基于《拙政园三十一景图册》的拙政园模型量化分析研究

发布时间：2018-03-05 01:06

本文选题：拙政园　切入点：明代绘画　出处：《华中农业大学》2013年硕士论文　论文类型：学位论文

【摘要】：通常中国古典园林史学研究以形式和风格的变迁作为研究重点或以园林图绘、诗文为研究对象止于语言上的哲思。园林的视觉基础是中国传统文人山水画,从山水的多重角度观望,是全面的客观的看法,是产生园林空间和意境的起点。作为明中叶吴中文人的代表,文徵明的诗画创作体现了中国传统的艺术创作过程；而且文徽明在《拙政园三十一景图册》上,为文人山水园林美学和文化方面提升了新的高度。论文核心内容分为三部分。第一部分即为第二章,从文徵明人生经历着手,结合对《拙政园三十一景图册》画面和题诗的分析,对绘画和园林创作中思想观念、审美趣味、情感表达等问题进行探索。第二部分即为第三章,在已有的风景园林知识体系和其他知识理论的基础上,利用计算机软件的手段,分别建立了三十一个景点数字模型和园林整体数字模型。第三部分包括第四章和第五章,第四章对建立的三十一个景点数字模型进行数据量化,建立文徵明对于拙政园的观看视角系统。第五章以开放性的阅读方式,依据园林“步移景异”的空间特点,在园记和注记路线分析的基础上,寻找三维空间的动态巡游路径,获得片段式画面,最终完成山水画长卷的复原。本文未对《拙政园三十一景图册》中的诗画意境等作深入研究。本文基于以文徵明为代表的传统儒家文人的视角,对《拙政园三十一景图册》的视觉经验进行了数据量化,从物质性和精神性两方面探寻山水画和山水园林创作的起点,旨在最终揭示园林创作机制背后复杂而深刻的“无形之手”。从山水绘画和园林绘画出发,探索山水园林的观看之道、审美情趣、创作理想与情感体验,希望为中国古典园林研究开辟新的方向,为当代中国园林的发展提供新的启示。
[Abstract]:The study of Chinese classical garden history usually focuses on the change of form and style or on garden drawing and drawing, and poetry is the object of study. The visual basis of garden is Chinese traditional literati landscape painting. Wait-and-see from the view of landscape is a comprehensive objective view and the starting point of the garden space and artistic conception. As the representative of the literati in the middle of Ming Dynasty and Wu Dynasty, the poetry and painting creation of Wenzhengming embodies the process of Chinese traditional art creation. Moreover, in the "31 Landscape Atlas of the botched political Garden", Wen Huiming elevates a new height for the aesthetics and culture of literati landscape gardens. The core content of the thesis is divided into three parts. The first part is the second chapter, which begins with Wen Zhengming's life experience. Based on the analysis of the picture and poem of the 31 scene Atlas of the botched political Garden, this paper probes into the problems of ideology, aesthetic taste and emotional expression in painting and garden creation. The second part is the third chapter. Based on the existing knowledge system of landscape architecture and other knowledge theories, 31 scenic spot digital models and garden whole digital models are established by means of computer software. The third part includes 4th chapters and 5th chapters. Chapter 4th quantifies the digital model of 31 scenic spots and sets up the viewing angle system of Wen Zhengming for the botched government garden. Chapter 5th reads in an open way, according to the spatial characteristics of the garden "moving the scenery differently". On the basis of the analysis of the Yuanji and the annotated route, the dynamic cruise path in three dimensional space is found, and the segmented picture is obtained. Finally, the restoration of landscape painting scroll was completed. This paper did not make a thorough study on the artistic conception of poetry and painting in the 31 scene Atlas of the botched political Garden. This article is based on the perspective of the traditional Confucian literati represented by Wenzheng and Ming Dynasty. This paper quantifies the visual experience of "31 Landscape Atlas of the botched political Garden", and probes into the starting point of landscape painting and landscape garden creation from the aspects of materiality and spirituality. The aim is to finally reveal the complex and profound "invisible hand" behind the garden creation mechanism. From the view of landscape painting and garden painting, this paper explores the way of viewing, aesthetic taste, creative ideal and emotional experience of landscape garden. Hope to open up a new direction for the study of Chinese classical gardens and provide new enlightenment for the development of contemporary Chinese gardens.
【学位授予单位】：华中农业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU986.1

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