历代陈三五娘戏剧的文本演变研究

发布时间：2018-08-18 19:45

【摘要】：“陈三五娘”讲述陈三和五娘的爱情故事。虽然该故事未跳出“才子”和“佳人”的传统模式的藩篱,但是其呼吁“姻缘由己”的自由之音,具有时代性和先进性,因而受到人们的喜爱,成为经典民间故事之一。“陈三五娘”具有多种文学形式,这些文学形式相互吸收、相互影响,促使该故事发生变异。本文通过搜集和整理明代、清代、当代关于“陈三五娘”的多个戏剧文本,尝试比较不同文本之间的差异,以此探讨戏剧文本演变的情况。本文总共分为三章,具体内容如下:第一章纵向概述“陈三五娘”戏剧的演出活动,大致划分为两个阶段。明、清时期,着重从史料文献和相关诗文入手,考察“陈三五娘”戏剧的演出活动。当代则通过整理演出活动资料,分析该剧在当时的反响。第二章主要分析历代“陈三五娘”戏剧的文本演变情况,梳理这些文本的同、异,进行比较研究。第三章深度剖析“陈三五娘”这一古剧演变的原因。指出舞台演出的实际需要,是其演变之内因,这是由戏剧的本质属性所决定,正所谓“曲无定本”,戏曲没有固定的演出文本,常演常新,不断变化。另外,还受到文本的传播、观众的需求的影响。要之,研究历代“陈三五娘”戏剧文本的演变,既可以贯通古今,统摄各个时期的戏剧文本形式,又可以提供戏剧研究需结合文本和舞台的相关经验。
[Abstract]:Chen San Wu Niang tells the love story of Chen San and Wu Niang. Although the story does not jump out of the traditional model of "Talent" and "Beauty", it calls for the freedom of "marriage by oneself", which has the characteristics of the times and advancement, so it has been loved by people and become one of the classic folk stories. Chen San Wu Niang has a variety of literary forms, these literary forms absorb each other and influence each other, which promote the variation of the story. This paper attempts to compare the differences between different texts of drama in Ming Dynasty, Qing Dynasty and contemporary times, and to explore the evolution of drama texts. This paper is divided into three chapters. The main contents are as follows: the first chapter summarizes the performance activities of Chen San Wu Niang Drama, which is divided into two stages. In Ming and Qing dynasties, the performance of Chen San-Wu Niang drama was investigated from historical documents and related poems. Contemporary through sorting out the performance activities, analysis of the drama at that time response. The second chapter mainly analyzes the evolution of the texts of Chen San Wu Niang's plays, combs the similarities and differences of these texts, and makes a comparative study. The third chapter deeply analyzes the reasons for the evolution of Chen San-Wu Niang. It is pointed out that the actual demand of stage performance is the internal cause of its evolution, which is determined by the essential attributes of drama. In addition, it is also influenced by the dissemination of the text and the needs of the audience. To sum up, the study of the evolution of the drama texts of Chen San Wu Niang in the past dynasties can not only connect the ancient and modern times, dominate the forms of the drama texts in various periods, but also provide the relevant experience of the drama research in combination with the text and the stage.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.3

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