城市化语境中的社火流变
发布时间:2018-11-15 15:39
【摘要】:社火是传统中国社会中一项地域范围广、历史发展脉络长、各民族普遍拥有、形式丰富多样的综合民间艺术形式,也是民间社会重要的节庆活动。它蕴含着民众的艺术智慧和宗教观念,是体现民众生活和世界观的一面镜子,在组织和表演过程中具有一套特殊的程式。在当代社会,社火仍然普遍流行于村落,在城市中留存比较零星。天水的城市新年社火是被创造出来的传统,伴随着城市经济发展和时代进步脉搏,这项活动一直延续了下来,且在城市文化活动中扮演着重要的角色,形成了一套固定惯例,影响了与其相关的民间艺术形式和团体做出改变和适应。随着非物质文化遗产保护工作的逐渐深入,社火这项综合性艺术中的许多表演项目单独申报进入各级非物质文化遗产保护名录,其运行方式已与自发性演出、遵循岁时节庆的时间节点,严格遵守仪式和禁忌的传统形式有了很大区别,开始出现一些新的表演场合、表达方式和表现目的。城市化使得城乡经济、文化、政治一体化程度提高,城市与近郊村镇的互动更加频繁,体现在社火活动中,则形成了既有合作、又各自保持特色独立运行的模式。社火举办过程中突显出一些新特征,如非物质文化遗产保护的话语介入和民俗再生产、女性在民俗活动中的地位变化、以及城乡合作在城市文化活动中的运作机制等,都反映出当代社会社火存在、发展的新形态。本文试图从社火传统变迁机制和内容置换的现象以及城乡社火活动互动中,探讨这一民俗文化事项发展变化的内在动因,以及城市化引起的观念、生活方式、社会关系的变化对整个区域内的文化生态带来的影响。
[Abstract]:The society fire is a comprehensive folk art form in the traditional Chinese society, which has a wide range of areas, long historical development, universal possession of various nationalities and various forms, and it is also an important festival activity of civil society. It contains the people's artistic wisdom and religious concept, and it is a mirror to reflect the people's life and world outlook, and has a special program in the process of organizing and performing. In contemporary society, social fires are still prevalent in villages and relatively sporadic in cities. The city's New year fire in Tianshui is a tradition created. With the development of the city's economy and the pulse of the times, this activity has continued, and it has played an important role in the city's cultural activities, forming a set of fixed conventions. Influenced its related folk art forms and groups to make changes and adaptations. With the gradual deepening of the work of protecting intangible cultural heritage, many performing items in the comprehensive art of the Society Fire have been separately declared on the list of intangible cultural heritage protection at all levels, and their operation has been accompanied by spontaneous performances. Following the time node of the festival and strictly observing the traditional forms of ceremony and taboos, some new performance occasions, expression methods and performance purposes began to appear. Urbanization increases the degree of economic, cultural and political integration between urban and rural areas, and the interaction between cities and suburban villages and towns is more frequent. In the process of holding the fire, some new features have been highlighted, such as the discourse intervention of intangible cultural heritage protection and folklore reproduction, the change of the status of women in folklore activities, and the operational mechanism of urban-rural cooperation in urban cultural activities. Both reflect the existence and development of the contemporary society of new forms of fire. This paper attempts to discuss the internal causes of the development and change of this folk cultural matter, as well as the concept and life style caused by urbanization, from the phenomenon of the traditional vicissitude mechanism and the replacement of contents in the society and fire, as well as the interaction between urban and rural society and fire activities. The influence of the change of social relations on the cultural ecology of the whole region.
【学位授予单位】:华东师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:K892.24
本文编号:2333709
[Abstract]:The society fire is a comprehensive folk art form in the traditional Chinese society, which has a wide range of areas, long historical development, universal possession of various nationalities and various forms, and it is also an important festival activity of civil society. It contains the people's artistic wisdom and religious concept, and it is a mirror to reflect the people's life and world outlook, and has a special program in the process of organizing and performing. In contemporary society, social fires are still prevalent in villages and relatively sporadic in cities. The city's New year fire in Tianshui is a tradition created. With the development of the city's economy and the pulse of the times, this activity has continued, and it has played an important role in the city's cultural activities, forming a set of fixed conventions. Influenced its related folk art forms and groups to make changes and adaptations. With the gradual deepening of the work of protecting intangible cultural heritage, many performing items in the comprehensive art of the Society Fire have been separately declared on the list of intangible cultural heritage protection at all levels, and their operation has been accompanied by spontaneous performances. Following the time node of the festival and strictly observing the traditional forms of ceremony and taboos, some new performance occasions, expression methods and performance purposes began to appear. Urbanization increases the degree of economic, cultural and political integration between urban and rural areas, and the interaction between cities and suburban villages and towns is more frequent. In the process of holding the fire, some new features have been highlighted, such as the discourse intervention of intangible cultural heritage protection and folklore reproduction, the change of the status of women in folklore activities, and the operational mechanism of urban-rural cooperation in urban cultural activities. Both reflect the existence and development of the contemporary society of new forms of fire. This paper attempts to discuss the internal causes of the development and change of this folk cultural matter, as well as the concept and life style caused by urbanization, from the phenomenon of the traditional vicissitude mechanism and the replacement of contents in the society and fire, as well as the interaction between urban and rural society and fire activities. The influence of the change of social relations on the cultural ecology of the whole region.
【学位授予单位】:华东师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:K892.24
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