重读小说《伤痕》:艺术社会学的视野
发布时间：2018-11-07 16:10
【摘要】：《伤痕》的创作、传播与接受是一次复杂的集体话语实践,是政治场/权力场所制约的文学场中,生产者、分配者、接受者等诸多参与者围绕艺术创新与既有艺术惯例之间所发生的复杂博弈。"革命现实主义"作为旧有艺术惯例对《伤痕》原本遵循的"批判现实主义"路径进行了多重规训,从而使小说在冲突与协商中最终建构起了"伤感现实主义"这一新的艺术惯例。
[Abstract]:The creation, dissemination and acceptance of scar is a complex practice of collective discourse. It is a political field / place of power constrained by the literary field, producers, distributors, Many participants, such as recipients, revolve around the complex game between artistic innovation and established art practices. " Revolutionary realism ", as an old art convention, has redisciplined the path of" critical realism "originally followed by" scar ". Thus, the novel finally constructs the new art convention of "sentimental realism" in conflict and negotiation.
【作者单位】： 北京大学艺术学院;
【分类号】：I207.427
[Abstract]:The creation, dissemination and acceptance of scar is a complex practice of collective discourse. It is a political field / place of power constrained by the literary field, producers, distributors, Many participants, such as recipients, revolve around the complex game between artistic innovation and established art practices. " Revolutionary realism ", as an old art convention, has redisciplined the path of" critical realism "originally followed by" scar ". Thus, the novel finally constructs the new art convention of "sentimental realism" in conflict and negotiation.
【作者单位】： 北京大学艺术学院;
【分类号】：I207.427
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