抗战时期大众文化的重要特征——悲壮美

发布时间：2018-02-26 08:59

本文关键词： 大众文化悲壮阳刚娱乐至死　出处：《上海师范大学》2010年硕士论文　论文类型：学位论文

【摘要】： 二十世纪三四十年代是全民抗战的年代,是中华民族抗击外辱争取民族独立的年代,是不畏强暴奋起抗击的年代,更是充满着慷慨悲壮之气的特殊年代。一群具有社会良知和社会责任感的知识分子自觉地投入到民族抗战的伟大事业中,创作出许多作品来鼓舞人们奋起抗击外敌的入侵,这些作品具有明显的悲壮美的艺术风格。这些艺术作品不仅表现在雅文学中,在大众文化中也体现出其鲜明的艺术特征。悲壮美的风格在我国具有其悠久的历史,这不仅承袭于儒家和道家的传统文化,而且在先民早期的社会生活中也具有这方面的精神意识,生活环境的困苦与生存寿命的短暂使先民和先哲都不由自主的思考着死亡与不朽,在社会生活和文化实践中渐渐根植于民族的文化心理中,使我们中华民族渐渐成为一个具有统一的精神意识和民族认同感的民族,这突出表现在面对外敌入侵和抵抗外辱的现实斗争中,这种精神意识慢慢沉积就演变成为深埋在中华民族内心深处的精神意志。抗战时期大众文化中有着悲壮风格的艺术作品不仅与时代相呼应而且与人们的需求相关联,使得这个时期的大众文化呈现出一片繁荣的景象,与此形成鲜明对比的是当代的大众文化过多的呈现出娱乐的倾向,以至于出现了“娱乐至死”的大众文化观,这种大众文化固有其一定的存在理由,但是当今社会此种文化观的泛滥对大众文化的健康发展带来了一定的危害,而且这种大众文化观与人们的现实生活有一定距离,正是由于看到了这一点,我们现在才重新探究分析抗战时期的大众文化,希望通过对那个时期把艺术性、商业性、时代性较好地融合在一起的一些大众文化作品的分析,以期能对我们当代大众文化的健康发展起到一定的借鉴意义。
[Abstract]:In 20th century, the 1930s and 40s were the era of the Anti-Japanese War for the whole people, the era of the Chinese nation fighting against foreign insults and striving for national independence, and the era of fighting against the people without fear of violence. A group of intellectuals with a sense of social conscience and social responsibility consciously devoted themselves to the great cause of the National War of Resistance against Japan, and created many works to inspire people to rise up and resist the invasion of foreign enemies. These works have an obvious artistic style of tragically beautiful. These works of art are not only embodied in elegant literature, but also manifest their distinctive artistic characteristics in popular culture. The tragic and beautiful style has a long history in our country. This not only inherited the traditional culture of Confucianism and Taoism, but also had the spiritual consciousness in the early social life of the ancestors. The hardship of living environment and the short life span made the ancestors and philosophers think of death and immortality involuntarily, and gradually rooted in the cultural psychology of the nation in the social life and cultural practice. Gradually, the Chinese nation has become a nation with a unified spiritual consciousness and national identity, which is prominently manifested in the realistic struggle against the invasion of foreign enemies and the resistance to foreign humiliation. This kind of spiritual consciousness slowly deposited into the spiritual will buried deep in the heart of the Chinese nation. In the mass culture during the War of Resistance against Japan, the works of art, which had a tragic style, not only echoed the times but also related to the needs of the people. The mass culture of this period presents a prosperous scene, which is in sharp contrast to the tendency of entertainment in the contemporary mass culture, so much so that there is a popular cultural view of "entertainment to death". This kind of popular culture has its own reasons for existence, but the proliferation of such cultural view in today's society has brought certain harm to the healthy development of popular culture, and this view of popular culture is far from people's real life. It is precisely because we have seen this that we are now re-exploring and analyzing popular culture during the War of Resistance against Japan. We hope that through the analysis of some popular cultural works in which artistry, commerce, and epochal character were better integrated in that period, With a view to the healthy development of our contemporary mass culture to play a certain reference significance.
【学位授予单位】：上海师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K265

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