蜀琴文化初探

发布时间：2018-09-06 15:43

【摘要】：蜀琴是华夏古琴三千余年历史长河中极重要的一系支脉。汉唐时，蜀琴琴艺大盛且风格初成，这一风格延续一千多年，至今仍是蜀派古琴的一大特点。清中晚期蜀琴立派，径自绵延传承至今不坠。为呈现蜀琴从古至今不同历史环境中的整体发展状况、琴人群体、琴学发展与琴事活动，本文将从中国的琴及琴文化、蜀琴文化的形成和发展、蜀琴文化主体以及近现代蜀琴文化的传承与保护四个部分进行探析。绪论部分对当代蜀琴琴学研究进行了概述，对其成果进行了简单评价，明确了本文研究价值；第一部分主要以中国古琴文化研究为背景，探析蜀琴与中国古琴的关系；第二部分遵循古琴文化的发展轨迹：琴器→琴艺→琴学，从琴器的产生、蜀琴琴艺、琴学三个方面探析蜀琴文化的形成和发展；第三部分主要对历代不同身份的琴人进行探析，他们对蜀琴的发展做出了杰出贡献，至今仍有着巨大影响力；第四部分通过研究新时期以来蜀琴文化传承和保护情况，，对未来蜀琴文化的发展进行思考。笔者是一名爱琴且学琴的四川人，如今又从事文物保护工作。基于对蜀派古琴特殊的感情和对文化遗产保护的责任，选择了这个题目。首先，笔者是想试着在对相关资料、文论的搜集、整理中，拓展对蜀琴本体、古琴艺术、琴学研究及其文化内涵的认识；其次，笔者希望通过此次初探，让更多的人可以对今天蜀派古琴之所以享誉全国的原因更加清楚，了解一代代优秀的蜀地琴家们，这些琴家们曾用无比的热爱和强烈的责任感对古琴事业的呕心沥血，为当代蜀派古琴的发展做出了巨人贡献，使蜀派古琴在中国古琴中有着重要地位和受人喜爱的鲜明特色；最后，希望自己的探讨有利于蜀琴艺术的发展、古琴文化的保护，并起到抛砖引玉的作用。
[Abstract]:Shu Qin is one of the most important branches in the long history of ancient Chinese harp. In Han and Tang dynasties, the art of Shu piano was great and its style was first developed, which lasted for more than one thousand years and is still a major characteristic of Shu ancient piano. In the middle and late Qing Dynasty, the Shu Qin clairvoyant was passed on from time to time. In order to present the overall development of Shu Qin in different historical environments from ancient to present, the group of Qin people, the development of piano study and the Qin activities, this paper will discuss the formation and development of Shu Qin culture from the aspects of Chinese Qin and Qin culture. The main body of Shu Qin culture and the inheritance and protection of modern Shu Qin culture are analyzed. In the introduction part, the author summarizes the study of the contemporary Shu piano, evaluates its achievements, and clarifies the research value of this paper: the first part mainly discusses the relationship between the Shu piano and the Chinese ancient piano in the background of the cultural research of the ancient Chinese piano; The second part follows the development track of ancient Qin culture: the formation and development of Shu Qin culture from three aspects: the generation of instrument, the art of Shu piano, and the study of piano; the third part mainly analyzes the different status of Qin people in the past dynasties, the third part analyzes the formation and development of Shu Qin culture from three aspects: the emergence of the instrument, the art of the Shu piano, and the study of the piano. They have made outstanding contributions to the development of Shu Qin, and still have great influence. The fourth part is to think about the future development of Shu Qin culture by studying the inheritance and protection of Shu Qin culture since the new period. I am a harp and learn the harp of Sichuan people, now engaged in cultural relics protection work. Based on the special feelings of Shu Guqin and the responsibility of protecting cultural heritage, this topic is chosen. First of all, I want to try to expand the understanding of Shu Qin Noumenon, Guqin Art, Guqin Studies and Cultural connotation in the collection and collation of relevant materials and literary theories. So that more people can have a clearer understanding of the reasons why Shu School Guqin is famous throughout the country today, and understand the generations of excellent Shudi pianists, who have devoted their unparalleled love and strong sense of responsibility to the Guqin cause. It has made a giant contribution to the development of the ancient harp of the contemporary Shu school, and made the ancient organ of Shu school have an important position and a distinctive and popular feature in the Chinese ancient piano. Finally, it is hoped that his own discussion will be conducive to the development of the art and the protection of the ancient Qin culture. And play the role of a brick to attract jade.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：G122

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