中国古代设计价值观在明清室内设计中的体现

发布时间：2018-01-18 03:18

本文关键词：中国古代设计价值观在明清室内设计中的体现　出处：《武汉理工大学》2013年硕士论文　论文类型：学位论文

【摘要】：每种设计风格的显现和发生,总离不开支撑于其背后的社会价值体系。这种价值体系既反映在设计之中,也指导人去评判和审视当时的设计风格、手法和形式。因此,每一种设计类型和设计现象的存在,都折射出一定的社会价值体系以及与之相关形成的设计价值观念。本文对于中国古代设计价值观在明清室内设计中的体现进行了研究,目的就在于从明清室内设计经典样式中,通过对具体案例进行分析总结,找到中国古代核心社会价值观——儒家和道家思想在设计中的体现,并分析这套价值体系是怎样作用和引导中国明清的室内设计。具体来看,本研究认为,中国古代核心社会价值观中的儒家思想主要表现为对血缘亲情的强调和对等级、身份、人伦的重视。而道家思想则突出表现为主张“无为”、“自然”和“天人合一”的精神。在本研究第四章,本论文结合明清时期的历史背景以及经典设计案例分析了明式家具及故宫等的材料、色彩、工艺、艺匠等各个方面。最后,本研究认为,在中国核心价值理念儒家思想的影响下,明清时期的设计体现出明显的追求对称、尚中、尊卑、有序、和谐与敦厚的设计形态。而在道家思想的影响下,明清时期的室内设计则主要呈现出“师法自然”、“少则得,多则惑”和“贵柔”、“尚曲”的特点。
[Abstract]:The appearance and occurrence of each design style is always inseparable from the social value system which is supported by the social value system behind it. This value system is reflected in the design and guides people to judge and examine the design style at that time. Therefore, the existence of each design type and design phenomenon reflects a certain social value system and related design values. This paper studies the embodiment of ancient Chinese design values in the interior design of the Ming and Qing dynasties. The purpose is to analyze and summarize the specific cases from the classical style of the interior design of the Ming and Qing dynasties. This paper finds out the core social values of ancient China-the embodiment of Confucianism and Taoism in the design, and analyzes how the value system functions and guides the interior design of the Ming and Qing dynasties in China. Specifically, this study believes that the Confucian thoughts in the core social values of ancient China mainly manifested in the emphasis on blood kinship and on the rank and status. The thought of Taoism is characterized by the spirit of "inaction", "nature" and "harmony of nature and man". Chapter 4th of this study. Based on the historical background of Ming and Qing dynasties and classic design cases, this paper analyzes the materials, colors, craftsmanship and craftsmanship of Ming style furniture and The Imperial Palace. Finally, this study believes that under the influence of Confucianism, the design of the Ming and Qing dynasties embodies the obvious pursuit of symmetry, still, superiority, order. Under the influence of Taoist thought, the interior design of Ming and Qing dynasties mainly presents the characteristics of "learning from nature", "getting less, being confused" and "elegant" and "Shang qu".
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU238.2

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