近代青岛舞女群体研究

发布时间：2018-04-04 13:37

本文选题：舞女　切入点：青岛　出处：《聊城大学》2011年硕士论文

【摘要】：本文以近代青岛舞女为研究对象,在阐述近代交际舞传入、受抵、几经起伏和舞厅在青岛的兴起发展概况的基础上,通过对舞女的来源、从业动因、职业和收入方式、情感生活和归宿以及舞女与国家、社会、民众问的互动关系的考察和探究,来勾勒近代青岛舞女群体真实的历史的生活原貌,并从中寻找舞女群体在青岛这一特殊场域中所具有的女性主体性。本文从诸多角度切入着意揭示具有现代意义的舞女在工作与生活中并非只是权力和社会主流道德伦理规训和建构的被动受驭者,她们采用各种方式来争取各自的自由和权利,甚至倾力与不义的权力抗争。除此之外,本文通过国家、社会、民众和舞女本身相似的或矛盾的话语来探讨1949年中国新政权建立前后舞女复杂社会角色是如何在历史进程中被建构塑造而成的。交际舞和舞厅在青岛甚至是在整个近代中国经历了一段了解尝试、小群体专享、群众性消费、战时特殊时期、病态繁荣、保留改造的过程,同时因跳舞业而出现的专门从事伴舞并以此为生的职业舞女同样经历了一个相仿的演变道路。在学术界虽然对舞女的发展有一个较为统一的、宏观的认识脉络,但对舞女为何出现、从何而来?她们怎样在舞厅这一特殊的场域内靠身体换取生活资料?舞厅外和闲暇时的她们做着什么,活的怎样?她们是否兼具第二甚至是第三种职业身份?国家、社会、民众和舞女本身对待舞女身份分别是怎样的态度?权力和社会主流话语通过怎样的方式在不同的历史时期何塑造出与之相应的中国式交际舞文明,又是如何建构出这一复杂的历史的舞女形象这都成为还原近代舞女历史原貌的关键。
[Abstract]:This article takes the modern Qingdao dancer as the research object, on the basis of expounding the introduction, receiving, several ups and downs of the modern ballroom dance and the rising and developing situation of the ballroom in Qingdao, through the analysis of the source of the dancer, the cause of the employment, the occupation and the income way.Emotional life and fate, as well as dance women and the country, society, the interactive relationship between the public to investigate and explore, to outline the modern Qingdao dance women group real history of the life of the original picture,And find out the female subjectivity of the dance women group in the special field of Qingdao.And even struggle with unjust power.In addition, this paper explores how the complicated social roles of dancers were shaped in the historical process through the similar or contradictory words of the state, the society, the public and the dancers themselves, before and after the establishment of the new regime in China in 1949.Ballroom dance and ballroom experienced a period of understanding and attempt in Qingdao and even throughout modern China. Small groups enjoyed exclusively, mass consumption, wartime special period, sick prosperity, and retained the process of transformation.At the same time, the professional dancers who specialize in dancing and make a living from the dance industry have also undergone a similar evolution.Although the academic circles have a relatively unified, macroscopic understanding of the development of dancers, but why and from where did the dancers appear?How do they exchange their bodies for the means of living in this special field of ballroom?What do they do outside the ballroom and in their spare time and how do they live?Do they have a second or even a third professional status?What are the attitudes of the state, society, people and dancers themselves towards the identity of dancers?How do power and social mainstream discourse shape the corresponding Chinese ballroom dance civilization in different historical periods?And how to construct the image of the dancer in this complicated history is the key to restoring the historical appearance of the modern dancer.
【学位授予单位】：聊城大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K295.2

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