旗袍审美文化内涵的解读
发布时间：2018-09-03 13:43
【摘要】：旗袍是一种最具中国传统特色、最具民族代表性和最能表现东方女性美的经典服饰。在经历了300多年的变化后,依然享有“东方奇葩”、“Chinese Dress”、“服装之最”等诸多美誉。由此见证了“经典代表永恒”。本文通过考察旗袍的形成与发展,得出旗袍在长期的演化中已形成自己独特的形式美元素。那就是:廓形、立领、胸襟、开衩、盘扣和刺绣。在此基础上,通过对清代传统旗袍与近代改良旗袍的比较,指出在不同的时代文化背景下,由于人们的信仰和审美情趣的不同,旗袍也呈现出不同的审美风格:受儒家等级、中庸、求同思想的影响,清代传统旗袍以繁缛富赡、温柔敦厚、程式单一为美;在西方平等、人本、自由思潮的影响下,近代改良旗袍以自然简单、形体曲线、自由多样为美。而在日新月异的现代社会,旗袍仍以它变化无穷的魅力和独特的精神文化内涵,在中国乃至世界服坛上享有一席之地。它已成为一种民族的符号和象征,并对整个服装设计行业产生着积极的影响。
[Abstract]:Cheongsam is the most traditional Chinese style, the most representative of the nation and the most representative of Oriental women's classic dress. After more than 300 years of change, still enjoy the "Oriental Wonders", "Chinese Dress", "the most clothing" and many other reputation. In this way, the classic stands for eternity. Based on the investigation of the formation and development of cheongsam, it is concluded that Qipao has formed its own unique formal beauty elements in the long-term evolution. That is: profile, vertical collar, mind, slit, plate buckle and embroidery. On this basis, by comparing the traditional cheongsam of the Qing Dynasty with the modern modified cheongsam, it is pointed out that under the different cultural background of the times, due to the difference of people's beliefs and aesthetic tastes, the cheongsam also presents different aesthetic styles: by the Confucian hierarchy. The traditional cheongsam in the Qing Dynasty was rich and numerous, gentle and honest, and simple in formula. Under the influence of western thought of equality, humanism and freedom, the modern times improved cheongsam with natural simplicity, shape curve, freedom and variety as beauty. In the rapidly changing modern society, cheongsam still enjoys a place in China and even the world because of its ever-changing charm and unique spiritual and cultural connotations. It has become a national symbol and symbol, and has a positive impact on the entire clothing design industry.
【学位授予单位】：武汉大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：K892.23
本文编号：2220140
[Abstract]:Cheongsam is the most traditional Chinese style, the most representative of the nation and the most representative of Oriental women's classic dress. After more than 300 years of change, still enjoy the "Oriental Wonders", "Chinese Dress", "the most clothing" and many other reputation. In this way, the classic stands for eternity. Based on the investigation of the formation and development of cheongsam, it is concluded that Qipao has formed its own unique formal beauty elements in the long-term evolution. That is: profile, vertical collar, mind, slit, plate buckle and embroidery. On this basis, by comparing the traditional cheongsam of the Qing Dynasty with the modern modified cheongsam, it is pointed out that under the different cultural background of the times, due to the difference of people's beliefs and aesthetic tastes, the cheongsam also presents different aesthetic styles: by the Confucian hierarchy. The traditional cheongsam in the Qing Dynasty was rich and numerous, gentle and honest, and simple in formula. Under the influence of western thought of equality, humanism and freedom, the modern times improved cheongsam with natural simplicity, shape curve, freedom and variety as beauty. In the rapidly changing modern society, cheongsam still enjoys a place in China and even the world because of its ever-changing charm and unique spiritual and cultural connotations. It has become a national symbol and symbol, and has a positive impact on the entire clothing design industry.
【学位授予单位】：武汉大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：K892.23
【引证文献】
相关期刊论文 前1条
1 孙玲;;简析旗袍的发展历史及现代演绎[J];群文天地;2012年05期
相关硕士学位论文 前6条
1 周婷婷;西风东渐与都市主流服饰文化变迁（1898-1927）[D];江西师范大学;2010年
2 彭勃;从“月份牌”广告看民国女性服饰审美意象的构建[D];湖南工业大学;2010年
3 胥筝筝;近代汉族民间服饰中几何纹样的流变及启示[D];江南大学;2011年
4 李晓东;中国伞具设计演变及发展研究[D];南昌大学;2007年
5 陆洪兴;中国传统旗袍造型结构演变研究[D];北京服装学院;2012年
6 万菁;旗袍元素在现代礼服设计中的运用与研究[D];湖南师范大学;2013年
，本文编号：2220140
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