阜新玛瑙雕产业化发展变迁研究
发布时间：2019-06-04 02:15
【摘要】：如何看待非物质文化遗产的产业化发展及发展过程中非物质文化遗产所经历的变迁,是一个广受学术界关注和争议的话题。 早在清朝,阜新地区便有官府组织开采玛瑙,彼时民间亦有人以挖掘、贩售玛瑙为生,并开办起火石社,阜新玛瑙雕产业化发展正发端于此。建国后,北京、河北等地的师傅到阜新传授雕刻技艺,1964年阜新市玛瑙玉器厂的建立成为阜新玛瑙雕产业化发展的重要标志。改革开放以后,当地从业人员在与外界的多重互动中不断钻研雕刻技法、创新设计理念和升级产业模式,传承“素活”、创新“雅活"。2006年,阜新玛瑙雕被列入第一批国家级非物质文化遗产代表作名录。玛瑙雕现已成为阜新的文化名片。 本文立足于田野调查,综合运用文献法,探究自近代以来阜新玛瑙雕在产业化发展中所经历的变迁及动因,试图找出变迁发生的合理性,进而提出推进产业化发展的措施。 全文分为绪论、正文和结语三个部分,六个章节。 绪论部分主要阐明研究缘起、界定研究范围、厘定关键概念、综述相关文献及介绍调查方法。通过回顾文化变迁的理论和相关的研究,笔者发现关于阜新玛瑙雕的产业化发展变迁的学术研究尚处于起步阶段。 第一章主要阐述玛瑙颜色审美观念及玛瑙雕构图设计的变迁,指出玛瑙变色技术的衰落以及“俏色”“俏形”的独创彰显着玛瑙料石运用新法则的确立。 第二章主要介绍玛瑙雕刻技艺的主要流程和技艺传承在形式上与内容上的变迁,阐明玛瑙雕工艺美感的独创源自于与“他者”的互动中对自我的塑造。 第三章主要介绍玛瑙文化价值的传统认识和当代塑造,特别是当代展会、文化节的兴办以及民间故事、京剧、书画等文学艺术形式的繁荣已经成为推广玛瑙文化的重要文化载体。进而推出玛瑙文化是玛瑙雕产业化发展的核心动力。 第四章主要指出变迁发生的内、外动因并针对产业发展现状提出相关策略。内部动因源自民间艺术本体意识发展,是资源枯竭型城市转型发展背景下资源意识变迁的必然结果；外部动因来自于文化事业与文化产业并行发展的时代因素。 结语部分综述全文,并指出非物质文化遗产具有动态传承特点,社会各界应正视其所经历的变迁。
[Abstract]:How to treat the industrialization development of intangible cultural heritage and the changes experienced by intangible cultural heritage in the process of development is a topic that has been widely concerned and controversial in academic circles. As early as the Qing Dynasty, the government organized the mining of agate in Fuxin area. At that time, some people also excavated, sold and sold agate for a living, and set up a flint society. After the founding of the people's Republic of China, masters from Beijing, Hebei and other places went to Fuxin to impart carving skills. In 1964, the establishment of Fuxin agate jade factory became an important symbol of the industrialization of Fuxin agate carving. After the reform and opening up, the local practitioners continue to delve into engraving techniques, innovate the design concept and upgrade the industrial model in the course of their multiple interactions with the outside world, inherit the "plain work" and innovate the "elegant work". In 2006, Fuxin agate carving was listed as the first batch of national intangible cultural heritage representative works. Manube carving has now become Fuxin's cultural business card. Based on the field investigation and the comprehensive use of literature method, this paper probes into the changes and causes of Fuxin agate carving in the industrialization development since modern times, tries to find out the rationality of the changes, and then puts forward some measures to promote the industrialization development. The full text is divided into three parts: introduction, main body and conclusion, and six chapters. The introduction mainly expounds the origin of the study, defines the scope of the study, determines the key concepts, summarizes the relevant literature and introduces the investigation methods. By reviewing the theory of cultural change and related research, the author finds that the academic research on the industrialization development and change of Manau carving in Fuxin is still in its infancy. The first chapter mainly expounds the aesthetic concept of agate color and the changes of agate sculpture design, and points out the decline of agate discoloration technology and the original creation of "pretty color" and "pretty shape" show the establishment of new rules of agate stone application. The second chapter mainly introduces the main process of agate carving technology and the changes in form and content of the inheritance of agate carving technology, and clarifies that the originality of the aesthetic feeling of agate carving technology originates from the self-shaping in the interaction with "the other". The third chapter mainly introduces the traditional understanding and contemporary shaping of agate cultural value, especially the contemporary exhibition, the establishment of cultural festival and folk stories, Beijing Opera. The prosperity of literary and artistic forms such as calligraphy and painting has become an important cultural carrier for the promotion of agate culture. And then the introduction of agate culture is the core driving force of the industrialization of agate carving. The fourth chapter mainly points out the internal and external causes of change and puts forward relevant strategies for the current situation of industrial development. The internal motivation originates from the development of folk art Noumenon consciousness, which is the inevitable result of the change of resource consciousness under the background of the transformation and development of resource-exhausted cities, and the external motivation comes from the times factor of the parallel development of cultural cause and cultural industry. The conclusion part summarizes the full text, and points out that the intangible cultural heritage has the characteristics of dynamic inheritance, and all sectors of society should face up to the changes it has experienced.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：G124
本文编号：2492401
[Abstract]:How to treat the industrialization development of intangible cultural heritage and the changes experienced by intangible cultural heritage in the process of development is a topic that has been widely concerned and controversial in academic circles. As early as the Qing Dynasty, the government organized the mining of agate in Fuxin area. At that time, some people also excavated, sold and sold agate for a living, and set up a flint society. After the founding of the people's Republic of China, masters from Beijing, Hebei and other places went to Fuxin to impart carving skills. In 1964, the establishment of Fuxin agate jade factory became an important symbol of the industrialization of Fuxin agate carving. After the reform and opening up, the local practitioners continue to delve into engraving techniques, innovate the design concept and upgrade the industrial model in the course of their multiple interactions with the outside world, inherit the "plain work" and innovate the "elegant work". In 2006, Fuxin agate carving was listed as the first batch of national intangible cultural heritage representative works. Manube carving has now become Fuxin's cultural business card. Based on the field investigation and the comprehensive use of literature method, this paper probes into the changes and causes of Fuxin agate carving in the industrialization development since modern times, tries to find out the rationality of the changes, and then puts forward some measures to promote the industrialization development. The full text is divided into three parts: introduction, main body and conclusion, and six chapters. The introduction mainly expounds the origin of the study, defines the scope of the study, determines the key concepts, summarizes the relevant literature and introduces the investigation methods. By reviewing the theory of cultural change and related research, the author finds that the academic research on the industrialization development and change of Manau carving in Fuxin is still in its infancy. The first chapter mainly expounds the aesthetic concept of agate color and the changes of agate sculpture design, and points out the decline of agate discoloration technology and the original creation of "pretty color" and "pretty shape" show the establishment of new rules of agate stone application. The second chapter mainly introduces the main process of agate carving technology and the changes in form and content of the inheritance of agate carving technology, and clarifies that the originality of the aesthetic feeling of agate carving technology originates from the self-shaping in the interaction with "the other". The third chapter mainly introduces the traditional understanding and contemporary shaping of agate cultural value, especially the contemporary exhibition, the establishment of cultural festival and folk stories, Beijing Opera. The prosperity of literary and artistic forms such as calligraphy and painting has become an important cultural carrier for the promotion of agate culture. And then the introduction of agate culture is the core driving force of the industrialization of agate carving. The fourth chapter mainly points out the internal and external causes of change and puts forward relevant strategies for the current situation of industrial development. The internal motivation originates from the development of folk art Noumenon consciousness, which is the inevitable result of the change of resource consciousness under the background of the transformation and development of resource-exhausted cities, and the external motivation comes from the times factor of the parallel development of cultural cause and cultural industry. The conclusion part summarizes the full text, and points out that the intangible cultural heritage has the characteristics of dynamic inheritance, and all sectors of society should face up to the changes it has experienced.
【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：G124
【参考文献】
相关期刊论文 前1条
1 于学斌;;旧时东北的烟文化[J];北方文物;2006年02期
相关硕士学位论文 前1条
1 褚潇;器以载道—试论清代玉器与清代文化[D];中国地质大学（北京）;2006年
，本文编号：2492401
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