《长生殿》经典的生成与重构
发布时间：2018-09-16 20:15
【摘要】：《长生殿》是一部伟大的作品,是中国文学史上当之无愧的经典之作。这部经典之作自问世起,便出现“一时朱门绮席,酒社歌楼,非此曲不奏,缠头为之增价。”(1)的盛况,虽然经历了短暂的禁演期,但短暂的禁演并没有使得《长生殿》销声匿迹,反而比禁演前更加受欢迎。这部经典流传至今仍唱演不衰,有其独特的艺术价值。本文将从《长生殿》这部作品如何成为“经典”?因何解构?如何重构?等角度出发,运用“经典化”理论,分三章来探讨《长生殿》经典形成以及其重构过程:绪论,简单论述了《长生殿》的典范性地位,是当之无愧的经典之作。由此提出论文对“经典”的定义与经典特征的认识。继而,对《长生殿》这部经典的建构要素及其经典特征等方面来梳理当代经典理论领域的研究成果。第一章,从《长生殿》经典性特征角度出发,探讨《长生殿》自身所具备的经典文本特征和经典审美特征,运用文学经典建构理论,分析《长生殿》文本具有独特艺术构思、丰富的可阐释空间和普遍的审美理想、生命价值及其文化价值等要素,并分析这些构建要素对《长生殿》经典地位形成的意义与价值。第二章,从互文性角度出发,观察《长生殿》与《长恨歌》、《梧桐雨》之间的继承和发展。从超文性的角度分析《长生殿》对前人的借鉴、吸收与创造。由此获得《长生殿》经典的“经典化”过程。并从经典建构的外部因素出发,探讨《长生殿》所具有的经典的外部构建要素,分析这些外部因素对《长生殿》经典地位形成的推动作用。第三章,运用经典化理论,分析《长生殿》在解构主义理论和多元文化的影响下而解构,解构了《长生殿》的思想内涵、经典性和权威性。并从经典的重构理论出发:一方面,分析《长生殿》在解构主义理论的影响下,文学史和学术研究对《长生殿》的推介和重塑;另一方面,分析《长生殿》在美术文化、影视文化和网络文化的影响下,以各种形式对《长生殿》经典的重构。通过对《长生殿》经典的解构和重构过程的阐述,从而说明《长生殿》虽然在形式和内容上发生了变化,但其文学经典的地位不可撼动。
[Abstract]:The Hall of Everlife is a great work and a worthy classic in the history of Chinese literature. Since this classic was published, it has appeared that "for a while, Zhu Men Qi Xi, the wine club song building, not this song is not played, and the price is increased by tangles." (1) although it has experienced a short period of ban, But the temporary ban did not make the Hall of Life disappear, but was more popular than it was before the ban. This classic is still sung and performed and has its unique artistic value. How will this work become a "classic" from "the Hall of Life"? Why? How to reconstruct? Based on the theory of "classicalization", this paper discusses the formation and reconstruction process of the "Changsheng Hall" in three chapters: introduction, it is a worthy classic to discuss the exemplary status of the "Changsheng Hall". Therefore, the paper puts forward the definition of "classic" and the understanding of classical features. Then, the author combs the research results of contemporary classical theory on the elements of construction and the characteristics of the classic. In the first chapter, from the perspective of the classical characteristics of the Changsheng Temple, the author discusses the classical text characteristics and the classical aesthetic characteristics of the Changsheng Temple itself, and analyzes the unique artistic conception of the Eternal Hall text by using the literary classical construction theory. The abundant interpretable space and the universal aesthetic ideal, the life value and the cultural value, and so on, and analyzes the significance and value of these construction elements to the formation of the classic status of "the Hall of Changsheng". The second chapter, from the angle of intertextuality, observes the inheritance and development between "the Hall of Everlasting Life" and "Song of Eternal resentment" and "rain of Indus". From the perspective of hypertext, this paper analyzes the reference, absorption and creation of Changsheng Hall to the predecessors. From this, we get the classic process of "classicalization". Starting from the external factors of classical construction, this paper probes into the classical external construction elements and analyzes the role of these external factors in promoting the formation of the classic status. The third chapter uses the classical theory to analyze the deconstruction of Changsheng Hall under the influence of deconstructionism and multiculturalism, and deconstructs the ideological connotation, classics and authoritativeness of Changsheng Temple. Based on the classical reconstruction theory, on the one hand, it analyzes the introduction and remolding of the "Changsheng Hall" by literature history and academic research under the influence of deconstruction theory, on the other hand, it analyzes the art culture of the "Changsheng Hall". Under the influence of film and television culture and network culture, it reconstructs the Classics in various forms. By expounding the process of deconstruction and reconstruction of the Classics of Changsheng Temple, it can be concluded that although the form and content of Changsheng Temple have changed, the status of its literary classics can not be shaken.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.37
本文编号：2244667
[Abstract]:The Hall of Everlife is a great work and a worthy classic in the history of Chinese literature. Since this classic was published, it has appeared that "for a while, Zhu Men Qi Xi, the wine club song building, not this song is not played, and the price is increased by tangles." (1) although it has experienced a short period of ban, But the temporary ban did not make the Hall of Life disappear, but was more popular than it was before the ban. This classic is still sung and performed and has its unique artistic value. How will this work become a "classic" from "the Hall of Life"? Why? How to reconstruct? Based on the theory of "classicalization", this paper discusses the formation and reconstruction process of the "Changsheng Hall" in three chapters: introduction, it is a worthy classic to discuss the exemplary status of the "Changsheng Hall". Therefore, the paper puts forward the definition of "classic" and the understanding of classical features. Then, the author combs the research results of contemporary classical theory on the elements of construction and the characteristics of the classic. In the first chapter, from the perspective of the classical characteristics of the Changsheng Temple, the author discusses the classical text characteristics and the classical aesthetic characteristics of the Changsheng Temple itself, and analyzes the unique artistic conception of the Eternal Hall text by using the literary classical construction theory. The abundant interpretable space and the universal aesthetic ideal, the life value and the cultural value, and so on, and analyzes the significance and value of these construction elements to the formation of the classic status of "the Hall of Changsheng". The second chapter, from the angle of intertextuality, observes the inheritance and development between "the Hall of Everlasting Life" and "Song of Eternal resentment" and "rain of Indus". From the perspective of hypertext, this paper analyzes the reference, absorption and creation of Changsheng Hall to the predecessors. From this, we get the classic process of "classicalization". Starting from the external factors of classical construction, this paper probes into the classical external construction elements and analyzes the role of these external factors in promoting the formation of the classic status. The third chapter uses the classical theory to analyze the deconstruction of Changsheng Hall under the influence of deconstructionism and multiculturalism, and deconstructs the ideological connotation, classics and authoritativeness of Changsheng Temple. Based on the classical reconstruction theory, on the one hand, it analyzes the introduction and remolding of the "Changsheng Hall" by literature history and academic research under the influence of deconstruction theory, on the other hand, it analyzes the art culture of the "Changsheng Hall". Under the influence of film and television culture and network culture, it reconstructs the Classics in various forms. By expounding the process of deconstruction and reconstruction of the Classics of Changsheng Temple, it can be concluded that although the form and content of Changsheng Temple have changed, the status of its literary classics can not be shaken.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.37
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