淄博民间工艺文化与当代产业化研究

发布时间：2018-06-02 12:53

本文选题：淄博 + 民间工艺　；参考：《山东大学》2012年博士论文

【摘要】：淄博——海岱之间古老而神奇的土地,曾经哺育出辉煌灿烂的齐文化,而齐文化不仅是我国一支优秀的传统地域文化,更是中华传统文化的主要来源之—和重要组成部分。务实、开放、多元、变革、兼容并蓄的文化品格在“膏壤千里,粟如丘山”且风炎土灼的齐国大地焕发出强大生命力和辐射力,品类繁复、工艺精湛、独树一帜的民间工艺文化便是孕育其中、颇具特色的一枝奇葩。齐文化“重农兴商”的历史传统穿越时空、历久弥新,在21世纪“全球化”的新型经济、文化格局中依然不失借鉴和启迪意义。民间工艺文化更是持续不断地探索新环境中行之有效的发展模式,明晰如何变革民间工艺的传统文化优势形成淄博文化资源的产业优势、如何借助民间工艺的大众文化力量培育出现代化城市的核心竞争力是本文研究的基本目的。在选题、调研和撰写论文的过程中主要使用的研究方法是定性研究中的内容分析法,获得资料的途径包括：实地调查法(与当地的民间艺术家或手工艺者面谈并做记录)、函询法(向当地政府主管部门或民间协会组织发放咨询信函、电子邮件或者打电话)、查阅法(图书馆、民艺馆、博物馆、档案馆和电子资源)等等。历史研究中的时空结合法,在时间与空间的范畴内探索淄博民间工艺文化的发展脉络,阐述事实、揭示意义、解释原因、预测趋势。下面是各部分内容的提要：在引论中明示出淄博民间工艺文化和产业化研究选题的原因和依据。界定民间工艺、文化和产业化等相关概念,并对学术界研究现状进行简要的综述。首先对淄博民间工艺进行类别研究。按照重要性程度依次递减的次序对淄博当地的民间工艺品类进行全面的、客观的历史梳理,理清每种民间工艺的起源、鼎盛、衰落或者消失的时间、地点和代表性事件,由此证明淄博有史以来确实是民间工艺文化较为发达的地区。具体民间工艺品类包括最主要的陶瓷和丝绸(此亦为中国最为典型的传统手工艺)及其衍生品刻瓷工艺、琉璃工艺以及内画工艺、淄砚工艺、铜响乐器、蹴鞠制造工艺等等不一而足。其次深入分析了博民间工艺发展的原因。主要是针对淄博各种民间工艺,分析其产生、鼎盛、衰落和消亡的原因,包括自然地理因素和社会历史因素两部分。比如地理位置、地质地貌、气候气象和自然资源禀赋优势,尤其是煤炭、矿石、铁、铜等主要矿产资源以及农副产品资源等,此为相对稳定的地理决定性。而社会历史因素比之自然地理因素的影响更为深刻、复杂和富于变化,诸如生产力水平、生产关系状态、国家政治制度、阶级阶层关系等经济基础和上层建筑的影响和制约。同时,每个不同的历史阶段所处的社会环境包括流行时尚、风俗习惯等外部因素以及淄博地区广大民众的品格气质、心理素质和价值观念等内在因素都会共同作用于民间工艺文化的形成和发展过程中。再次全面分析了是淄博民间工艺文化的内涵。第一触及淄博民间工艺文化的精神内核,亦即造物思想。淄博民间工艺文化的造物思想包含民众的智慧与理想,或“备物致用”的实用诉求或“文质彬彬”的审美意趣或“心手相传”的技能巧思,民间工艺匠人借用材质、配方、色彩、线条、形体等工艺语言表达出内心情感和精神追求。第二在淄博民间工艺文化与地方民族传统文化关系的解读中勾勒出淄博民众典型性格特征,摹写民间艺人传统的社会生活与生产状况,关照民间工匠的艰苦奋斗与执着信念。第三归纳淄博民间工艺文化的生命周期性规律,描绘主流民间工艺文化生命中历经“缓慢积累的成长期——理性选择的成熟期——无奈蛰伏的衰退期——华丽转身的复兴期——不可限量的再生期”的跌宕路径,‘藉此在思想上对民间工艺文化发展产业化做出准备。复次是对淄博民间工艺文化当代产业化的研究。首先将上述各种淄博民间工艺再次进行分类,明确不同民间工艺文化资源的归宿问题；然后基于对选择性产业化理念的认同解决“产业化”的道路选择问题。按照选择性开发战略思路进行市场客体分类——文化标本、文化作品抑或文化产品；按照国家文化产业振兴规划的宏观思路进行淄博民间工艺文化产业的市场角色定位——政府、投资者、劳动者和消费者如何定位；按照多元化市场发展多维思路进行民间工艺文化产业的市场开拓,旅游业、体育娱乐业、艺术品行业、网络市场范畴、国际贸易领域等等。最后对全文内容进行总结并对该选题展开进一步思考。主要结论是：结论之一：淄博民间工艺文化历史悠久、特色鲜明,其发展动因基本确证。结论之二：淄博民间工艺文化有着深刻而独特的内涵。结论之三：淄博民间工艺文化发展产业化既有必要性又有可行性。结论之四：淄博民间工艺文化产业化之路需要采取选择性战略并重新进行市场主体界定和有针对性的市场开拓。本文的创新点在： 1.研究视角的创新。本论题试图站在社会文化的基点上,将视线向下投射,着眼于一个城市的“小传统”即大众文化,但是并不是回避和排斥“大传统”即精英文化,反而是要努力在精英文化的脉络中摸到大众文化的脉搏,亦即尝试在正统的历史研究成果中找到同时代的大众文化尤其是民间工艺文化现象背后的本质原因。 2.对淄博城市形象评价的创新。淄博自古为齐国封地,“五霸之首”、“战国七雄”是其鼎盛的标志性形象。曾经“泱泱大风”的齐国所恃“鱼盐之利”随属地减少逐渐转型成为现代山东一内陆城市,传统的纺织工业、陶瓷工业联合新型煤炭工业和石油工业树立起淄博“工业城市”的形象,然淄博凭借曾经辉煌之“齐国”遗风,欲将重振其文化与经济并立之形象,还原本来应有之面目亦非不可能之事。 3.淄博民间工艺文化产业发展的战略创新。淄博的民间工艺文化以传统陶瓷和丝织工艺为轴心随时代不断演化出新的民间工艺品类,但是现代化机器大生产模式在陶瓷和纺织行业的成功并不能成为其他民间工艺同样可以效仿的佐证。为此本论文提出了“淄博民间工艺文化产业化发展的选择性战略”。简言之,在开发和利用文化产业资源的淄博民间工艺文化资源时要基于“选择性”原则区别对待,多元并行,方能取长补短各得其所。 4.淄博民间工艺产业市场道路选择的创新。本论文提出“继续发展轻工制造业(陶瓷工业、丝绸纺织业)、重点开创商业和服务业的创新协作,同时加强外围产业的辅助和保护”的市场开拓思路。特别是民间工艺文化与艺术品市场、旅游业和旅游商品市场、专业批发市场以及国际市场的层次化结合,同时兼顾金融、广告、教育和法律等环境建设。新模式、新思路、新策略和新方法在文化产业战略的大背景下显得益发突出和紧迫。
[Abstract]:Zibo - the ancient and miraculous land between Hai Dai, once nurtured brilliant Qi Wenhua, and Qi culture is not only an excellent traditional regional culture in our country, but also the main source and important part of Chinese traditional culture. "Qiu Shan" and the burning Qi land of the wind in the wind, radiate the powerful vitality and radiant force, the category is complex and the craft is exquisite. The unique folk craft culture is a wonderful flower which is pregnant with its distinctive features. The historical tradition of "heavy agriculture and business" in Qi Culture has passed through the time and space, and in the twenty-first Century, the new economy and culture of "globalization" The folk craft culture is a continuous exploration of the effective mode of development in the new environment. It is clear how to change the traditional cultural advantages of the folk craft to form the industrial advantage of Zibo cultural resources, and how to cultivate the core of the generation of the generation of the city with the help of the great cultural power of the folk craft. Competitiveness is the basic purpose of this study.
The main methods used in the process of selecting, investigating and writing papers are the content analysis method in qualitative research. The ways to obtain information include: field investigation method (with local folk artists or craftsmen), inquiry method (to the local government management department or the civil association organization to issue letters and letters, electronic) Mail or telephone), access to law (library, museum, museum, archives and electronic resources) and so on. In historical research, time and space method is used to explore the development of Zibo folk arts and crafts culture in the scope of time and space, to explain the facts, to reveal the meaning, to explain the reasons and to predict the trend.
The following is the summary of the contents of each part:
In the introduction, it shows the reasons and basis for the topic selection of Zibo folk arts and crafts culture and industrialization, defines the related concepts of folk craft, culture and industrialization, and gives a brief overview of the research status of the academia.
First of all, the classification of folk arts and crafts in Zibo was studied. According to the order of descending order of importance to the local folk crafts in Zibo, a comprehensive and objective historical combing was made to clarify the origin, prosperity, decline or disappearance of each kind of folk arts and crafts, which proved that Zibo was indeed a people in history. The specific folk arts and crafts include the most important ceramics and silk (this is also the most typical traditional handicraft in China) and its derivative ceramic technology, glazed technology and interior painting technology, Zi Yan technology, copper ringing instrument, Cuju manufacturing and so on.
Secondly, the reasons for the development of folk arts and crafts are analyzed in depth. The main reasons are the reasons for the emergence, prosperity, decline and extinction of various folk arts and crafts in Zibo, including two parts of natural geography and social and historical factors, such as geographical location, geological and geomorphology, climate and natural resources, especially coal, ore, iron and copper. Such as major mineral resources and agricultural and sideline products, this is a relatively stable geographical determinant, and social and historical factors are more profound, complex and varied, such as the productivity level, the state of production relations, the economic foundation of the state political system, class stratum relations and the influence and system of the superstructure. At the same time, the social environment in each of the different historical stages includes the external factors such as fashion, customs, and other external factors, as well as the character and temperament of the masses of the people in Zibo, the psychological quality and the values of values, all of which will work together in the formation and development of the folk arts and crafts culture.
The connotation of the folk arts and crafts culture in Zibo is analyzed again. The first touch of the spiritual core of the folk craft culture of Zibo, that is, the thought of creation, includes the wisdom and ideal of the folk arts and crafts of Zibo, or the practical appeal of "preparation for use" or the aesthetic interest of "Wen Zhibin bin" or "hand in hand". The folk craft craftsmen express their inner feelings and spiritual pursuit by borrowing material, formula, color, line, form and other technological languages. Second in the interpretation of the relationship between the folk craft culture and the local traditional culture in Zibo, the typical character characteristics of the people of Zibo are outlined, and the traditional social life and production status of the folk artists are described. The hard struggle and persistent belief of the folk craftsmen. Third to sum up the life cycle law of the folk craft culture in Zibo, to describe the "slow accumulated growth period" in the life of the mainstream folk craft culture - the mature period of the rational choice - the helplessly dormant period - the revival period of the luxuriant turn - the unlimited period of regeneration. This is the way to make preparations for the industrialization of folk arts and crafts culture.
The second time is the study of the contemporary industrialization of the folk arts and crafts in Zibo. First, we classify the various Zibo folk arts and crafts again, and make clear the problem of the fate of different folk arts and crafts. Then, based on the identification of the concept of selective industrialization, the problem of road selection of "industrialization" is solved. The strategy of selective development is based on the strategy of selective development. Carry on the classification of the object of the market - cultural specimens, cultural works or cultural products. According to the macro thinking of the national cultural industry rejuvenation planning, the market role of Zibo folk craft and culture industry - the positioning of the government, the investors, the workers and the consumers, and the multidimensional thinking of the pluralistic market to carry out the folk workers The market development of art and culture industry, tourism industry, sports entertainment industry, art industry, network market category, international trade field and so on.
Finally, the contents of the full text are summarized and further thoughts on the topic are given.
Conclusion: Zibo folk craft culture has a long history and distinct characteristics, and its development motivation is basically confirmed.
Conclusion two: Zibo folk arts and crafts culture has profound and unique connotations.
Conclusion three: industrialization of Zibo folk arts and crafts culture is both necessary and feasible.
Conclusion four: the path of industrialization of Zibo's folk arts and crafts needs selective strategies and re definition of market subjects and targeted market development.
The innovation points of this article are:
1. the innovation of the perspective of the study. This thesis tries to stand on the basis of social culture, to project the sight down, to focus on the "small tradition" of a city, the popular culture, but not to avoid and reject the "great tradition", the elite culture, but to try to find the pulse of mass culture in the vein of elite culture. The historical findings of the study find the underlying reasons behind the contemporary popular culture, especially the folk arts and crafts culture.
2. the innovation of the city image evaluation of Zibo. Zibo has been the seal in ancient China, "the first of the five bullies", "the seven male of the Warring States" is the symbol image of its heyday. The coal industry and the oil industry set up the image of the "industrial city" of Zibo, but Zibo, with its once brilliant "Qi State" remains, would like to restore the image of its culture and economy, and it is not impossible to restore its original face.
3. the strategic innovation of the development of the folk craft and culture industry in Zibo. The folk craft culture of Zibo has evolved the new folk arts and crafts with the traditional ceramic and silk weaving technology as its axis, but the success of the modern machine production mode in the ceramics and the textile industry can not be the proof that other folk arts and crafts can imitate. Therefore, this paper puts forward the "selective strategy for the industrialization of Zibo folk craft and culture". In short, it should be treated by the principle of "selectivity" in developing and utilizing the resources of cultural industry in Zibo.
4. the innovation of the choice of market road in Zibo folk craft industry. This paper puts forward that "continue to develop light industry manufacturing industry (ceramic industry, silk textile industry), focus on innovation and cooperation of business and service industry, and strengthen the auxiliary and protection of peripheral industries", especially the folk craft culture and art market, tourism industry. With the combination of tourism commodity market, professional wholesale market and international market, the environment construction of finance, advertising, education and law is taken into consideration. New models, new ideas, new strategies and new methods are becoming more and more prominent and urgent in the background of the cultural industry strategy.
【学位授予单位】：山东大学
【学位级别】：博士
【学位授予年份】：2012
【分类号】：J520.9;G124

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