徐悲鸿早期美术教育思想中的日本近代美术嬗变因素

发布时间：2018-03-09 06:11

  本文选题：媒介　切入点：传播　出处：《美术研究》2017年02期 　论文类型：期刊论文

【摘要】：20世纪前期,石印、珂罗版等影印技术在中国的普及给书法领域带来一场革命,但这场革命的内容并不仅仅是精确复制这么简单,它还带来了一系列新的书法出版门类,如碑帖单行本、书法全集、各类书法工具书、新式书法史等,这在极大程度上丰富了书法欣赏和取法视野的同时,也在极大程度上改变了书法学习的方式。这样看来,在分析20世纪书法媒介传播变迁的同时注意于这一系列转化背后的文化逻辑,以及这种逻辑在多大程度上反过来影响了20世纪书法风格的变迁,就成为今天重新理解20世纪书法史过程中不可或缺的重要环节。
[Abstract]:In early 20th century, the popularization of lithography and Cologne in China brought a revolution in the field of calligraphy, but the content of this revolution was not only exact reproduction, but also a series of new calligraphy publishing categories. Such as monographs, complete collections of calligraphy, various calligraphy reference books, new calligraphic history, etc., which greatly enriched the appreciation and acquisition of calligraphy, and at the same time greatly changed the way of calligraphy learning. While analyzing the changes of calligraphy media communication in 20th century, it pays attention to the cultural logic behind this series of transformations, and to what extent this logic in turn affected the changes of calligraphy style in 20th century. It has become an indispensable link in the process of reunderstanding the history of calligraphy in 20th century.
【作者单位】： 重庆大学艺术学院;东南大学艺术学院;
【基金】：重庆市社会规划项目[项目号:2014YBS096] 重庆大学中央高校基本科研业务费专项项目[项目号:106112015CDJSK05XK10]
【分类号】：J20-4;J131.3
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本文编号：1587311