我国民办博物馆文化服务的经营性研究
发布时间：2018-08-13 21:31
【摘要】：博物馆的概念最初由西方提出,博物馆由人们心里潜在的收藏意识而来,到了今天,我国博物馆在体制上主要分为公办与民办。随着经济的发展,“文化立国”政策的出台,广大民众生活水平的不断提高,一些具有收藏基础和经济实力的社会各界人士,纷纷通过创办民办博物馆,来达到保护、传承文化的内心诉求,投身又一波的文化大潮中,因此各种各样的民办博物馆如雨后春笋般出现,也无可避免的出现了定位混乱、法律不完善、功能缺失等众多问题。我国民办博物馆的开端大抵可以从改革开放算起,国外民办博物馆的发展时间更长,我们用由来已久的一般博物馆学的思维去看民办博物馆,或是用一般博物馆建设的标准来衡量在我国还是成长期的民办博物馆固然无错,但也显得不够准确,类似于选址、藏品收藏等问题自然要参考一般博物馆学的建设标准,但提供一种更为准确,更为人性的文化服务满足目前受众的文化需求,不离公益性文化事业这条主线的同时自谋出路,开展经营性的文化活动,这种活动可以是“赢利”的,但绝不是我们一般看到的利用民办博物馆来进行纯粹的商业“营利”行为。而在民办博物馆文化服务经营的过程当中,或多或少都会涉及文化产业的诸多内容,因此以事业扶持产业,以产业支撑事业,坚持创新为先的同时追根溯源,正本清源是我国民办博物馆从求救到自救的不二途径。
[Abstract]:The concept of museum was first put forward by the west, and the museum came from people's latent consciousness of collection. Today, museums in our country are mainly divided into public and private ones. With the development of the economy, the introduction of the policy of "building a country by culture" and the continuous improvement of the living standards of the general public, some people from all walks of life who have the basis of collecting and economic strength have established private museums one after another to achieve protection. Inheriting the inner appeal of culture, join in another wave of cultural tide, so a variety of private museums sprang up like a spring rain, but also inevitably appeared in the confusion of positioning, imperfect law, lack of function and many other problems. The beginning of private museums in China can probably be reckoned from the beginning of reform and opening up, and the development of private museums in foreign countries has been even longer. We use our long-standing thinking of general museology to visit private museums. Or using the standard of general museum construction to measure that there is no mistake in the growing up of a private museum in our country, but it is also not accurate enough. Problems such as site selection, collection of collections, and so on, naturally have to refer to the construction standards of general museology. However, to provide a more accurate and more humane cultural service to meet the cultural needs of the current audience, and to find its own way out at the same time while the main line of public welfare cultural undertakings is the main line, to carry out profitable cultural activities, this kind of activity can be "profitable." But it is by no means the purely commercial "profit" that we see using private museums. In the process of cultural service management of private museums, many contents of cultural industry will be involved more or less. Therefore, to support the industry, to insist on innovation as the first step, and to trace back to the root of the industry at the same time. Qingyuan is the only way for private museums to save themselves.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：G268.8
本文编号：2182246
[Abstract]:The concept of museum was first put forward by the west, and the museum came from people's latent consciousness of collection. Today, museums in our country are mainly divided into public and private ones. With the development of the economy, the introduction of the policy of "building a country by culture" and the continuous improvement of the living standards of the general public, some people from all walks of life who have the basis of collecting and economic strength have established private museums one after another to achieve protection. Inheriting the inner appeal of culture, join in another wave of cultural tide, so a variety of private museums sprang up like a spring rain, but also inevitably appeared in the confusion of positioning, imperfect law, lack of function and many other problems. The beginning of private museums in China can probably be reckoned from the beginning of reform and opening up, and the development of private museums in foreign countries has been even longer. We use our long-standing thinking of general museology to visit private museums. Or using the standard of general museum construction to measure that there is no mistake in the growing up of a private museum in our country, but it is also not accurate enough. Problems such as site selection, collection of collections, and so on, naturally have to refer to the construction standards of general museology. However, to provide a more accurate and more humane cultural service to meet the cultural needs of the current audience, and to find its own way out at the same time while the main line of public welfare cultural undertakings is the main line, to carry out profitable cultural activities, this kind of activity can be "profitable." But it is by no means the purely commercial "profit" that we see using private museums. In the process of cultural service management of private museums, many contents of cultural industry will be involved more or less. Therefore, to support the industry, to insist on innovation as the first step, and to trace back to the root of the industry at the same time. Qingyuan is the only way for private museums to save themselves.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：G268.8
【参考文献】
相关硕士学位论文 前1条
1 翁佳铃;以毕尔包分馆案例与台中分馆筹建案例解析古根海姆美术馆的国际分馆扩张模式[D];中央美术学院;2007年
，本文编号：2182246
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