作为现代国家手段的市场与传统:中、印经典文本影视剧比较研究

发布时间：2018-02-01 19:24

本文关键词： 经典文本影视剧翻拍传统想象现代性中国印度　出处：《华东理工大学学报(社会科学版)》2017年04期 　论文类型：期刊论文

【摘要】：冷战结束以来,对于绝大多数发展中国家而言,迎来了一个相对稳定的长期发展阶段,这其中包括今天被誉为"金砖五国"的中国和印度。在这一发展过程中,以影视剧为重要代表的文化创意产业,开始逐渐确立自身在产业结构与参与全球竞争中的独特地位。就中、印两国历史经典文本的系列现代影视剧翻拍的内容对比而言,故事主题始终基于各自的理想、使命与现实命运间的张力展开,且各自建构在一套既有的人物角色关系与行动机制之上,"传统"折射国家内在当代整合的叙事需求。中、印两国在选择并有效推进市场经济为主导的现代国家治理机制的同时,也开启了文化共同体新的话语机制,现代性意义上的"国家叙事"需要面对整合"传统"的挑战。
[Abstract]:Since the end of the Cold War, the vast majority of developing countries have ushered in a relatively stable and long-term stage of development, including China and India, which today are known as the "BRICS" countries. The cultural creative industry, which is represented by the film and TV drama, has gradually established its unique position in the industrial structure and the participation in the global competition. Compared with the content of the series of modern film and television drama remake, the theme of the story has always been based on their respective ideals, the tension between the mission and the real destiny. And they are based on a set of existing relationship and action mechanism, "tradition" reflects the country in the contemporary integration of narrative needs. While India and India choose and effectively promote the modern national governance mechanism dominated by market economy, they also open a new discourse mechanism of cultural community. In the sense of modernity, "national narrative" needs to face the challenge of integrating "tradition".
【作者单位】：西南政法大学全球新闻与传播学院;
【分类号】：G114
【正文快照】： 公共政策的主导性议程,以各种释放市场力量的一、背景:市场经济建设与影视产业努力作为解决此前多年保护社会(social-(一)“后冷战”时代的中国与印度protection)的努力带来的经济低效率的措施,带动自上世纪90年代“冷战”结束以后,对于绝大了诸多发达国家和发展中国家财政与

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