吐蕃统治时期敦煌游艺史料研究
[Abstract]:Recreation should refer to all kinds of games or entertainment activities. Recreation activities refer to the entertainment activities that people engage in their daily life and thus achieve spiritual and cultural activities for the purpose of entertainment. Dunhuang recreation and Dunhuang studies, Dunhuang sports academic research is also rich in connotation, vague extension, diverse levels, complex structure of cultural phenomena and disciplinary system, it and philosophy, politics, religion, medicine, The study of art and other disciplines is closely linked. Therefore, as an integral part of Dunhuang sports, the academic research of Dunhuang recreation is not only deeply rooted in Dunhuang studies, but also has its own unique development track. During the reign of Tubo during the reign of Dunhuang from 786-848, the culture and development of Dunhuang entertainment did not become incomplete. Chen Xiangyin, On the contrary, the deep exchange between Chinese and foreign culture and Tang Fan culture promoted Dunhuang recreation culture to enter a new stage of development. The history and variety of recreational activities in Dunhuang region during the period of Tubo rule were long and varied, which added rich forms of leisure and entertainment activities to the daily life of the people of that period, so that people could not only enjoy leisure and entertainment, but also be able to cultivate sentiment. Exercise. In this paper, the activities of Tibetan rule were divided into three categories: art, game, game and festival, which had different origins and characteristics. It is of great significance to the daily life of the people in Dunhuang area during this period. The recreation activities in Dunhuang area are unique political, entertaining and religious, mainly because Dunhuang is located on the Silk Road, an important hub and transit station for cultural exchanges between China and the West. The recreation activities in Dunhuang area were influenced by the two cultures of the Western region and the Central Plains, and finally formed the characteristic Dunhuang recreation culture. The purpose of this thesis is to study the Dunhuang recreation culture in Dunhuang murals and documents during the period of Tubo rule, which is rich in content, diverse in subject matter and abundant in historical materials of Dunhuang. The connotation and its evolution track research, explore and fill the new materials of Dunhuang recreation in the period of Tubo rule, and think about the problems existing in Dunhuang recreation academic research according to the frontier research direction and recent academic development. To seek and predict the future development of Dunhuang recreation research content and development of academic direction. At the same time, this topic combined with the relevant documents of the period of Tubo rule Dunhuang, using scientific research methods, combing the whole process of the evolution of Dunhuang entertainment in the period of Tubo rule, and restoring the true features of Dunhuang recreation. Furthermore, the social function and cultural value of ancient Chinese recreation are demonstrated from the evolution and development of Dunhuang recreation. In addition, this topic belongs to the basic theoretical research, the author hopes to make their own contribution to the academic research of Dunhuang recreation through the study of Dunhuang recreation in the period of Tubo rule.
【学位授予单位】:西北民族大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:K28
【相似文献】
相关期刊论文 前10条
1 邵宏江;我对敦煌壁画的认识和我的临摹方法[J];敦煌研究;2001年04期
2 杜元;早期山水画与敦煌壁画中的树木描写[J];敦煌学辑刊;2002年02期
3 陈方平;有序的形式与自由的时空——敦煌壁画构图的装饰性分析[J];西北美术;2002年04期
4 李晓玉;敦煌壁画临本的收藏[J];敦煌研究;2002年05期
5 吴荣鉴;敦煌壁画色彩应用与变色原因[J];敦煌研究;2003年05期
6 暨远志;金狮床考——敦煌壁画家具研究之二[J];考古与文物;2004年03期
7 周河;敦煌壁画临本装裱记要[J];敦煌研究;2004年04期
8 马强;敦煌壁画和湿壁画的材料技法之比较[J];敦煌研究;2005年03期
9 张元林;敦煌美术研究的重要成果——简评《敦煌壁画风景研究》[J];敦煌研究;2005年05期
10 马振西;;马振西十大创作之——敦煌壁画系列[J];艺术市场;2006年05期
相关会议论文 前5条
1 王传杰;;管窥敦煌壁画的色彩应用特征[A];纪念中国流行色协会成立三十周年:2012中国流行色协会学术年会学术论文集[C];2012年
2 丛春雨;;敦煌壁画“形象医学”的历史贡献[A];新世纪 新机遇 新挑战——知识创新和高新技术产业发展(下册)[C];2001年
3 胡同庆;;敦煌壁画中的杖具——笞杖、球杖考[A];中外关系史论文集第17辑——“草原丝绸之路”学术研讨会论文集[C];2009年
4 胡同庆;;论古代角抵、相扑活动的表演性和娱乐性——兼谈敦煌壁画中相关画面的定名[A];中外关系史论丛第19辑——多元宗教文化视野下的中外关系史[C];2010年
5 樊锦诗;;玄奘译经和敦煌壁画[A];常书鸿先生诞辰一百周年纪念文集[C];2004年
相关重要报纸文章 前10条
1 朱音;新世界社力促敦煌壁画“走出去”[N];中国新闻出版报;2008年
2 陇菲;敦煌壁画中的并舟之舫[N];光明日报;2012年
3 王艳明;甘肃敦煌壁画展示古代游戏多达40余种[N];西部时报;2013年
4 叶馨;让敦煌壁画舞动起来[N];中国文化报;2013年
5 付文;敦煌壁画出自谁手?专家对此有说法[N];中国社会报;2000年
6 记者 王艳明;敦煌壁画变色原因有新解[N];新华每日电讯;2004年
7 庄壮;敦煌壁画音乐的主要特点[N];音乐周报;2006年
8 庄壮;敦煌壁画音乐的主要特点[N];音乐周报;2006年
9 沈浩;敦煌壁画修复的启示[N];中国建材报;2008年
10 申尊敬 张泽远;敦煌壁画谁绘成?[N];中国水利报;2000年
相关博士学位论文 前8条
1 潘汶汛;唐及唐以前敦煌壁画设色研究及其在现代绘画的影响[D];中国美术学院;2010年
2 阮立;唐敦煌壁画女性形象研究[D];上海大学;2011年
3 胡明强;敦煌壁画形式元素的现代阐释[D];中国艺术研究院;2014年
4 曹U,
本文编号:2142125
本文链接:https://www.wllwen.com/shekelunwen/zgmzsz/2142125.html