海派文化发展的主要特征及时代向度

发布时间：2018-01-27 10:53

本文关键词： 海派文化海派化全球化创新超越一带一路时代向度　出处：《上海文化》2017年06期 　论文类型：期刊论文

【摘要】：海派文化的历史高峰出现在开埠后的20世纪二三十年代,而其生发则在上海历史早期;今人追奉海派文化,根由在于对上海文化美好未来有期许。从助推上海基本建成国际文化大都市的立意出发,上海必须在推动海派文化创新超越方面确立以下时代向度:一是在主动应对创新转型的时代变化挑战中推动文化建设走向新的辉煌;二是在参与"一带一路"战略实施中争取有较大作为;三是在助力上海世界城市建设过程中努力凸显地域特色指标;四是在建设全国文化中心及建成国际文化大都市过程中创新超越;五是力争成为整合凸显世界第六大城市群文化核心魅力的重要载体。
[Abstract]:The historical peak of the Shanghai culture appeared in the 1920s and 1930s after the opening of the port, and its birth occurred in the early history of Shanghai. In pursuit of Shanghai culture today, the reason lies in the expectation of a better future of Shanghai culture, from the idea of pushing Shanghai into an international cultural metropolis. Shanghai must establish the following aspects in promoting the cultural innovation of the Shanghai school: first, to promote the cultural construction to a new brilliance in response to the challenges of innovation and transformation; Second, to strive for greater achievements in the implementation of the "Belt and Road" strategy; Thirdly, in the process of helping the construction of Shanghai's world city, we should make great efforts to highlight the regional characteristic index; Fourth, in the process of building a national cultural center and building an international cultural metropolis, innovation and transcendence; Fifth, strive to become the integration of the world's 6th urban agglomeration cultural core charm of an important carrier.
【作者单位】：上海社会科学院文学研究所;
【分类号】：G127
【正文快照】： (1)参阅蔡邕等:《书品》,孟兆臣校释,哈尔滨:北方文艺出版社,2000年,第168页。(2)参阅张仲礼主编:《近代上海城市研究(1840—1949)》之第七章“‘海派’与近代市民文化”,上海:上海文艺出版社,2008年,第849-872页。(3)有论者指出:“同治光绪年间,时局益坏,画风日漓,画家多蛰居

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