中外合拍片走势及对策

发布时间：2018-05-25 01:21

本文选题：中外电影合拍 + 中美合拍　；参考：《当代电影》2017年01期

【摘要】：当下,中外电影合拍态势已经发生了重大变化,中国和全球多个电影强国开启了合拍与互动。特别是中美和中韩之间的电影合拍,已跃升为新的中外电影合拍主体。中外电影合拍的全面深入,对中国电影的美学和产业都产生了较大的促进作用,特别是在国际化主题表达以及全产业链拓展方面;但中外电影合拍特别是中美和中韩合拍也出现了"水土不服"等一系列问题。为此,中美电影合拍中应遵循两条纯粹的美学路线:要么坚持以中国人视点表现中国人的故事和价值观,要么坚守美国大片的普世价值和类型表达;禁止不伦不类的叙事或文化混搭。中韩合拍电影的创作,则应该站在中国观众的视角进行中国叙事、表述出中国价值观,不要把重点放在故事的新奇性或者中外主创的搭配上。
[Abstract]:At present, Chinese and foreign film co-production situation has undergone major changes, China and a number of film powers around the world to open the coordination and interaction. In particular, the film coordination between China and the United States and South Korea has risen to a new Chinese and foreign film co-production subject. The comprehensive deepening of Chinese and foreign films' co-production has played an important role in promoting the aesthetics and industry of Chinese films, especially in the expression of international themes and the expansion of the whole industry chain. However, Chinese and foreign films, especially the Chinese-American and Chinese-Korean co-productions, also have a series of problems. Therefore, Chinese and American films should follow two pure aesthetic lines: either to express Chinese stories and values from the Chinese perspective, or to stick to the universal values and types of American blockbusters; No narrative or cultural mix is allowed. Chinese and Korean co-production of movies should stand in the perspective of the Chinese audience for Chinese narration, express Chinese values, do not focus on the novelty of the story or Chinese-foreign creative collocation.
【作者单位】：中国艺术研究院影视所;
【分类号】：J943

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