1980年以来日本中国古典戏曲研究
发布时间：2018-08-20 19:10
【摘要】：日本的中国古典戏曲研究虽不如传统汉学渊源深厚,但经过了几代学者的开拓和积累已有了蔚为壮观的面貌。近三十年,日本学者对中国古典戏曲作品的翻译、校注、研究不断推进,从文本特点的说明、文本关系的厘清,到对具体的人物、内容进行解读,从基础的研究到理论的考察,都有了更新的面貌。而继田仲—成开创性地将戏剧与宗教祭祀相连后,现地考察的方法与社会学的关注角度使戏曲研究进入了新的层面,而戏曲与生俱来的俗文学特质也不再受既有的文学史评价标准左右,成为更客观地判断文本特征与价值的指标,地域性的研究也随之愈加受到瞩目。本文将近三十年以来日本学界对古典戏曲的研究情况作为调查对象,重点考察日本学者在相关领域的研究内容及成果,以客观地呈现其研究观点和特点为目标,将日本学者所关注的问题以及具体的发论表述清楚,以期对国内学者进一步了解日本学界的研究现状有所帮助。
[Abstract]:Although the study of Chinese classical opera in Japan is not as deep as that of traditional Sinology, it has become magnificent after several generations of scholars' development and accumulation. In the past three decades, Japanese scholars have continued to promote the translation, annotation and study of Chinese classical opera works, from the explanation of the characteristics of the text, the clarification of the text relationship, to the interpretation of the specific characters and contents, from the basic research to the theoretical investigation. All have a new look. After Tian Chung-cheng 's groundbreaking connection between drama and religious sacrifice, the method of field investigation and the angle of concern of sociology brought the study of opera into a new level. The idiosyncrasy of traditional Chinese opera is no longer influenced by the existing evaluation criteria of literary history and becomes a more objective index to judge the character and value of the text. This paper focuses on the research contents and achievements of Japanese scholars in related fields, with the objective of objectively presenting their research views and characteristics. In order to help the domestic scholars to understand the current situation of Japanese academic research, the problems concerned by Japanese scholars and the specific theory of hair theory are clearly expressed.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.37
本文编号：2194700
[Abstract]:Although the study of Chinese classical opera in Japan is not as deep as that of traditional Sinology, it has become magnificent after several generations of scholars' development and accumulation. In the past three decades, Japanese scholars have continued to promote the translation, annotation and study of Chinese classical opera works, from the explanation of the characteristics of the text, the clarification of the text relationship, to the interpretation of the specific characters and contents, from the basic research to the theoretical investigation. All have a new look. After Tian Chung-cheng 's groundbreaking connection between drama and religious sacrifice, the method of field investigation and the angle of concern of sociology brought the study of opera into a new level. The idiosyncrasy of traditional Chinese opera is no longer influenced by the existing evaluation criteria of literary history and becomes a more objective index to judge the character and value of the text. This paper focuses on the research contents and achievements of Japanese scholars in related fields, with the objective of objectively presenting their research views and characteristics. In order to help the domestic scholars to understand the current situation of Japanese academic research, the problems concerned by Japanese scholars and the specific theory of hair theory are clearly expressed.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.37
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