知觉现象学透镜下“建筑—身体”的在场研究

发布时间：2018-01-13 10:28

本文关键词：知觉现象学透镜下“建筑—身体”的在场研究　出处：《天津大学》2013年博士论文　论文类型：学位论文

【摘要】：本文面对近现代以来，建筑学经历科学理性与图像化危机后，回归建筑本源的诉求，重新审视人与建筑之间深层的内在关联。透过知觉现象学有关“身体主体”的哲学阐释，确立人的身体对于建筑直接感受、体验和经历的重要意义。本文由质料、空间、秩序三个方面对建筑的发展和当代转向进行考察，由知觉、运动、行为三个层面对建筑中的身体主体进行阐释，对哲学及其他学科语境下“在场”概念的双重释义进行辨析，在此基础上，，揭示人与建筑之间无蔽、互动的“在场”关系。与此同时，引入知觉现象学有关“现象场”的哲学阐释，考察建筑质料与身体知觉、建筑空间与身体运动、建筑秩序与身体行为之间的内在关联，创造性地提出建筑“知觉场”、“运动场”、“行为场”的概念。本文诠释了知觉现象学中身体知觉、运动、行为的多维度内涵，回顾了建筑学中质料与知觉、空间与运动、秩序与行为的相关理论。在此基础上，通过对“知觉场”中的知觉体验、综合知觉、知觉意识进行阐释，对“运动场”中的动态路径、多重视线、时间意象进行探讨，对“行为场”中的重力、压力与动力体验进行解读，揭示重返“建筑-身体”在场的本源意义。在上述研究的基础上，本文一方面，以“在场”的视角考察中国古典园林的质料经营、时空互释和循环秩序，以发掘其对于当代建筑创作的启示。另一方面，揭示“在场”的特性——“弱质”、“绵延”、“具身”，旨在为当代建筑理论中有关物质、时间和意义的思考提供启示，并在此基础上，为建筑实践提供现实指导，指出应从人最初且最为根本的在场体验出发，注重建筑氛围的营造，强化建筑路径的设计，展开围绕身体的叙事。此外，就现象学与建筑的对话发展进行展望，探讨了现象学文学、现象学描述与现象学方法在建筑中的应用和前景。
[Abstract]:In the face of the modern times, architecture has gone through the crisis of scientific rationality and picturization, and it has come back to the origin of architecture. Through the philosophical interpretation of "body subject" in phenomenology of perception, the significance of human body's direct feeling, experience and experience for architecture is established. This article from the material, space, order three aspects of the development of architecture and the contemporary turn to investigate, from the perception, movement, behavior three levels of the main body in the architectural interpretation. Based on the double interpretation of the concept of "presence" in the context of philosophy and other disciplines, this paper reveals the "presence" relationship between man and architecture. This paper introduces the philosophical explanation of phenomenology of perception about "phenomenon field", and examines the internal relationship between building material and body perception, architectural space and body movement, architectural order and body behavior. The concepts of "perceptual field", "sports ground" and "behavioral field" are creatively put forward. This paper interprets the multidimensional connotation of physical perception, movement and behavior in phenomenology of perception, and reviews the relevant theories of material and perception, space and movement, order and behavior in architecture. Through the interpretation of perceptual experience, comprehensive perception and perceptual consciousness in "perceptual field", the dynamic path, multi-line of sight and time image in "sports ground" are discussed, and the gravity in "behavioral field" is discussed. Stress and dynamic experience are interpreted to reveal the original meaning of returning to the presence of architecture-body. On the basis of the above research, this paper, on the one hand, from the "presence" perspective to investigate the material management, space-time interpretation and circulation order of Chinese classical gardens, in order to explore its inspiration for contemporary architectural creation. On the other hand. To reveal the characteristics of "presence"-"weak quality", "stretch", "body", the purpose of contemporary architectural theory about the matter, time and significance of thinking, and on this basis. To provide practical guidance for architectural practice, it is pointed out that people should start from the initial and most fundamental presence experience, pay attention to the construction of architectural atmosphere, strengthen the design of architectural path, and launch the narrative around the body. This paper looks forward to the development of the dialogue between phenomenology and architecture, and probes into the application and prospect of phenomenological literature, phenomenological description and phenomenological methods in architecture.
【学位授予单位】：天津大学
【学位级别】：博士
【学位授予年份】：2013
【分类号】：TU-0

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