体验经济下楚文化媒介与现代建筑形态中设计语言的融合

发布时间：2018-04-08 20:37

本文选题：建筑形态　切入点：楚文化媒介　出处：《武汉理工大学》2015年硕士论文

【摘要】：现代建筑的形态设计,在经历了简单几何形态的演变与构成这一阶段后,逐渐回归到传统文化,地域主义设计的兴起将设计师和大众的注意力拉回了地区发展形态及文化特质本身。尤其是在体验经济下,每个建筑乃至城市都需要让自己具有标识性的印记与独特之处.建筑形态已经超出简约化审美的需求,而成为一种传播文化的载体。在此基础上,本文以建筑形态作为切入点,这一点有别于建筑学学科对于建筑类别、结构和功能等方面的探讨与分析,而是依托于设计学的学科领域成果,侧重于形态对文化的传播价值与对美学精神的塑造这一内容。深邃辉煌的楚文化在历史文明的发展历程中占有重要的地位,也为当今各领域的开拓与创新提供了丰富的创作资源。如何承袭传统文化的基因,将荆楚文化的形式语言进行取舍和重塑,并融入到现代设计手法当中,成为值得探讨的课题。体验经济下的设计,寻求主题化,而地域文化是最佳的题材来源之一。文化的介入能够满足体验经济中的教育与审美需求。除了设计在商业活动中的营销价值外,设计中文化的体现对于城市形象的营造及人们地域文化的认同感与归属感的重塑而言都具有十分重要的意义。越来越多的设计师开始研究和探讨楚文化的丰富内容与美学特征,试图从中找到楚文化通往现代审美的契机。对传统文化形态的研究与运用,不能停留在对传统建筑等造物艺术形式的复制上,相较之下,更为重要的是寻找出传统文化媒介的美学特质,并分析成就其美学特质的营造手法,从中提取几何化形态进行异变、构成与组合运用到当地的建筑创作中,使之符合现代审美特征。因此,在结合文化媒介与形态设计的过程中,既要对文化媒介的形态特征与美学特征进行提炼与演绎,又要注重对多元化设计手法的运用与创新。本论文的研究重点在于建立一个多层次的体现楚文化内涵,同时符合现代设计语境的建筑创作手法研究的框架,这一框架涵盖了基本形态的提取异变过程以及基本形态之间的构成与组合关系。本文在实例分析的基础上,归类整理并提炼出符合荆楚建筑风格的设计原则与形态创作手法,为今后荆楚地区特色建筑创作实践提供有价值的参考。
[Abstract]:The form design of modern architecture, after going through the evolution and composition of simple geometric form, has gradually returned to the traditional culture.The rise of regionalism draws the attention of designers and the public back to the form of regional development and cultural characteristics.Especially in the experience economy, each building and even the city needs to have its own identity mark and unique place.The architectural form has gone beyond the demand of simple aesthetic appreciation, and has become a carrier of spreading culture.On this basis, this paper takes the architectural form as the breakthrough point, which is different from the discussion and analysis of architectural category, structure and function in architecture, but based on the achievements of the discipline of design.Focus on the form of cultural dissemination value and the creation of aesthetic spirit this content.The deep and brilliant Chu culture plays an important role in the development of historical civilization and provides rich creative resources for the development and innovation of various fields.How to inherit the genes of traditional culture, to choose and reshape the formal language of Jingchu culture, and to integrate it into modern design techniques has become a topic worthy of discussion.Under the experience economy design, seeks the theming, and the regional culture is one of the best subject matter sources.Cultural intervention can meet the educational and aesthetic needs of the experience economy.In addition to the marketing value of design in commercial activities, the embodiment of culture in design is of great significance to the construction of city image, the recognition of people's regional culture and the remolding of their sense of belonging.More and more designers begin to study and discuss the rich content and aesthetic characteristics of Chu culture, and try to find the opportunity for Chu culture to reach modern aesthetics.The study and application of the traditional cultural form cannot remain in the reproduction of the artistic forms of creation, such as the traditional architecture, but it is more important to find out the aesthetic characteristics of the traditional cultural media.And analysis of its aesthetic characteristics of the means of construction, from the extraction of geometric form for different changes, composition and combination of the local architectural creation, to make it in line with the modern aesthetic characteristics.Therefore, in the process of combining cultural media with morphological design, we should not only refine and deduce the morphological and aesthetic characteristics of cultural media, but also pay attention to the application and innovation of diversified design techniques.The research focus of this paper is to establish a multi-level framework for the study of architectural creation techniques that embodies the connotation of Chu culture and conforms to the context of modern design.This framework covers the extraction process of basic morphology and the composition and combination relationship between basic forms.On the basis of the analysis of examples, this paper classifies and refines the design principles and form creation methods which accord with Jingchu architectural style, and provides a valuable reference for the practice of special architectural creation in Jingchu area in the future.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TU201

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