文化创意产业的社会风险与法律控制

发布时间：2018-01-31 20:28

本文关键词： 文化创意产业社会风险法律控制　出处：《重庆社会科学》2017年06期 　论文类型：期刊论文

【摘要】：强化文化创意产业内部风险防范意识是整个中国文化创意产业风险控制中最基础也是最重要的一环。这里从风险社会的理论出发,剖析了文化创意产业的三大社会风险,即来自意识形态的风险、对国民生活可能造成的风险、文化创意产业本身面临的风险,这些风险具有高不确定性、多样性、复杂性、广泛性、损失严重性、投机性,面临着国际化、全球化的商业环境,我们需要从风险预估、风险评价、风险预警及风险避免四大方面对文化创意产业的社会风险进行法律控制的机制,加强风险管理理念培育和风险管理文化养成,坚持价值理性与工具理性的统一、权利观念与责任观念的统一。
[Abstract]:Strengthening the awareness of internal risk prevention of cultural and creative industries is the most basic and important part of risk control in the whole Chinese cultural and creative industries. Here we proceed from the theory of risk society. This paper analyzes the three major social risks of cultural and creative industries, namely, the risks from ideology, the risks that may be caused to national life, and the risks faced by cultural and creative industries themselves. These risks are highly uncertain. Diversity, complexity, extensiveness, loss severity, speculation, facing an international, globalized business environment, we need to assess risks from risk estimates. Risk early warning and risk avoidance four aspects of the cultural and creative industries to carry out legal control of social risks, strengthen the concept of risk management and risk management culture cultivation, adhere to the unity of value rationality and tool rationality. The unity of the concept of right and responsibility.
【作者单位】：贵州师范学院地理与旅游学院;
【分类号】：D920.0;G124
【正文快照】： 风险社会理论最早是由德国社会学家乌尔里希·贝克(Ulrich Beck)于1986年在《风险社会》一书中提出。在该书中,乌尔里希·贝克提出了“风险社会”的概念:反思性现代化相关,可以被界定为系统地处理现代化自身引致的危险和不安全感的方式。“风险社会的风险,与古典工业社会不同,

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