现代媒介与“新感觉派”文本中感知方式的变迁

发布时间：2018-10-09 21:35

【摘要】：新感觉派是20世纪20年代兴起的中国第一个现代主义小说流派,代表作家有施蛰存、穆时英、刘呐鸥。中国新感觉派是在日本的影响下发展起来的,这是文学史上存活时间较短的小新感觉派,也称现代派。新感觉派突破了传统的小说模式,将都市的整体变异纳入他们的艺术视野里,展现了现代都市机械化生活所造成的人的异化特征。新感觉派作家最早认识到上海的现代性。当时的左翼作家更多地关注“新的内容”,新感觉派作家则更多关注“新的形式”。现代派通过其作品“创造”了认识现代城市的新方式。新感觉派小说通过对身体的现代书写,表达对个体生命生存状态和情感的关注,对现代主义的大胆尝试,对小说体式大胆变革的文学现代性追求,在新文学史上留下了重重一笔。这种被刻意“陌生化”了的都市呈现、影像抒写、异国情调,体现了新感觉派作家对作品审美现代性的自觉探索。新感觉派呈现出来的现代性审美的表现,无论是深度上、广度上皆有助于加深我们对于上世纪三十年代文学的认识。新感觉派刻意用漫游者为途径,发明新的空间实践方式,表达新的视觉性和感知过程,概览新的写作风格和生活时尚。学术界对新感觉派虽不乏研究,但切入点不同,研究的成果也不同。现代媒介技术视角在文学研究领域早已兴起。现代媒体如摄影、幻灯、电影等科技和机械运作而产生的视觉影像,有别于平日单靠肉眼所看到的景象。现代媒体能将细微的事物放大好几十倍,眩目而怪异。这种革命性的发明,为人们提供了过去肉眼前所未见的视像,改变了人们感知世界的方式,带给人们一种巨大的震撼性视觉体验。新感觉派的小说家们创作的几种在形式特征上具有新特质的小说体式,以不同他们较为自觉和熟练地运用着一些现代小说技巧,不断探索着适合写人的“心灵”的表达方式。
[Abstract]:Neo-sensationalism was the first modernist novel school in China in the 1920s, and represented by Shi Zhecun, Mu Shiying and Liu Naogu. Chinese neo-sensualism was developed under the influence of Japan, which is also known as modernism, which has been living for a short time in the history of literature. Neo-sensualism broke through the traditional novel mode, brought the whole variation of the city into their artistic field of vision, and showed the dissimilation characteristic of the modern urban mechanized life. Neo-sensationalist writers were the first to realize the modernity of Shanghai. At that time, left-wing writers paid more attention to "new content", and new-sensational writers paid more attention to "new forms". Through its works, modernists "create" a new way to understand modern cities. Through the modern writing of the body, the new sensationalism expresses the concern about the living state and emotion of individual life, the bold attempt of modernism, and the pursuit of literary modernity, which is a bold change in the style of the novel. In the history of new literature left a lot of money. This kind of "defamiliarization" of the city, the expression of the image, and the exotic atmosphere reflect the conscious exploration of the aesthetic modernity of the works by the writers of the Neo-Sensitive School. The aesthetic expression of modernity presented by Neo-sensationalism, whether in depth or breadth, is helpful to deepen our understanding of the literature of the 1930s. Neo-sensationalism deliberately uses rovers as a way to invent new spatial practices, express new visual and perceptual processes, and outline new writing styles and life styles. Although there is no lack of academic research on the new sensualism, but the breakthrough point is different, the research results are also different. The perspective of modern media technology has long risen in the field of literary research. Modern media, such as photography, slide, film and other technological and mechanical operation of the visual image, different from the ordinary sight of the naked eye alone. Modern media can magnify tiny things dozens of times, dazzling and weird. This revolutionary invention provides people with a visual image never seen before, changes the way people perceive the world, and gives people a tremendous and shocking visual experience. The novelists of Neo-sensationalism have created several novel genres with new characteristics in form. Different from them, they are using some modern novel techniques consciously and skillfully, and they are constantly exploring the expression of "mind" suitable for writing people.
【学位授予单位】：吉首大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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