青姑娘符号:明清汉白文化融合中的一个特例

发布时间：2019-01-14 07:32

【摘要】：明清文化史显示着中央政权"以夏化夷"政策在白族地区实施的巨大成功和汉白文化交融的"和合"景象,但在汉白民族文化交流的过程中,也存在着文化的冲突现象,尤其是白族文化对汉族优势文化的抗争事实。在明清汉白文化交流中,汉族以血缘为原生点,以"三纲五常"为核心的等级森严的儒家礼教核心价值观,并未被广大的白族底层民众所接受,这在白族底层社会中产生的具有民族文化隐喻的符号———青姑娘上体现得尤为突出。青姑娘故事的产生,告知我们明清汉白文化融合存在着"融而未合"的事实,它的存在客观上对当时白族文化生态失衡起到一定的制衡作用。青姑娘现象启示我们,要实现中华民族和谐的"一体"化,应认识到文化融合的层次性和复杂性,主流文化应尊重边缘文化的核心价值观,从而形成以主流文化为引导,主流文化和边缘文化互补互促的文化生态平衡格局。
[Abstract]:The cultural history of the Ming and Qing dynasties shows the great success of the central government's "Huayi by Xia" policy and the "harmony" scene of the blending of Han and Bai cultures. However, in the process of the cultural exchange between the Han and Bai nationalities, there is also a phenomenon of cultural conflict. In particular, the Bai culture to the Han culture of the struggle against the facts. In the exchange of Han and Bai cultures in the Ming and Qing dynasties, the Han nationality took blood as the primary point, and the core of Confucian etiquette and education with "three programmatic and five regular" as the core, which was not accepted by the broad masses of the Bai people at the bottom. The symbol of national culture metaphor produced in the bottom society of Bai nationality is especially prominent. The emergence of the story of the Qing girl tells us that the fusion of Han and Bai cultures in the Ming and Qing dynasties had the fact that there was "fusion but not harmony", and its existence objectively played a certain role in balancing the cultural and ecological imbalance of the Bai nationality at that time. The phenomenon of the young girl enlightens us that in order to realize the "integration" of the Chinese nation, we should recognize the level and complexity of cultural integration, and the mainstream culture should respect the core values of the marginal culture so as to be guided by the mainstream culture. Mainstream culture and marginal culture complement each other to promote the cultural ecological balance pattern.
【作者单位】：西南大学文学院;
【分类号】：C95

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