鲁迅的辛亥革命想象
发布时间：2018-08-06 21:28
【摘要】：本文旨在通过对鲁迅辛亥革命想象的考察,来探讨现代文学怎样来建构与利用辛亥革命这一历史事件。鲁迅的辛亥革命想象,不仅表现了鲁迅自己的辛亥革命经验,也展现了鲁迅对辛亥革命的利用。但是鲁迅的辛亥革命想象虽然包含着塑造者鲁迅的思想投射,而却不是不顾历史现实基础的纯粹想象之物,同时历史基础还影响着形象塑造者的视角,影响着对待辛亥革命的态度与评价。 本论文除绪论和结语外,共分三个部分。 第一章讨论鲁迅对辛亥革命的想象。此章第一节通过对辛亥革命想象的四大关键词——“名号”、“热闹”、“鸡肋”以及“反动”的梳理,讨论鲁迅分别从革命目标、革命意义、革命民众以及革命后果四方面对辛亥革命本身所进行的反思。在鲁迅对辛亥革命本身的想象中,辛亥革命成为了“骗局”与“把戏”,它的正面价值可以说是微乎其微的,带有失败、绝望以及幻灭感。而第二节从“战士与苍蝇的寓言”、“傀儡崇拜”、“散胙命运”与“‘四舍五入’的历史地位”四方面,来谈论鲁迅对革命者的想象,发现鲁迅十分尊重与同情革命者。那么通过本章可看出,鲁迅的辛亥革命想象,明显地存在着某种矛盾,那就是鲁迅否定辛亥革命之时,却肯定了革命者。 第二章探讨鲁迅辛亥革命想象的方式与意义。此章第一节探讨“辛亥革命案例化”。辛亥革命的案例化,是鲁迅辛亥革命想象的主要方式之一。辛亥革命案例化,也就是让辛亥革命成为创作中的例子,来审视历史,批判社会,反思民众,但这都与辛亥革命无关。第二节讨论“辛亥革命被弱化”。此节以“‘阿Q式’的革命者”、“军阀混战”、“复辟现象”、“三民主义”为例子进行分析,发现鲁迅的辛亥革命想象在一些方面弱化了辛亥革命的影响力,同时鲁迅也对辛亥革命的阴暗面进行了夸大,显得有点批判过度了。 第三章探析鲁迅辛亥革命想象的原因。本章讨论鲁迅在制造自己的辛亥革命经验之时,由于受到“质疑一切的精神性格”、“以立人为考察中心”、“日本体验”三方面的影响,使鲁迅对辛亥革命叙述与想象的方式非常独特,从而使此想象所产生的意义变得与众不同的。
[Abstract]:The purpose of this paper is to explore how modern literature constructs and utilizes the historical event of the Revolution of 1911 through the investigation of the imagination of the Revolution of 1911 in Lu Xun. Lu Xun's imagination of 1911 not only shows Lu Xun's own experience in 1911, but also shows Lu Xun's use of it. However, although Lu Xun's imagination of the Revolution of 1911 contains the projection of Lu Xun, it is not a pure imagination without regard to the historical reality, and at the same time, the historical basis also influences the perspective of the imager. It influences the attitude and evaluation of the 1911 Revolution. In addition to the introduction and conclusion, this paper is divided into three parts. The first chapter discusses Lu Xun's imagination of the Revolution of 1911. The first section of this chapter discusses the revolutionary goal and significance of Lu Xun by combing the four key words in the imagination of the Revolution of 1911-"name", "bustle", "chicken rib" and "reactionary". Revolutionary masses and revolutionary consequences of the four aspects of the revolution itself. In Lu Xun's imagination of the Revolution itself, the Revolution of 1911 became a "scam" and a "trick", the positive value of which can be said to be minimal, with a sense of failure, despair and disillusionment. The second section discusses Lu Xun's imagination of revolutionaries from the fables of soldiers and flies, puppet worship, fate and historical status, and finds that Lu Xun respects and sympathizes with revolutionaries. Through this chapter, we can see that Lu Xun's imagination of 1911 revolution obviously has some contradiction, that is, when Lu Xun negated the Revolution of 1911, he affirmed the revolutionaries. The second chapter discusses the way and significance of Lu Xun revolution imagination. The first section of this chapter discusses the case study of the Revolution of 1911. The case study of the Revolution of 1911 is one of the main ways of imagining the Revolution of Lu Xun. The case study of the 1911 Revolution, that is, let the 1911 Revolution become a creative example, examines history, criticizes the society and reflects on the masses, but it has nothing to do with the Revolution of 1911. The second section discusses the weakening of the 1911 Revolution. This section takes "A Q" revolutionary, "warlord melee", "restoration phenomenon" and "three people's principles" as examples, and finds that Lu Xun's imagination of 1911 revolution weakens the influence of Xinhai Revolution in some aspects. At the same time, Lu Xun also exaggerates the dark side of the 1911 Revolution, which appears to be a bit of critical. The third chapter analyzes the reason of Lu Xun revolution imagination. This chapter discusses the influence of "questioning everything", "taking Liren as the center of study" and "Japanese experience" when Lu Xun made his own experience of the 1911 Revolution. It makes Lu Xun unique to the narrative and imagination of the Revolution of 1911, which makes the meaning of this imagination different.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：K257
本文编号：2169042
[Abstract]:The purpose of this paper is to explore how modern literature constructs and utilizes the historical event of the Revolution of 1911 through the investigation of the imagination of the Revolution of 1911 in Lu Xun. Lu Xun's imagination of 1911 not only shows Lu Xun's own experience in 1911, but also shows Lu Xun's use of it. However, although Lu Xun's imagination of the Revolution of 1911 contains the projection of Lu Xun, it is not a pure imagination without regard to the historical reality, and at the same time, the historical basis also influences the perspective of the imager. It influences the attitude and evaluation of the 1911 Revolution. In addition to the introduction and conclusion, this paper is divided into three parts. The first chapter discusses Lu Xun's imagination of the Revolution of 1911. The first section of this chapter discusses the revolutionary goal and significance of Lu Xun by combing the four key words in the imagination of the Revolution of 1911-"name", "bustle", "chicken rib" and "reactionary". Revolutionary masses and revolutionary consequences of the four aspects of the revolution itself. In Lu Xun's imagination of the Revolution itself, the Revolution of 1911 became a "scam" and a "trick", the positive value of which can be said to be minimal, with a sense of failure, despair and disillusionment. The second section discusses Lu Xun's imagination of revolutionaries from the fables of soldiers and flies, puppet worship, fate and historical status, and finds that Lu Xun respects and sympathizes with revolutionaries. Through this chapter, we can see that Lu Xun's imagination of 1911 revolution obviously has some contradiction, that is, when Lu Xun negated the Revolution of 1911, he affirmed the revolutionaries. The second chapter discusses the way and significance of Lu Xun revolution imagination. The first section of this chapter discusses the case study of the Revolution of 1911. The case study of the Revolution of 1911 is one of the main ways of imagining the Revolution of Lu Xun. The case study of the 1911 Revolution, that is, let the 1911 Revolution become a creative example, examines history, criticizes the society and reflects on the masses, but it has nothing to do with the Revolution of 1911. The second section discusses the weakening of the 1911 Revolution. This section takes "A Q" revolutionary, "warlord melee", "restoration phenomenon" and "three people's principles" as examples, and finds that Lu Xun's imagination of 1911 revolution weakens the influence of Xinhai Revolution in some aspects. At the same time, Lu Xun also exaggerates the dark side of the 1911 Revolution, which appears to be a bit of critical. The third chapter analyzes the reason of Lu Xun revolution imagination. This chapter discusses the influence of "questioning everything", "taking Liren as the center of study" and "Japanese experience" when Lu Xun made his own experience of the 1911 Revolution. It makes Lu Xun unique to the narrative and imagination of the Revolution of 1911, which makes the meaning of this imagination different.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：K257
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