数字艺术生产德性研究

发布时间：2018-01-11 12:13

本文关键词：数字艺术生产德性研究　出处：《山东师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：当今数字艺术的发展出现了许多社会问题。数字艺术生产作为整个数字艺术体系的起点，，其生产德性的有无直接决定着整个数字艺术环境的优劣。对于数字艺术生产德性的研究分为以下五个部分。第一章：导论。该章节分析了数字艺术生产德性构建的缘由和必要性。第二章：数字艺术生产德性概念界定。数字艺术生产德性指在数字艺术生产活动中生产者生产出的数字艺术产品满足了消费者或者创作者自身的欲求，我们说生产者是有德性的。第三章：职业数字艺术生产德性和自由数字艺术生产德性异同的分析。相同点：二者的德性情感本质是一样的，都是通过艺术生产来产生一种令人身心愉悦的自由情感。不同点：①职业数字艺术生产德性和自由数字艺术生产德性的触发机制是不一样的；②职业数字艺术生产德性和自由数字生产德性的触发对象不同；③职业数字艺术生产德性和自由数字艺术生产德性的德性强弱和广度不同。第四章：分析数字艺术生产中德性的显现、转化策略和转化方法。数字艺术生产中德性的转化策略：①在进行数字艺术创作时尽可能使艺术作品具有真实性；②在进行数字艺术创作时尽可能让艺术作品具有不确定性；③在数字艺术创作过程中尽可能从生活德性中提炼素材。数字艺术生产中德性的转化方法则分三步，数字艺术体验、数字艺术构思、数字艺术传达。第五章：数字艺术生产中真、善、美三大价值的协调、配置和选择原理的分析。数字艺术生产相比较原子艺术生产，真和善的价值成分更重，总体上真、善、美三大价值在数字艺术中的配置更加协调，更加合理。第六章：数字艺术生产德性失范问题研究。①数字艺术生产德性失范现状。包括职业数字艺术生产德性失范和自由数字艺术生产德性失范。②数字艺术生产德性失范原因。数字艺术生产本身是一种极具交互性和虚拟性的生产机制，相比较原子艺术，数字艺术更容易激发受众的自由情感，因而在利益的驱使下，数字艺术生产者忽略了数字艺术生产的精神生产属性而单一的追求物质生产属性导致生产德性失范。③数字艺术生产德性失范的对策研究。首先我们应当着眼于数字艺术生产者的职业操守的构建。其次从数字艺术传播环节来看，应当严格把关数字文化产业信息的流通传播，对那些不健康的信息要坚决排除，禁止涌进数字文化市场。此外净化数字艺术消费环节也是制约数字艺术生产德性失范的一个有效手段。最后国家相关部门应当加强监管力度，完善相应的法律法规。
[Abstract]:Nowadays, there are many social problems in the development of digital art. Digital art production is the starting point of the whole digital art system. The virtue of production directly determines the merits and demerits of the whole digital art environment. The research on the virtue of digital art production is divided into the following five parts. Chapter one: introduction. This chapter analyzes the reason and necessity of constructing the virtue of digital art production. The second chapter: the definition of digital art production virtue. Digital art production virtue refers to the digital art products produced by the producers in digital art production activities to meet the needs of consumers or creators themselves. We say producers are virtuous. The third chapter: professional digital art production virtue and free digital art production virtue similarities and differences. The similarities: the moral emotional nature of the two is the same. It is through artistic production to produce a kind of physical and mental pleasant free emotion. Different points: 1 professional digital art production morality and free digital art production morality trigger mechanism is not the same; (2) the triggering objects of the morality of professional digital art production and the morality of free digital production are different; The virtue of professional digital art production is different from that of free digital art production. Chapter 4th: analysis of the appearance, transformation strategy and method of virtue in digital art production. The transformation strategy of virtue in digital art production: 1 makes the works of art as authentic as possible in the process of digital art creation; (2) to make the works of art as uncertain as possible in the process of digital art creation; In the process of digital art creation, materials are extracted from the virtue of life as far as possible. The transformation of virtue in digital art production is divided into three steps: digital art experience, digital art conception and digital art communication. Chapter 5th: the coordination, disposition and selection of the three values in digital art production. Compared with atomic art production, the value of truth and goodness is more important. The allocation of the three values of the United States in digital art is more harmonious and reasonable. Chapter 6th:. A study on the problems of Ethical anomie in Digital Art production. 1 the present situation of moral anomie in digital art production. 2. The reasons for the loss of virtue in digital art production. 2. Professional digital art production deformities and free digital art production deformities. 2. Digital art production deformities. Digital art production itself is a very interactive and virtual production mechanism. Compared with atomic art, digital art is more likely to stimulate the audience's free feelings, and thus in the interest of the drive. The digital art producer neglects the spirit production attribute of the digital art production, and the single pursuit of the material production attribute leads to the deformities of the production morality. 3. First, we should focus on the countermeasures. The construction of professional ethics of digital art producers. Secondly, from the point of view of digital art communication. We should strictly control the circulation and dissemination of information in the digital cultural industry and resolutely exclude those unhealthy information. In addition, purifying the consumption of digital art is also an effective means to restrict the moral character of digital art production. Finally, the relevant government departments should strengthen the supervision. Perfect the corresponding laws and regulations.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J114

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