清代琼黎图研究
发布时间：2019-06-11 12:40
【摘要】：中国黎族人口125万,世居海南岛,拥有悠久的历史和灿烂的海洋文化,但因没有本民族文字而在现代遭受文化流失最多。 琼黎图是清代官方为掌握“黎情”而绘制的黎族风俗的图画,构成清代少数民族图册的一个独具特色的系列,民族学价值极高。 本文从图像学角度研究已知存世清代琼黎图,在梳理琼黎图研究成果的基础上,利用各种历史文献及民族学调查资料,运用历史民族学理论方法,重点对琼黎图成书的时间和历史背景以及重大的史料价值进行考释,同时运用人类学中的文化象征理论对琼黎图与黎族非物质文化遗产的关系进行描述和阐释。 论文分为六个部分,第一部分是绪论,最后一部分是结语,中间四部分是正文,分四章。 绪论部分简要交代论文的选题缘由及意义,概述琼黎图研究状况,明确论文研究所采用的理论和方法。 第一章分析琼黎图产生背景,概述存世五种琼黎图版本,即国博本《琼州海黎图》、民大本《琼州黎族风俗图说》、中山本《琼黎一览图》、新乡本《琼黎风俗图》、台北本《黎人风俗图》,并对琼黎图研究的学术史进行系统的综述。 第二章重点对《琼州黎族风俗图说》进行考释。通过对其图文记述,考释黎峒由来变化,具体围绕史料记载对比考释熟黎村峒和生黎村峒,特别是通过考释中心黎峒——冲山,论证了冲山就是今天的五指山市通什镇。 第三章重点对《琼州海黎图》和《琼黎一览图》进行深入考释。具体通过山岭、湖水港口、服饰等,结合史料记载对比研究,论证其成书年代和历史背景,认为《琼州海黎图》、《琼州黎族风俗图说》的琼黎图属于一个系列,绘制时间应在清代康熙四十二年至四十七年(1703-1708)和雍正七年(1729)；而《琼黎一览图》、《琼黎风俗图》、《黎人风俗图》系同出一源,绘制时间应在乾隆后期以后,新乡本《琼黎风俗图》系伪造的改绘本,成书时间为晚清。 第四章讨论琼黎图在黎族历史遗产中所起到的作用,通过对现今黎族国家级非物质文化遗产的描述和分析,指出琼黎图中所表现的图像——黎锦、船型屋等已成为黎族文化的象征。 结语部分对文章的主要研究内容、观点和结论进行回顾和总结,指出了琼黎图研究的意义：在海南黎族社会文化经过近百年剧烈变迁,传统物质文化受到巨大冲击,而民族文化重建及文化产业要为当地发展承担重任的背景下,琼黎图研究成果与民间非物质文化遗产的结合,可以为文化复兴提供重要的依据和动力。
[Abstract]:China's Li nationality, with a population of 1.25 million and living on Hainan Island, has a long history and splendid marine culture, but it has suffered the most cultural loss in modern times because of the absence of its own characters. Qionglitu is a picture of Li nationality customs drawn by the Qing Dynasty officials in order to master "Li emotion". It constitutes a unique series of minority atlas in Qing Dynasty, and the value of ethnography is very high. This paper studies Qionglitu in the Qing Dynasty from the perspective of image science. On the basis of combing the research results of Qionglitu, using various historical documents and ethnographic investigation data, and using the theoretical method of historical ethology, This paper focuses on the time, historical background and important historical value of Qionglitu's book, and describes and explains the relationship between Qionglitu and Li's intangible cultural heritage by using the theory of cultural symbolism in anthropology. The paper is divided into six parts, the first part is the introduction, the last part is the conclusion, the middle four parts are the main body, divided into four chapters. The introduction briefly explains the reason and significance of the topic selection, summarizes the research situation of Qionglitu, and clarifies the theory and method used in the research. In the first chapter, the background of Qiongli map is analyzed, and five versions of Qiongli chart are summarized, that is, Qiongzhou Haili chart, Qiongzhou Li custom map, Zhongshan Ben Qiongli list map, Xinxiang Ben Qiongli custom chart, Qiongli custom chart, Taipei is a book of Li people's customs, and a systematic review of the academic history of Qionglitu's research is made. The second chapter focuses on the interpretation of Qiongzhou Li Custom Map Theory. Through the description of its picture and text, the origin of Li Tong is studied, and it is proved that Chong Shan is today's Tongshi Town of Wuzhishan City by comparing the historical records between Li Cun Tong and Sheng Li Cun Tong, especially through the examination and interpretation center, Li Tong, Chong Shan, and proves that Chong Shan is Tongshi Town of Wuzhishan City today. The third chapter focuses on Qiongzhou Haili chart and Qiongli list chart. Through the comparative study of mountains, lake ports, clothing and so on, combined with the comparative study of historical records, this paper demonstrates the age and historical background of the book, and holds that the Qiongli chart of Qiongzhou Haili and Qiongzhou Li custom map belongs to a series. The drawing time should be from 42 to 47 years of Kangxi in Qing Dynasty (1703 / 1708) and seven years of Yongzheng (1729). The picture of Qiongli, Qiongli and Li is the same source, and the drawing time should be after the late Qianlong period, and Xinxiang Ben Qiongli Custom Map should be a forged picture book, and the time of writing the book should be in the late Qing Dynasty. The fourth chapter discusses the role of Qionglitu in the historical heritage of Li nationality. Through the description and analysis of the national intangible cultural heritage of Li nationality, it points out that the image shown in Qiongli map is Li Jin. Boat houses and so on have become a symbol of Li culture. The conclusion part reviews and summarizes the main research contents, viewpoints and conclusions of the article, and points out the significance of the study of Qionglitu: after nearly a hundred years of drastic changes in the social culture of the Li nationality in Hainan, the traditional material culture has been greatly impacted. Under the background that the reconstruction of national culture and the cultural industry should bear the important task for the local development, the combination of the research results of Qionglitu and the intangible cultural heritage of the people can provide an important basis and motive force for the cultural rejuvenation.
【学位授予单位】：中央民族大学
【学位级别】：博士
【学位授予年份】：2011
【分类号】：K28
本文编号：2497196
[Abstract]:China's Li nationality, with a population of 1.25 million and living on Hainan Island, has a long history and splendid marine culture, but it has suffered the most cultural loss in modern times because of the absence of its own characters. Qionglitu is a picture of Li nationality customs drawn by the Qing Dynasty officials in order to master "Li emotion". It constitutes a unique series of minority atlas in Qing Dynasty, and the value of ethnography is very high. This paper studies Qionglitu in the Qing Dynasty from the perspective of image science. On the basis of combing the research results of Qionglitu, using various historical documents and ethnographic investigation data, and using the theoretical method of historical ethology, This paper focuses on the time, historical background and important historical value of Qionglitu's book, and describes and explains the relationship between Qionglitu and Li's intangible cultural heritage by using the theory of cultural symbolism in anthropology. The paper is divided into six parts, the first part is the introduction, the last part is the conclusion, the middle four parts are the main body, divided into four chapters. The introduction briefly explains the reason and significance of the topic selection, summarizes the research situation of Qionglitu, and clarifies the theory and method used in the research. In the first chapter, the background of Qiongli map is analyzed, and five versions of Qiongli chart are summarized, that is, Qiongzhou Haili chart, Qiongzhou Li custom map, Zhongshan Ben Qiongli list map, Xinxiang Ben Qiongli custom chart, Qiongli custom chart, Taipei is a book of Li people's customs, and a systematic review of the academic history of Qionglitu's research is made. The second chapter focuses on the interpretation of Qiongzhou Li Custom Map Theory. Through the description of its picture and text, the origin of Li Tong is studied, and it is proved that Chong Shan is today's Tongshi Town of Wuzhishan City by comparing the historical records between Li Cun Tong and Sheng Li Cun Tong, especially through the examination and interpretation center, Li Tong, Chong Shan, and proves that Chong Shan is Tongshi Town of Wuzhishan City today. The third chapter focuses on Qiongzhou Haili chart and Qiongli list chart. Through the comparative study of mountains, lake ports, clothing and so on, combined with the comparative study of historical records, this paper demonstrates the age and historical background of the book, and holds that the Qiongli chart of Qiongzhou Haili and Qiongzhou Li custom map belongs to a series. The drawing time should be from 42 to 47 years of Kangxi in Qing Dynasty (1703 / 1708) and seven years of Yongzheng (1729). The picture of Qiongli, Qiongli and Li is the same source, and the drawing time should be after the late Qianlong period, and Xinxiang Ben Qiongli Custom Map should be a forged picture book, and the time of writing the book should be in the late Qing Dynasty. The fourth chapter discusses the role of Qionglitu in the historical heritage of Li nationality. Through the description and analysis of the national intangible cultural heritage of Li nationality, it points out that the image shown in Qiongli map is Li Jin. Boat houses and so on have become a symbol of Li culture. The conclusion part reviews and summarizes the main research contents, viewpoints and conclusions of the article, and points out the significance of the study of Qionglitu: after nearly a hundred years of drastic changes in the social culture of the Li nationality in Hainan, the traditional material culture has been greatly impacted. Under the background that the reconstruction of national culture and the cultural industry should bear the important task for the local development, the combination of the research results of Qionglitu and the intangible cultural heritage of the people can provide an important basis and motive force for the cultural rejuvenation.
【学位授予单位】：中央民族大学
【学位级别】：博士
【学位授予年份】：2011
【分类号】：K28
【参考文献】
相关期刊论文 前1条
1 祁庆富,马晓京;黎族织锦蛙纹纹样的人类学阐释[J];民族艺术;2005年01期
，本文编号：2497196
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