论莫言小说魔幻现实主义的呈现及意义
发布时间：2018-10-30 12:15
【摘要】：莫言是中国当代著名的小说家,自20世纪80年代开始文学创作,创作了10多部长篇小说、20多部中篇小说和多部短篇小说。莫言是中国第一个荣获诺贝尔文学奖的作家,这个奖项的获得不仅给莫言个人赢得了极大声誉,而且,对中国也有着极其非凡的意义。这不仅表明,中国文学终于得到了世界的认可,同时也表明,世界开始关注中国文学了。莫言之所以取得如此大的文学成就,在于其在借鉴外来文学中魔幻现实主义创作手法的基础上,创作出深刻反映中国某一历史时期的时代风貌和极具中国乡土文化特征的文学作品,从而使自己作品中的魔幻色彩具有深厚的历史意蕴和鲜明的乡土地域特色,正如瑞典皇家文学院的颁奖词所言,莫言的作品是“用虚幻现实主义将民间故事、历史和现代融为一体”。本文试图探讨莫言小说中的魔幻现实主义是如何呈现,以及呈现的意义所在,共分为五部分:引言部分是对莫言研究现状的综述和对研究对象进行说明;第一章探讨莫言对魔幻现实主义的接受及再创作;第二章从小说人物形象和艺术手法两个方面探讨莫言小说中魔幻现实主义的呈现;第三章首先从乡土情结和民间文化滋养两个方面探讨莫言小说中魔幻现实主义呈现的缘由,然后从莫言自我超越和对中国当代文学影响两个方面探讨莫言借鉴西方现代主义创作手法进行小说创作的意义;结语部分主要是对论题进行归纳和综合。
[Abstract]:Mo Yan is a famous contemporary novelist in China. He has created more than 10 novels, 20 novella and many short stories since 1980s. Mo Yan is the first Chinese writer to win the Nobel Prize for Literature. The award not only won Mo Yan's great reputation, but also has great significance for China. This not only indicates that Chinese literature has finally been recognized by the world, but also shows that the world has begun to pay attention to Chinese literature. The reason why Mo Yan has made such great literary achievements lies in his drawing lessons from the magic realism in foreign literature. He has created literary works which deeply reflect the style and features of a certain historical period of China and have the characteristics of Chinese local culture, so that the magic colors in his works have profound historical implications and distinct local regional characteristics. As the prize speech of the Royal Swedish Academy of Arts put it, Mo Yan's work is to "combine folklore, history and modernity with illusory realism." This paper attempts to discuss how the magic realism in Mo Yan's novels presents and its significance. It is divided into five parts: the introduction is a summary of the current situation of Mo Yan's research and an explanation of the object of study; The first chapter discusses Mo Yan's acceptance and re-creation of magic realism, the second chapter discusses the presentation of magic realism in Mo Yan's novels from the aspects of characters and artistic techniques. The third chapter first discusses the causes of magic realism in Mo Yan's novels from two aspects of local complex and folk culture nourishment. Then, from two aspects of Mo Yan's self-transcendence and influence on Chinese contemporary literature, the author discusses the significance of Mo Yan's drawing lessons from western modernism in his novel creation. The conclusion part is mainly to sum up and synthesize the topic.
【学位授予单位】：广西师范学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42
[Abstract]:Mo Yan is a famous contemporary novelist in China. He has created more than 10 novels, 20 novella and many short stories since 1980s. Mo Yan is the first Chinese writer to win the Nobel Prize for Literature. The award not only won Mo Yan's great reputation, but also has great significance for China. This not only indicates that Chinese literature has finally been recognized by the world, but also shows that the world has begun to pay attention to Chinese literature. The reason why Mo Yan has made such great literary achievements lies in his drawing lessons from the magic realism in foreign literature. He has created literary works which deeply reflect the style and features of a certain historical period of China and have the characteristics of Chinese local culture, so that the magic colors in his works have profound historical implications and distinct local regional characteristics. As the prize speech of the Royal Swedish Academy of Arts put it, Mo Yan's work is to "combine folklore, history and modernity with illusory realism." This paper attempts to discuss how the magic realism in Mo Yan's novels presents and its significance. It is divided into five parts: the introduction is a summary of the current situation of Mo Yan's research and an explanation of the object of study; The first chapter discusses Mo Yan's acceptance and re-creation of magic realism, the second chapter discusses the presentation of magic realism in Mo Yan's novels from the aspects of characters and artistic techniques. The third chapter first discusses the causes of magic realism in Mo Yan's novels from two aspects of local complex and folk culture nourishment. Then, from two aspects of Mo Yan's self-transcendence and influence on Chinese contemporary literature, the author discusses the significance of Mo Yan's drawing lessons from western modernism in his novel creation. The conclusion part is mainly to sum up and synthesize the topic.
【学位授予单位】：广西师范学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42
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