梁宗岱30年代诗学研究
发布时间：2018-08-22 19:56
【摘要】：本文秉承“内部研究”的批评原则,以《诗与真》和《诗与真二集》这两本代表梁宗岱30年代诗学最高成就的文集为主要研究对象,围绕这一研究对象,本文分别从梁宗岱30年代诗学观所形成的思想渊源、诗学中的核心观念、诗学的基本特征、诗学理论价值这四个方面进行了论述,从而揭开梁宗岱诗学的本真价值以及对当下诗学建构的启示意义。本论文共分三大部分:绪论、正文与结论:绪论部分简要的阐述了论文的历史研究成果、研究的现实意义、研究的思路和方法。具体阐明了本文写作的背景,对梁宗岱诗学研究现状作了梳理与概括。正文部分共分为四章。第一章追寻梁宗岱30年代诗学的思想渊源。梁宗岱不是对西方诗学进行简单的拿来与模仿,而是将西方现代诗学作为中国现代诗学的一种参照。一方面,梁宗岱从西方象征主义诗学中获得了诗歌创作理论的启发,对“诗与真”进行不倦的探索与追求。另一方面,梁宗岱30年代诗学,祛除了象征主义诗学中的颓废气息,融入了一种宁静、和谐的特色,追求一种超功利、物我融一的自由境界,赋予了这一西方诗学以鲜明的民族特色,从而,实现了中西融合的最高诗学境界。第二章探讨梁宗岱30年代诗学中的核心概念:“纯诗”、“真”和“宇宙意识”。梁宗岱的30年代诗学思想集中体现在《诗与真》和《诗与真二集》当中,他从象征主义诗学与中国古代文论中汲取了诗学元素和精神气脉,逐步构建起以“纯诗”、“真”、“宇宙意识”等为核心观念的诗学体系。第三章论述了梁宗岱诗学中的诗性智慧和求真之力。西方的瓦莱里和歌德对梁宗岱的诗学思想影响极大,在歌德的“美”与“智”相融合、瓦莱里的“科学的真与直觉的美”相统一的诗学观的基础上,梁宗岱逐步的建构了自己富有特色的诗学体系,形成了一种鲜明的诗学特征:诗性智慧与求真之力。第四章旨在阐述梁宗岱诗学的理论价值,笔者认为,其30年代诗学贡献主要体现在了两大方面,一是诗学中的现代美学意识,二是新的诗学建构方式。与同时代的很多诗学理论家相比,梁宗岱诗学拥有自己的独特之处。在许多方面,他的诗学思想触及到了前人所没有探讨的问题,从而为现代诗学内涵增添丰富性,在现代诗学史上熠熠生辉。结论部分,主要是对论文前四章的概括和总结,在对梁宗岱的30年代诗学进行深入细致研究的基础上,更加关注梁宗岱的诗学对我国当代诗学建设的启示意义。
[Abstract]:Following the critical principle of "Internal Research", this paper takes Poems and Truth and two volumes of Poems and Truth as the main objects of study, which represent the highest achievements in poetics of Liang Zongdai in the 1930s. This paper discusses the ideological origin of Liang Zongdai's poetics in the 1930s, the core concepts in poetics, the basic characteristics of poetics, and the theoretical value of poetics. So as to uncover the true value of Liang Zongdai poetics and enlighten the construction of current poetics. This paper is divided into three parts: introduction, text and conclusion: the introduction part briefly describes the historical research results, the practical significance of the research, the research ideas and methods. This paper clarifies the background of this thesis and summarizes the present situation of Liang Zongdai poetics. The text is divided into four chapters. The first chapter explores the ideological origin of Liang Zongdai's 30 s poetics. Liang Zongdai does not simply take and imitate western poetics, but regards western modern poetics as a reference for Chinese modern poetics. On the one hand, Liang Zongdai obtained the inspiration of poetry creation theory from western symbolism poetics, and explored and pursued Poems and Truth tirelessly. On the other hand, Liang Zongdai's poetics in the 1930s dispelled the decadence of symbolism poetics, incorporated a quiet and harmonious characteristic, and pursued a free realm of super-utilitarian and materialistic integration. This western poetics is endowed with distinct national characteristics, thus realizing the highest poetic realm of Chinese and Western integration. The second chapter discusses the core concepts of Liang Zongdai's 30 s poetics: pure poetry, truth and universal consciousness. Liang Zongdai's poetic thoughts in the 1930s are embodied in Poems and Truth and Poems and Truth. He draws poetics elements and spiritual veins from symbolism poetics and ancient Chinese literary theory, and gradually constructs "pure poetry" and "truth". The poetic system in which "the consciousness of the universe" is the core concept. The third chapter discusses the poetic wisdom and the power of seeking truth in Liang Zongdai poetics. Valery and Goethe of the West have a great influence on Liang Zongdai's poetics. On the basis of the combination of Goethe's "Beauty" and "Wisdom" and Valery's "Scientific Truth and intuitive Beauty", Liang Zongdai gradually constructed his own poetics system, forming a distinctive poetic characteristics: poetic wisdom and the force of seeking truth. The fourth chapter aims to expound the theoretical value of Liang Zongdai's poetics. The author thinks that the contribution of poetics in the 1930s is mainly reflected in two aspects, one is the modern aesthetic consciousness in poetics, the other is the new way of poetics construction. Compared with many contemporary poetic theorists, Liang Zongdai poetics has its own unique features. In many respects, his poetics thought touched on the problems which had not been discussed by the predecessors, thus adding richness to the connotation of modern poetics and shining brilliantly in the history of modern poetics. The conclusion part is the summary and summary of the first four chapters of the thesis. On the basis of the thorough and meticulous research on Liang Zongdai's poetics in the 1930s, the author pays more attention to the enlightening significance of Liang Zongdai's poetics to the construction of contemporary poetics in China.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.25
本文编号：2198145
[Abstract]:Following the critical principle of "Internal Research", this paper takes Poems and Truth and two volumes of Poems and Truth as the main objects of study, which represent the highest achievements in poetics of Liang Zongdai in the 1930s. This paper discusses the ideological origin of Liang Zongdai's poetics in the 1930s, the core concepts in poetics, the basic characteristics of poetics, and the theoretical value of poetics. So as to uncover the true value of Liang Zongdai poetics and enlighten the construction of current poetics. This paper is divided into three parts: introduction, text and conclusion: the introduction part briefly describes the historical research results, the practical significance of the research, the research ideas and methods. This paper clarifies the background of this thesis and summarizes the present situation of Liang Zongdai poetics. The text is divided into four chapters. The first chapter explores the ideological origin of Liang Zongdai's 30 s poetics. Liang Zongdai does not simply take and imitate western poetics, but regards western modern poetics as a reference for Chinese modern poetics. On the one hand, Liang Zongdai obtained the inspiration of poetry creation theory from western symbolism poetics, and explored and pursued Poems and Truth tirelessly. On the other hand, Liang Zongdai's poetics in the 1930s dispelled the decadence of symbolism poetics, incorporated a quiet and harmonious characteristic, and pursued a free realm of super-utilitarian and materialistic integration. This western poetics is endowed with distinct national characteristics, thus realizing the highest poetic realm of Chinese and Western integration. The second chapter discusses the core concepts of Liang Zongdai's 30 s poetics: pure poetry, truth and universal consciousness. Liang Zongdai's poetic thoughts in the 1930s are embodied in Poems and Truth and Poems and Truth. He draws poetics elements and spiritual veins from symbolism poetics and ancient Chinese literary theory, and gradually constructs "pure poetry" and "truth". The poetic system in which "the consciousness of the universe" is the core concept. The third chapter discusses the poetic wisdom and the power of seeking truth in Liang Zongdai poetics. Valery and Goethe of the West have a great influence on Liang Zongdai's poetics. On the basis of the combination of Goethe's "Beauty" and "Wisdom" and Valery's "Scientific Truth and intuitive Beauty", Liang Zongdai gradually constructed his own poetics system, forming a distinctive poetic characteristics: poetic wisdom and the force of seeking truth. The fourth chapter aims to expound the theoretical value of Liang Zongdai's poetics. The author thinks that the contribution of poetics in the 1930s is mainly reflected in two aspects, one is the modern aesthetic consciousness in poetics, the other is the new way of poetics construction. Compared with many contemporary poetic theorists, Liang Zongdai poetics has its own unique features. In many respects, his poetics thought touched on the problems which had not been discussed by the predecessors, thus adding richness to the connotation of modern poetics and shining brilliantly in the history of modern poetics. The conclusion part is the summary and summary of the first four chapters of the thesis. On the basis of the thorough and meticulous research on Liang Zongdai's poetics in the 1930s, the author pays more attention to the enlightening significance of Liang Zongdai's poetics to the construction of contemporary poetics in China.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.25
【参考文献】
相关期刊论文 前4条
1 张仁香;;“诗与真”的中西文化蕴含——梁宗岱与歌德、庄子艺术美学精神之关系[J];学术交流;2012年06期
2 许霆;论现代诗学演进中的梁宗岱诗论[J];文艺理论研究;2004年02期
3 廖四平;“纯诗”说·“象征”说·“契合”说——梁宗岱的诗论[J];江苏社会科学;2001年02期
4 段美乔;实践意义上的梁宗岱“纯诗”理论[J];北京大学学报(哲学社会科学版);2001年02期
相关博士学位论文 前1条
1 齐光远;梁宗岱美学思想研究[D];辽宁大学;2008年
相关硕士学位论文 前4条
1 赵艳利;梁宗岱新诗形式理论研究[D];扬州大学;2010年
2 陈捷;超越唯美与崇尚崇高[D];陕西师范大学;2010年
3 王寿鑫;论梁宗岱的诗学观[D];山东师范大学;2009年
4 李超;梁宗岱与中国现代“纯诗”理论[D];福建师范大学;2008年
，本文编号：2198145
本文链接：https://www.wllwen.com/gudaiwenxuelunwen/2198145.html
