城市视角下的文化创意产业研究
发布时间：2018-08-25 18:00
【摘要】：从理论视角来看，对文化创意产业进行研究被视为经济地理研究中文化转向趋势的一部分，作为经济学与地理学交叉学科的区域经济学理应对其进行系统研究，将其纳入本学科研究体系，以推进自身的发展。而从区域经济学自身研究体系来看，区位选择与聚集是这一体系的核心内容，但无论是农业区位论还是工业区位论，它们都是后工业社会之前的产物，它们都忽视了对人的能动性与社会人文因素的分析，这使得它们都无法有效解决以人才为主要投入要素的文化创意产业的区位选择与聚集问题。同时，区域经济学缺少微观基础，这是导致该学科不能彻底融入主流经济学大家庭的根本所在，而区位选择到聚集的逻辑演绎被视为填补这一缺失的合适选择。因此，研究文化创意产业的区位选择与聚集问题，并沟通二者间的逻辑演绎，既是对社会科学领域文化转向趋势的回应，也是对区域经济学自身体系框架在后工业社会下的更新与填充。 从现实视角来看，文化创意产业被广泛视为后工业社会时代背景下，主导城市未来发展与支撑城市经济体系持续更新的新型产业形态，是城市经济竞争力与文化竞争力的重要组成部分，我国各级城市都对其投以了极大的热情，掀起了发展文化创意产业的高潮。虽然文化创意产业在我国各级城市中都有了不同程度的发展，但作为高端产业，它是否适合在所有城市中大范围发展仍是一个需要慎重考虑的问题，研究文化创意产业的区位选择与聚集影响因素为准确回答这一问题提供了有价值的理论参考。在后工业时代，产业结构升级就是产业结构的软化，文化创意产业发展既是产业结构升级的产物，也是进一步促进产业结构升级的动力。因此，文化创意产业与产业结构软化间存在双向互动，透彻理解这种互动关系，也为解答文化创意产业是否适合在所有城市中大范围发展提供了一个参考。另一方面，文化创意产业是提升城市文化竞争力，即软实力的有效途径，对其进行研究，有助于城市软实力提升方面做到有的放矢。 以上内容构成了本文的研究重点，本文的研究主要分为三大部分，共计七章。第一部分为本文的引论，包括第一章及第二章。第一章主要阐述了本文的选题背景、选题意义、核心概念界定及中外文献综述，并对全文的写作框架及创新点等内容进行了概括性说明。第二章的内容在于说明为何城市应该是文化创意产业研究的最佳视角，本章简要分析了城市、经济与文化三者间的两两互动关系，说明了文化创意产业的城市属性，为下文的写作进行了必要的铺垫。 第二部分为本文的核心章节，包括第三章到第六章，依据文章的内容特点，将其分为上下两篇。 上篇包括第三章及第四章，可视为对文化创意产业的微观分析。第三章分析了文化创意产业的区位(城市)选择问题，在概述传统区位理论的缺陷及相应改进后，引入城市便利性及相关理论。并以此为基础，采用两段论式的分析方法，首先分析文化创意产业从业者的区位选择问题，然后分析文化创意企业的区位选择问题，，较为完备的解决了文化创意产业的区位选择问题。第四章是第三章的逻辑递进，在简要回顾聚集理论之后，仍采用两段论式的分析方法，系统论述了文化创意产业从区位选择到聚集的逻辑演绎过程。之后，应用多元回归模型，采用逐步回归方法，实证分析了我国文化创意产业城市聚集的影响因素。 下篇包括第五章及第六章，可视为文化创意产业的宏观分析。第五章分析了文化创意产业发展与产业结构软化的双向互动关系，并以文化创意产业数据获取相对容易的北京及上海两市进行了实证研究。以北京市数据为基础建立的面板模型实证结果，显示产业结构前向软化极大的促进文化创意产业的发展；以上海市数据为基础进行的投入产出分析，在印证产业结构前向软化的促进文化创意产业发展的同时，也证明了文化创意产业的发展对产业机构后向软化存在促进作用。第六章分析了文化创意产业与城市软实力的关系，城市吸引力、城市凝聚力及城市形象是城市软实力的重要组成部分，文化创意产业的发展有助于城市吸引外部人口及资金；有利于城市精神文明建设和和谐社会建设；有益于城市更新及城市营销，是城市软实力提升的重要载体。 第三部分为本文的结论部分，包括第七章。这一章首先分析了我国文化创意产业发展及研究中存在的主要问题，并提出了相关解决设想。最后对本文进行了概略性总结，并指出了未来的研究重点所在。
[Abstract]:From the perspective of theory, the study of cultural creative industries is regarded as part of the trend of cultural turn in the study of economic geography. As an interdisciplinary subject of economics and geography, regional economics should systematically study it and bring it into the research system of this subject in order to promote its own development. Location selection and agglomeration are the core contents of this system, but both agricultural and industrial location theories are the products before the post-industrial society. They neglect the analysis of human initiative and social and humanistic factors, which makes them unable to effectively solve the cultural creation with talent as the main input factor. At the same time, the lack of micro-economic foundation in regional economics is the fundamental reason why this subject can not be fully integrated into the mainstream economics family, and the logical deduction from location selection to agglomeration is regarded as the appropriate choice to fill this gap. The logical deduction between the two is not only a response to the trend of cultural turn in social sciences, but also a renewal and filling of the framework of regional economics in the post-industrial society.
From a realistic point of view, cultural and creative industries are widely regarded as a new type of industrial form that will lead the future development of cities and sustain the continuous renewal of urban economic system under the background of post-industrial society. It is an important part of urban economic competitiveness and cultural competitiveness. Cities at all levels in China have invested great enthusiasm in it and set off a new start. Although cultural and creative industries have developed in different levels of cities in China, as a high-end industry, whether it is suitable for large-scale development in all cities is still a question that needs to be carefully considered. In the post-industrial era, the upgrading of industrial structure is the softening of industrial structure. The development of cultural and creative industries is not only the product of the upgrading of industrial structure, but also the motive force to further promote the upgrading of industrial structure. On the other hand, cultural and creative industries are an effective way to enhance the city's cultural competitiveness, i.e. soft power. Studying them is helpful to enhance the city's soft power.
The first part is the introduction of this paper, including the first chapter and the second chapter. The first chapter mainly elaborates the background, significance, definition of core concepts and literature review at home and abroad. The content of the second chapter is to explain why cities should be the best perspective for the study of cultural and creative industries. This chapter briefly analyzes the two-to-two interaction among cities, economy and culture, explains the urban attributes of cultural and creative industries, and paves the way for the following writing.
The second part is the core chapter of this article, including the third chapter to the sixth chapter, according to the content characteristics of the article, it is divided into two parts.
Chapter 3 analyzes the location (city) selection of cultural and creative industries. After summarizing the defects of traditional location theory and corresponding improvements, the paper introduces urban convenience and related theories. On this basis, it adopts the method of two-paragraph analysis. Firstly, it analyzes the location (city) selection of cultural and creative industries. This paper analyzes the location selection of cultural and creative industries practitioners, and then analyzes the location selection of cultural and creative enterprises, which solves the problem of location selection of cultural and creative industries more completely. The logical deduction process from location selection to agglomeration of cultural and creative industries is studied. Then, the influencing factors of urban agglomeration of cultural and creative industries in China are empirically analyzed by using multiple regression model and stepwise regression method.
Chapter 5 analyzes the mutual relationship between the development of cultural and creative industries and the softening of industrial structure, and makes an empirical study of Beijing and Shanghai, which are relatively easy to obtain the data of cultural and creative industries. The empirical results show that the forward softening of industrial structure greatly promotes the development of cultural and creative industries; the input-output analysis based on Shanghai data confirms that the forward softening of industrial structure promotes the development of cultural and creative industries, and also proves the existence of backward softening of cultural and creative industries on industrial institutions. Chapter 6 analyzes the relationship between cultural and creative industries and urban soft power. Urban attraction, urban cohesion and urban image are important components of urban soft power. Urban renewal and urban marketing are important carriers for upgrading the soft power of cities.
The third part is the conclusion of this paper, including the seventh chapter. This chapter first analyzes the main problems existing in the development and research of China's cultural and creative industries, and puts forward relevant solutions.
【学位授予单位】：南开大学
【学位级别】：博士
【学位授予年份】：2012
【分类号】：G124
本文编号：2203668
[Abstract]:From the perspective of theory, the study of cultural creative industries is regarded as part of the trend of cultural turn in the study of economic geography. As an interdisciplinary subject of economics and geography, regional economics should systematically study it and bring it into the research system of this subject in order to promote its own development. Location selection and agglomeration are the core contents of this system, but both agricultural and industrial location theories are the products before the post-industrial society. They neglect the analysis of human initiative and social and humanistic factors, which makes them unable to effectively solve the cultural creation with talent as the main input factor. At the same time, the lack of micro-economic foundation in regional economics is the fundamental reason why this subject can not be fully integrated into the mainstream economics family, and the logical deduction from location selection to agglomeration is regarded as the appropriate choice to fill this gap. The logical deduction between the two is not only a response to the trend of cultural turn in social sciences, but also a renewal and filling of the framework of regional economics in the post-industrial society.
From a realistic point of view, cultural and creative industries are widely regarded as a new type of industrial form that will lead the future development of cities and sustain the continuous renewal of urban economic system under the background of post-industrial society. It is an important part of urban economic competitiveness and cultural competitiveness. Cities at all levels in China have invested great enthusiasm in it and set off a new start. Although cultural and creative industries have developed in different levels of cities in China, as a high-end industry, whether it is suitable for large-scale development in all cities is still a question that needs to be carefully considered. In the post-industrial era, the upgrading of industrial structure is the softening of industrial structure. The development of cultural and creative industries is not only the product of the upgrading of industrial structure, but also the motive force to further promote the upgrading of industrial structure. On the other hand, cultural and creative industries are an effective way to enhance the city's cultural competitiveness, i.e. soft power. Studying them is helpful to enhance the city's soft power.
The first part is the introduction of this paper, including the first chapter and the second chapter. The first chapter mainly elaborates the background, significance, definition of core concepts and literature review at home and abroad. The content of the second chapter is to explain why cities should be the best perspective for the study of cultural and creative industries. This chapter briefly analyzes the two-to-two interaction among cities, economy and culture, explains the urban attributes of cultural and creative industries, and paves the way for the following writing.
The second part is the core chapter of this article, including the third chapter to the sixth chapter, according to the content characteristics of the article, it is divided into two parts.
Chapter 3 analyzes the location (city) selection of cultural and creative industries. After summarizing the defects of traditional location theory and corresponding improvements, the paper introduces urban convenience and related theories. On this basis, it adopts the method of two-paragraph analysis. Firstly, it analyzes the location (city) selection of cultural and creative industries. This paper analyzes the location selection of cultural and creative industries practitioners, and then analyzes the location selection of cultural and creative enterprises, which solves the problem of location selection of cultural and creative industries more completely. The logical deduction process from location selection to agglomeration of cultural and creative industries is studied. Then, the influencing factors of urban agglomeration of cultural and creative industries in China are empirically analyzed by using multiple regression model and stepwise regression method.
Chapter 5 analyzes the mutual relationship between the development of cultural and creative industries and the softening of industrial structure, and makes an empirical study of Beijing and Shanghai, which are relatively easy to obtain the data of cultural and creative industries. The empirical results show that the forward softening of industrial structure greatly promotes the development of cultural and creative industries; the input-output analysis based on Shanghai data confirms that the forward softening of industrial structure promotes the development of cultural and creative industries, and also proves the existence of backward softening of cultural and creative industries on industrial institutions. Chapter 6 analyzes the relationship between cultural and creative industries and urban soft power. Urban attraction, urban cohesion and urban image are important components of urban soft power. Urban renewal and urban marketing are important carriers for upgrading the soft power of cities.
The third part is the conclusion of this paper, including the seventh chapter. This chapter first analyzes the main problems existing in the development and research of China's cultural and creative industries, and puts forward relevant solutions.
【学位授予单位】：南开大学
【学位级别】：博士
【学位授予年份】：2012
【分类号】：G124
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