符号学视域下的兰州城市形象

发布时间：2018-04-27 10:19

  本文选题：符号学视域 + 兰州形象　； 参考：《西北民族大学》2014年硕士论文

【摘要】：以研究意义为内容的符号学为文学研究提供了理论支撑与方法论,书写者将城市的地域文化和精神内涵演绎为具体的文字,这是一种符号化的过程,对于文艺作品中各类文化符号所携带意义的解读过程,则是对社会文化的反向再现。 文艺作品中的兰州形象,是这座城市精神状态的体现,是有别于其他城市的内在气质和根本价值追求,是这座城市延续和发展的灵魂。众多文学作品中对它的描写与叙述正是对这些文化内涵的解读与思考,被叙述下的兰州形象,是对兰州这座城市文化与社会的集体想象,它们毫无例外地介入到这个城市的精神层面,对城市文化的总体而貌进行了概述。这种被作者加工过的城市形象是活态的,有着不同的人文感知,是不同的时期不同的主流意识形态、时代风尚、美学潮流等等的变异,携带了不同的意义。 本文试图在较广泛的文化氛围中,以各种手稿档案、影视作品、民谣、文字文本等广义的文本为载体,以符号学的方法论来解析兰州的城市形象,突破以往文学研究领域中局限于文字文本的符号视域。为此,笔者将这些携带意义的文化符号,根据其物源的的构成分为自然符号、人工符号、艺术符号三种类别,在符号学的视域下对各类文艺作品中描述的兰州城市形象进行文化解读。 黄河、两山等自然物本没有携带意义,仅仅是纯自然的物体,然而在创作者的描述中,它们成为兰州城市形象奔放、豪迈、干冽的文化缩影,在文艺作品中被意识符号化,携带上具有兰州本土精神气质的意义；黄河上的羊皮筏子、铁桥、水车,古老的街道,这些人工创作出来的符号,这些使用物本也无符号意义可言,在文艺作品中,它们成为这座工业城市的代表,被认为携带着这座城市近百年的经历、历史风貌,演变为城市文化的符号代表；要提到的是,为了表达这座城市的文化特征,文艺家们饱含着情感创造出一些携带兰州形象的文艺作品,这些文艺形式包含京兰腔、兰州地下民谣、微电影等,他们本身就是作为意义载体被制造出来的。无论是哪种符号意义,实用的还是艺术的,两者的区别不在于符号本身,在于接受者的理解,对于文化符号的解读,不同的读者群有着不同的体验。 这样,在“大局面”的文本中,解析、深化兰州的符号形象,树立兰州城市的文化形象,拓展兰州的文化发展空间,便可以为打造“文化兰州”铺垫理论依据。
[Abstract]:Semiotics, which takes the meaning of research as the content, provides theoretical support and methodology for literary research. The writers deduce the regional culture and spiritual connotation of the city into concrete characters, which is a process of symbolization. The process of interpreting the meaning of all kinds of cultural symbols in literary works is the reverse reappearance of social culture. The image of Lanzhou in literary works is the embodiment of the city's spiritual state, the intrinsic temperament and fundamental value pursuit different from other cities, and the soul of the continuation and development of this city. The description and narration of it in many literary works is the interpretation and thinking of these cultural connotations. The image of Lanzhou, which is narrated, is a collective imagination of the culture and society of Lanzhou. Without exception, they get involved in the spiritual level of the city, and summarize the overall appearance of the city culture. The city image which has been processed by the author is alive, has different humanistic perception, is the variation of different mainstream ideology, times fashion, aesthetic trend and so on, and carries different meanings. In a wider cultural atmosphere, this paper attempts to analyze the city image of Lanzhou in the light of semiotics methodology, with a variety of manuscripts, film and television works, folk songs, text and other generalized texts as the carrier. Break through the past literature research field limited to the text of the symbolic field of vision. Therefore, the author divides these cultural symbols with meaning into three categories: natural symbol, artificial symbol and artistic symbol according to the composition of their source. From the perspective of semiotics, the cultural interpretation of Lanzhou city image described in various literary works is carried out. Natural objects, such as the Yellow River and the two mountains, had no meaning, but were merely natural objects. However, in the creator's description, they became the cultural epitome of Lanzhou's unrestrained, heroic and dry city, and were symbolized by consciousness in literary and artistic works. Bearing the meaning of Lanzhou's native spiritual temperament; the raft of sheepskin, the iron bridge, the water cart, the ancient streets on the Yellow River, these artificially created symbols, which also have no symbolic significance, in literary works. They become the representatives of this industrial city, which is believed to have carried the city's nearly 100 years of experience, historical features, and evolved into a symbol of the city's culture; it is to be mentioned that in order to express the cultural characteristics of the city, The writers and artists are full of emotion to create some literary works with Lanzhou image, these literary forms include Jinglan cavity, Lanzhou underground ballad, micro-film, etc., they are created as the carrier of meaning. No matter what kind of symbolic meaning, practical or artistic, the difference between the two lies not in the symbol itself, but in the understanding of the receiver. Different readers have different experiences in the interpretation of cultural symbols. In this way, in the text of "big situation", analyzing and deepening the symbol image of Lanzhou, setting up the cultural image of Lanzhou city and expanding the space of cultural development of Lanzhou can lay the theoretical foundation for the creation of "cultural Lanzhou".
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：G122

【参考文献】

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本文编号：1810326