文化展演与游移的边界:以湘西为例
发布时间：2019-04-24 18:03
【摘要】：以湘西为例,讨论民族旅游背景下,由文化展演建构的民族风以及因此从混淆移动,到逐渐转型固定的族群与社群边界。进而反思追寻奇风异俗、民族特殊性的全球化旅游产业发展下,文化商品化与文化展演问题。同时以实例说明,这些问题无法依赖政策或异地经验积累的模式,过多的干预、策划更将导致地方文化的消解,关键还是在于族群或社群长期磨合产生的共识,以及在历史发展过程中积累,归属于日常生活,透过不同形式展演的文化。
[Abstract]:Taking Xiangxi as an example, this paper discusses the national style constructed by cultural exhibition under the background of ethnic tourism, and therefore from confusion and movement to a fixed boundary between ethnic groups and communities. Then it reflects on the problems of cultural commercialization and cultural exhibition under the development of globalized tourism industry, which pursues strange customs and ethnic particularities. At the same time, examples show that these problems cannot rely on policies or patterns of accumulated experience in other places, and excessive intervention and planning will lead to the dissolution of local culture, and the key lies in the consensus produced by ethnic groups or communities in a long-term run-in. And accumulated in the process of historical development, belonging to daily life, through different forms of performance of the culture.
【作者单位】： 吉首大学历史与文化学院;
【分类号】：C912.4
，
本文编号：2464663
[Abstract]:Taking Xiangxi as an example, this paper discusses the national style constructed by cultural exhibition under the background of ethnic tourism, and therefore from confusion and movement to a fixed boundary between ethnic groups and communities. Then it reflects on the problems of cultural commercialization and cultural exhibition under the development of globalized tourism industry, which pursues strange customs and ethnic particularities. At the same time, examples show that these problems cannot rely on policies or patterns of accumulated experience in other places, and excessive intervention and planning will lead to the dissolution of local culture, and the key lies in the consensus produced by ethnic groups or communities in a long-term run-in. And accumulated in the process of historical development, belonging to daily life, through different forms of performance of the culture.
【作者单位】： 吉首大学历史与文化学院;
【分类号】：C912.4
，
本文编号：2464663
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