乾州古城旅游演艺《格朗渡》研究

发布时间：2018-06-21 22:24

本文选题：乾州古城 + 旅游演艺　；参考：《吉首大学》2014年硕士论文

【摘要】：乾州古城历史源远流长，旅游资源十分丰富，2011年，乾州古城被省文化厅确立为湖南省省级非物质文化遗产园。2012年，经全国旅游景区质量等级评定委员会评定，乾州古城荣膺国家4A级景区称号。近两年来，乾州古城每年接待游客300多万人。乾州古城依托湘西丰富的非物质文化遗产资源，重点进行非物质文化遗产的产业开发。2010年，民俗旅游演艺《格朗渡》就是在这样的背景下推出来的一台非物质文化遗产演出。以《格朗渡》为标志，非物质文化遗产资源被开发利用，开始真正进入乾州古城的文化旅游舞台，开启了湘西非物质文化遗产传承的新篇章。演出五年以来，，《格朗渡》运转良好，每年接待游客70万人。作为一台新的演艺节目，它引发一系列文化资源开发与旅游融合的问题，也引发非物质文化遗产项目与“非遗”传承人之间的关系变化，带动古城社区文化形象的塑造，引来古城面貌的变化，这样的变化也必然影响到非物质文化遗产的传承内容与途径的变化，引起传承人心理、身份、地位、传承功能等方面的变化。在旅游演艺的语境下，本论文以乾州古城《格朗渡》为研究个案，通过对它的演出内容、演出人员、演出效果、演出影响等多方面的研究，对“非遗”保护的创新性以及旅游演艺是否损害“非遗”保护这些问题进行一些理性的思考，借此引发对于旅游资源开发与文化资源选择之间互动关系的探讨，研究其效应，研究带来的文化产品与文化资源之间的互动，研究“非遗”项目与“非遗”传承人之间的互动，研究湘西文化形象与游客认知之间的互动，探讨湘西地区非物质文化遗产保护与传承的新途径。
[Abstract]:The ancient city of Qianzhou has a long history and rich tourist resources. In 2011, the ancient city of Qianzhou was established as the provincial intangible cultural heritage park of Hunan Province by the Department of Culture. In 2012, it was assessed by the National Tourism Scenic spot quality rating Committee. Qianzhou ancient city won the national 4A class scenic spot title. In the past two years, the ancient city of Qianzhou receives more than 3 million tourists every year. Relying on the rich intangible cultural heritage resources of Xiangxi, the ancient city of Qianzhou focuses on the industrial development of intangible cultural heritage. In 2010, folk tourism performance "Grundu" was a non-material cultural heritage performance pushed out under such a background. With Grundu as the symbol, the intangible cultural heritage resources were exploited and utilized, which began to enter the cultural tourism stage of the ancient city of Qianzhou, and opened a new chapter in the inheritance of the intangible cultural heritage in Xiangxi. Over the past five years, Grando has been working well, receiving 700000 visitors a year. As a new acting program, it causes a series of problems of cultural resources development and tourism integration, and also leads to a change in the relationship between the intangible cultural heritage project and the "non-legacy" inheritors, and promotes the shaping of the cultural image of the ancient city community. This kind of change will inevitably affect the content and the way of immaterial cultural heritage, and cause the change of people's psychology, identity, status, heritage function and so on. In the context of tourism performance, this paper takes the ancient city of Qianzhou, Grando, as a case study, through the performance of its content, performance personnel, performance results, performance impact and other aspects of research. This paper makes some rational thinking on the innovation of the protection of "non-posthumous" and whether the tourism performance damages the protection of "non-posthumous", so as to probe into the interactive relationship between the exploitation of tourism resources and the choice of cultural resources, and study its effect. The interaction between cultural products and cultural resources brought by the study, the interaction between "non-legacy" project and "non-legacy" inheritor, and the interaction between cultural image of Xiangxi and tourists' cognition are studied. This paper discusses the new ways of protecting and inheriting the intangible cultural heritage in western Hunan.
【学位授予单位】：吉首大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：G122

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