拉卜楞寺“羌姆”研究

发布时间：2018-03-03 15:17

本文选题：舞蹈　切入点：藏族　出处：《西北民族大学》2015年硕士论文　论文类型：学位论文

【摘要】：本文通过对拉卜楞寺羌姆的调查,资料的收集以及运用相关的的理论,来探索藏传佛教法舞—羌姆的形成、现状、表演程式和艺术特征等,宗教舞“羌姆”的意义进行解读,对形态“羌姆”的演变、“羌姆”所承担的社会功能进行分析,并对“羌姆”的审美价值以及对地方文化资源的保护等问题进行了专门的讨论。流传在拉卜楞地区的羌姆歌舞艺术形式作为传统文化的载体,不仅在社会生活中发挥着积极的作用,也具有独特的审美价值,是宝贵的文化遗产,对这种地方文化资源的保护和合理的开发利用有利于当地经济文化的繁荣。在以“羌姆”舞蹈艺术为透镜,发现歌舞艺术活动背后的概念系统和意义体系,通过歌舞活动去认识当地人的宗教信仰、文化观念、交往沟通与行为方式,阐释歌舞活动所传达的民族文化精神。“羌姆”是宗教舞蹈类别中最为重要的寺院祭祀性舞蹈。寺院舞蹈《羌姆》的产生和流传,与藏传佛教的发生、发展密不可分。同时,又由于藏传佛教中不同派别的存在,在舞蹈形式、道具使用以及表演者的装束等许多方面,又都有着不同的特点与差异。从许多用文化视角全方位、立体化地考察甘南拉卜楞寺羌姆的历史形态、社会功能、制约因素及发展对策,研究分析其在现代社会冲击下的价值定位,指出维护羌姆所赖以生存的原生态环境的必要性,藏族宗教舞蹈保留着非常难得的原生形态,涉及到藏族历史、原始宗教,传统艺术、藏传佛教等多因素。使我们在当今急剧发展的文化环境中,研究藏传佛教舞蹈的真实存在。
[Abstract]:Through the investigation of the Vcham labolengshi, data collection and the use of related theory, to explore the Tibetan Buddhist Dance - Vcham formation, current situation, performance programs and artistic features, interpretation of religious dance "Qiangmu" meaning, to form "Qiangmu" evolution "Qiangmu" the social function analysis, and the aesthetic value of "Vcham" and the local cultural resources protection are discussed in detail. Spread in Labuleng area Vcham dance art form as the carrier of traditional culture, not only in the society will play a positive role in life, also has a unique aesthetic value, is a valuable cultural heritage, the protection of local cultural resources and the reasonable exploitation and utilization is conducive to local economic and cultural prosperity. In order to "Qiangmu" dance as a lens, found dance art activities back The concept of system and the meaning system, through song and dance activities to understand local people's religious beliefs, cultural values, communication and behavior, the spirit of national cultural interpretation of dance activities to convey. "Qiangmu" is a religious dance category is the most important temple sacrificial dance dance dance. The temple Vcham < > the emergence and spread of Tibetan Buddhism, and the occurrence, development is inseparable. At the same time, due to different sects of Tibetan Buddhism in existence, in the form of dance, many aspects of the use of props and costumes, performers, and all have different characteristics and differences from the cultural perspective. Many all-round, three-dimensional history form Gannan, Labuleng temple Vcham social function, restriction factors and development countermeasures, analysis of their research in modern society under the impact of the value orientation, it is necessary to maintain the original ecological environment for the survival of the Vcham, Tibetan Religious dance retains a very rare original form, which involves many factors such as Tibetan history, primitive religion, traditional art, Tibetan Buddhism and so on. It enables us to study the real existence of Tibetan Buddhist dance in today's rapidly developing cultural environment.

【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：C912.4

【共引文献】