海德格尔与德国当代艺术

发布时间：2018-04-08 18:40

本文选题：海德格尔　切入点：现象学　出处：《学术界》2017年08期

【摘要】：海德格尔的《艺术作品的本源》被称为20世纪无与伦比的美学经典。但要进入海德格尔这个文本,我们首先要了解作为其思想基础的现象学哲学,尽管在该文本中根本就没有出现"现象学"一词。进一步,我们要理解海德格尔的艺术理解和艺术规定。最后我们来探讨海德格尔对德国当代艺术的影响。在博伊斯开创的当代艺术中业已隐含和发生了三大转向:从主体主义艺术转向后主体主义艺术;从视觉研究转向物质/物的研究;从手艺技巧转向总体艺术创作。而这三大"转向"都与海德格尔的思想努力有着直接的关联。
[Abstract]:Heidegger's Origin of works of Art is described as an unparalleled aesthetic classic in the 20 th century.But in order to enter Heidegger's text, we must first understand the phenomenological philosophy, which is the basis of his thought, although there is no phenomenology in this text.Further, we should understand Heidegger's art understanding and art regulations.Finally, we discuss Heidegger's influence on German contemporary art.In the contemporary art initiated by Boyce, there have been three major turns: from the art of subjectivity to the art of post-subjectivity, from the study of vision to the study of matter / object, from the skill of craft to the creation of art as a whole.These three "turns" are directly related to Heidegger's ideological efforts.
【作者单位】：同济大学人文学院;
【分类号】：J151.6

【相似文献】