一个革命样板戏的重新包装:徐克《智取威虎山》中的政治与商业（英文）

发布时间：2018-04-30 02:00

本文选题：主旋律电影 + 《智取威虎山》　；参考：《文艺理论研究》2017年05期

【摘要】：徐克2014年的剧情动作片《智取威虎山》是一个研读文革作品在当代语境中的重新浮现,以及该重现与爆发式发展的大陆电影工业之间互动的独特文本。首先考查近年来国家关于电影在文化产业中战略位置的政治话语。通过将徐克的《智取威虎山》文本在国家不断更新的宣传策略和实践中观看,讨论这部作品是如何参与了千禧后文化产业对红色资源和"主旋律"因素多样应用。其次,本文细读徐克电影对于样板戏文本在除"商业美化"之外的意识形态和美学改造。通过讨论电影中两位主人公Jimmy和杨子荣的人物塑造,以探讨该电影文本中潜藏的一项矛盾——一方面,电影所传达的意识价值和国家"回归"革命传统号召产生"共谋",另一方面,此"共谋"又被电影中革命叙述和其他文本传统的杂糅所消解。作为一部在新千年由文革样板戏重新包装成的"准主旋律电影",徐克的商业大片不仅提供了一扇观察政治和商业如何与急剧变化中的大陆电影产业互动的窗口,也愈加凸显了香港导演在回归后"大陆-香港"电影产业此消彼长中的困境。
[Abstract]:Hark's 2014 action film, "taking Weihu Mountain", is a unique text for studying the re-emergence of the Cultural Revolution in the contemporary context and the interaction between the re-emergence and explosive development of the mainland film industry. First, examine the political discourse about the strategic position of the film in the cultural industry in recent years. From the view of Hark's "taking Weihu Mountain" text in the country's constantly updated propaganda strategy and practice, this paper discusses how this work has participated in the various application of red resources and "main melody" factors in the cultural industry after millennial. Secondly, this paper reads carefully the ideological and aesthetic transformation of the model opera text except commercial beautification. By discussing the characters of Jimmy and Yang Zirong, the two protagonists in the film, this paper discusses a hidden contradiction in the film's text, on the one hand, The ideological value conveyed by the film and the call for the country to "return" to the revolutionary tradition resulted in "collusion". On the other hand, the "conspiracy" was dispelled by the mixture of revolutionary narration and other textual traditions in the film. As a quasi-theme film repackaged by the Cultural Revolution model drama in the new millennium, Hark's commercial blockbusters not only provide a window into how politics and commerce interact with the rapidly changing mainland film industry. It also highlights the plight of Hong Kong directors in the rise and fall of the mainland-Hong Kong film industry after the handover.
【作者单位】：美国罗德学院现代语言与文学系;
【分类号】：J943

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