清代州县衙门的画行制度

发布时间：2018-04-01 04:30

  本文选题：州县衙门　切入点：画行　出处：《档案学研究》2017年05期

【摘要】：画行是指文书法定负责人判定文书是否符合要求、是否准允施行的行为。画行之制,至少源于汉代的画可、画诺,历经演变,至清代渐趋完善。有清一代,画行制度一般在中央各部院呈堂稿和州县衙门文移稿中出现。在州县衙门中,文书多由书吏起草、幕友点改、长官画行,画行与否决定着文件是否能够下发执行。《南部档案》为我们探讨画行的运作过程与式样、适用的文书类别以及画行的一些特例提供了实物依据。其文末的"行"字是否为上级对下级的批示,尚有待考证。
[Abstract]:Painting is the act by which the legal person in charge of the document determines whether the document meets the requirements and whether it is permitted to be carried out. The system of painting is at least derived from the Han Dynasty's paintings and promises, evolved and gradually improved in the Qing Dynasty. There was a Qing Dynasty. The system of painting execution generally appears in the manuscripts submitted by the central ministries and departments and in the manuscripts of the state and county government offices. In the state and county government offices, the documents are mostly drafted by the scribes, the curtain is changed by friends, and the officials draw up the lines. Whether the drawing line or not determines whether the document can be sent and executed. The Southern Archives provides us with a discussion of the process and style of the drawing line. The applicable types of documents and some special cases in the drawing line provide the material basis. Whether the word "line" at the end of the text is the instruction of the superior to the subordinate remains to be studied.
【作者单位】： 南充西华师范大学历史文化学院;
【基金】：香港中文大学历史人类学研究中心“香港特别行政区大学教育资助委员会卓越学科领域计划”(The Historical Anthropology of Chinese Society) 国家社科基金重大项目《清代南部县衙档案整理与研究》(11ZD&0093)资助
【分类号】：K249
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本文编号：1693964