历史真实和叙事再现的辩证——质疑后现代的叙事观

发布时间：2018-05-30 16:18

本文选题：后现代语境 + 后现代文学　；参考：《学习与探索》2010年04期

【摘要】：文学观念的变化从来都不是一个纯文学的问题,而是一种对待世界的看法和态度改变的结果。所以有人说,我们确定有一个后现代时期来到,并不是说后现代的世界相比于现代发生了多么大的变化,而更关键的是我们看待世界的观念发生了变化,因而我们看到的现实也就不同。本期这组专题讨论文章即力图去揭示一种所谓后现代的文化观念,以及在这种观念中我们如何看待文学。赵毅衡的《单轴人:后期现代的符号危机》一文,以后期现代来命名这个时期,这是一种独特的视角。他在文章中阐述了后期现代的"符号危机",即是说符号无限膨胀和泛滥使我们丧失了寻找意义的能力,甚至失去了这种寻找的愿望。王逢振的《历史真实和叙事再现的辩证——质疑后现代的叙事观》一文,是从詹姆逊的观点来看当代历史叙事的悖论,这既是一个后现代文化语境的大问题,又具体到后现代叙事理论本身。马汉广的《文本与话语游戏》一文,讨论了从作品到文本,后现代文学在观念发生重大变化的过程中是如何颠覆和消解了文学的主体性的。
[Abstract]:The change of literary concept is never a question of pure literature, but the result of a change of attitude towards the world. So some people say that we're sure there's a post-modern period, not how much the post-modern world has changed compared to the modern world, but more importantly, the change in the way we look at the world. As a result, the reality we see is different. This monographs attempt to reveal what is called a postmodern cultural concept and how we view literature in it. Zhao Yiheng's "Monoaxial Man: the symbolic crisis of late Modern", named this period after late modern, is a unique perspective. In his article, he expounds the "symbol crisis" in the late modern era, that is, the infinite expansion and overflow of symbols make us lose the ability to find meaning, and even lose the desire to seek. Wang Fengzhen's "Dialectical Reproduction of Historical Truth and narrative: questioning the View of Post-modern narration" is a paradox of contemporary historical narration from Jameson's point of view, which is a major problem in the context of post-modern culture. And then specific to the post-modern narrative theory itself. Ma Hanguang's text and discourse Game discusses how postmodern literature subverts and dispels the subjectivity of literature in the process of the great change of ideas from works to texts.
【作者单位】：中国社会科学院外国文学研究所;西南科技大学外语学院;
【分类号】：K02

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