汉阳舞高龙习俗调查

发布时间：2018-04-18 04:22

本文选题：高龙 + 非物质文化遗产　；参考：《华中师范大学》2011年硕士论文

【摘要】：元宵节又称“灯节”,舞龙灯是节日中一项古老的民间传统活动。民间舞龙的习俗由来已久,每个地域都有自己的特色龙舞,大体可以分为不仅燃烛类和不燃烛类这两类。武汉大部分地区流行至今的大多是滚龙,又叫布龙,属于不燃烛的舞龙,在武汉汉阳区则盛行高龙,属于燃烛类。在汉阳区永丰乡曾经有二十七堡半舞高龙的热闹景致。“舞龙是在上古‘武功定祸乱’、‘文德致太平’,古代春祈秋报,今日传承文化遗产,展现文化魅力的流变中顺应和满足人们多种需要而产生和发展起来的一种特殊文化形态。”①当下的高龙民俗,更多的是为了增添节日欢快的气氛,而且是人们祈愿新年里保佑美好愿望实现,寄托了当地百姓祈求平安健康、来年丰收的朴素心愿。武汉高龙,是以祈福求祥为主题的元宵节民俗活动项目,每年农历正月初三之后开始扎制龙灯,正月十一出龙、舞龙灯,正月十五晚“化龙”,送龙神上天,具有深厚的文化内涵。武汉高龙,在制作工艺上为手工扎制,工艺考究；在传承方式上,主要靠口授心传,传承谱系呈纵向直线式特点,现在已被收录进第二批国家级非物质文化遗产名录。本文通过对武汉高龙的田野考察,介绍它的活动内容和仪式流程,试图从文化研究的角度来分析其仪式的内涵和价值,以及传承发展的现状和原因探析,进而探讨这一舞龙习俗未来发展的相关问题。第一章“武汉高龙的背景和意义”,介绍笔者选题缘由、中国舞龙研究现状。第二章“武汉高龙的文化生态”,介绍高龙流传盛行地的自然环境和人文环境,以及传统文化生态和现代文化生态。第三章“武汉高龙的生存现状和传承状态”,对武汉高龙的形式等基本内容和活动中相关仪式流程,以及节日体系、节日组织作出阐释与分析。第四章“武汉高龙的传承与保护”,侧重于探寻武汉高龙关于民间传说、节日风俗和龙神信仰的起源,探讨武汉高龙的学术价值、工艺价值、观赏价值、社会价值和体育价值,在社会转型进程中,意识形态,民俗信仰的变化影响着武汉高龙的传承流变,最后对武汉高龙作为非物质文化遗产的保护与传承做出预想性建议。
[Abstract]:Lantern Festival, also known as Lantern Festival, Dragon Lantern Dance is an ancient folk tradition.The custom of folk dance dragon has a long history. Each region has its own characteristic dragon dance, which can be divided into two categories: not only candle and non-candle.Up to now, most of Wuhan's popular dragon, also known as Brong, belong to the non-burning candle dance dragon, in Wuhan Hanyang District is popular Gaolong, belong to the candle class.In Hanyang District Yongfeng Township once had a lively scene of 27 castle and half dance Gaolong."the dragon dance was in ancient times, 'martial arts, disaster, chaos,' to peace, ancient Spring Prayer and Autumn newspaper, today inheriting the cultural heritage,The evolution of cultural charm is a special form of culture formed and developed to meet and satisfy people's various needs. "(1) the present high dragon folklore is more to add to the festive atmosphere," he said.And people pray for the New year to bless the realization of good wishes, relying on the local people pray for peace and health, the next year's simple wish for harvest.Wuhan Gaolong, a folk custom activity with the theme of praying for blessing and seeking Xiang, begins to set up dragon lanterns after the third day of the first lunar month every year. On the eleventh day of the first lunar month, after dragon dancing, on the 15th night of the first month, the dragon is "transformed into the dragon" and sent to heaven by the dragon god.It has profound cultural connotation.Wuhan Gaolong, in the production technology for manual binding, the process of research; in the way of inheritance, mainly by dictating heart, inheritance lineal characteristics, has been included in the second batch of national intangible cultural heritage list.Through the field investigation of Gaolong in Wuhan, this paper introduces its activity content and ritual process, and tries to analyze the connotation and value of its ritual from the perspective of cultural research, as well as the present situation and reasons of its inheritance and development.Then discusses the future development of this dragon dance customs related issues.The first chapter, "the background and significance of Wuhan Gaolong", introduces the reason of choosing this topic and the present situation of Chinese dragon dance research.Chapter two, "Cultural Ecology of Gaolong in Wuhan", introduces the natural environment and humanistic environment of Gaolong's spreading place, as well as traditional cultural ecology and modern cultural ecology.The third chapter, "the status quo of existence and inheritance of Wuhan Gaolong", explains and analyzes the basic contents of the form of Wuhan Gaolong and the ritual process in the activities, as well as the festival system and festival organization.The fourth chapter, "inheritance and protection of Wuhan Gaolong", focuses on exploring the origin of Wuhan Gaolong's folklore, festival custom and dragon god belief, discussing the academic value, craft value, ornamental value, social value and sports value of Wuhan Gaolong.In the process of social transformation, the changes of ideology and folk beliefs affect the inheritance of Wuhan Gaolong. Finally, the author makes some preconceived suggestions on the protection and inheritance of Wuhan Gaolong as an intangible cultural heritage.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K892.4

【引证文献】