：《水浒传》的图像历史悠久、形态丰富,当属传播文学的重要途径。"文学与图像关系"的视野和方法,有助于揭示图像如何传播"义"这一《水浒传》主题。虽然小说中的"义"存在若干类型,但图像传播却并不加以区分。借助符号的虚指特性,水浒图像混淆乃至消弭了"义"的类型界线,即以同样的图式重复表彰不同类型的"义"。进一步研究表明,图像不仅正面表彰符合儒家思想的"义",还反面"表彰"有悖于此的"不义"。因此,图像"视觉锤"以其对"义"的高频重复和对比鲜明的表彰,形成了语言符号所不具备的传播优势。
[Abstract]:The images of Water margin have a long history and rich form, which is an important way to spread literature. " The visual field and method of the relation between literature and image can help to reveal how the image spreads the meaning, the theme of the Water margin. Although there are several types of meaning in the novel, image dissemination is not distinguished. With the aid of the fictitious characteristic of the symbol, the image of Water margin obfuscates and even eliminates the boundary of "meaning", that is to say, to repeat the recognition of different types of "meaning" with the same schema. Further research shows that image recognition not only conforms to the Confucian "meaning", but also reverse "recognition" is contrary to this "injustice". Therefore, the image "visual hammer" with its "meaning" high frequency repetition and contrasting recognition, has formed the language symbol does not have the transmission advantage.
【作者单位】： 江苏第二师范学院文学院、江苏区域文学与文化研究中心;
【基金】：国家社科基金项目“《水浒》图像叙事研究”(项目编号:17CZW066)阶段性研究成果
【分类号】：I207.412
本文编号：2189305
[Abstract]:The images of Water margin have a long history and rich form, which is an important way to spread literature. " The visual field and method of the relation between literature and image can help to reveal how the image spreads the meaning, the theme of the Water margin. Although there are several types of meaning in the novel, image dissemination is not distinguished. With the aid of the fictitious characteristic of the symbol, the image of Water margin obfuscates and even eliminates the boundary of "meaning", that is to say, to repeat the recognition of different types of "meaning" with the same schema. Further research shows that image recognition not only conforms to the Confucian "meaning", but also reverse "recognition" is contrary to this "injustice". Therefore, the image "visual hammer" with its "meaning" high frequency repetition and contrasting recognition, has formed the language symbol does not have the transmission advantage.
【作者单位】： 江苏第二师范学院文学院、江苏区域文学与文化研究中心;
【基金】：国家社科基金项目“《水浒》图像叙事研究”(项目编号:17CZW066)阶段性研究成果
【分类号】：I207.412
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