蒙元时期周边文化对蒙古族服饰影响探析
发布时间：2018-08-31 13:38
【摘要】：中国是世界上四大文明古国之一,民族众多,素有“衣冠王国”之称。五十六个民族都有自身灿烂而悠久的历史文化传统,他们的民族服饰更是各具特色,种类繁多,具有深厚的文化内涵和强大的感染力。蒙古族作为一个古老的游牧民族,它的服饰文化发展更是不同于其他民族,从蒙古族的起源,到其后统一蒙古草原,及建立元朝,蒙古族对周围其他兄弟民族文化或国外文化都保持了一种宽容开放的心态。正是这种心态,使得蒙古服饰的发展呈现出多元文化交流的结果,它是中国传统的农耕文化与游牧文化,东方服饰文化与西方服饰文化的综合再现,也是欧亚服饰文化艺术的完美结合。研究蒙古族服饰文化的交流,也能为如今中国与世界各国的文化交流提供启示与借鉴。本文以文化交流的视野,分析了蒙元时期蒙古族服饰与多种文化之间的交流和沟通,全文共分为绪论和正文两个部分。绪论主要阐述了本文的研究目的和意义,国内外对蒙元时期蒙古服饰的研究现状以及本文的研究内容,重点、难点和创新点。正文部分主要有五个章节,第一章从背景入手,剖析了蒙元时期的社会背景,蒙古服饰的来源及早期的民族文化交流。第二、三、四章,分别具体分析了中原、西域、西藏及高丽文化影响下的蒙元时期蒙古族服饰的变化。第二章,中原文化博大精深,兼容并蓄,影响了蒙古服饰的整体格局和基本走向,蒙古族开始学习中原严格的服饰等级制度,强化了其封建统治。第三章,西域文化对蒙古服饰的影响主要体现在服饰的用料,装饰饰物的多样以及颜色构图三方面。第四章,藏传佛教给蒙古服饰带来了新的装饰纹样及装饰材质,高丽的异域风情为元大都掀起了一阵高丽风尚。第五章,通过对蒙古服饰文化与各民族文化之间的交流沟通,以及明清时期蒙元服饰的传承和变迁这些研究,从而总结出蒙元服饰具有多元开放性,双向互动性和民族主体性三大基本特征。同时,总结出蒙元服饰文化交流对当今社会民族文化交流的启示,即文化需要交流,但更需要民族主体性的坚守。
[Abstract]:China is one of the four ancient civilizations in the world. The 56 ethnic groups all have their own splendid and long historical and cultural traditions, and their national costumes have their own characteristics, various kinds, profound cultural connotations and powerful appeal. As an ancient nomadic nation, the Mongolian nationality's costume culture development is different from other nationalities, from the origin of Mongolian nationality to the unification of Mongolian grassland, and the establishment of Yuan Dynasty. The Mongolian people maintain a tolerant and open attitude towards the other fraternal cultures or foreign cultures around them. It is this kind of mentality that makes the development of Mongolian dress present the result of multi-cultural exchange. It is the comprehensive reproduction of Chinese traditional farming culture and nomadic culture, eastern dress culture and western dress culture. It is also the perfect combination of Eurasian dress culture and art. The study of the exchange of Mongolian costume culture can also provide enlightenment and reference for the cultural exchange between China and the rest of the world. From the perspective of cultural exchange, this paper analyzes the communication and communication between Mongolian costume and various cultures in the period of the Mongolian and Yuan dynasties. The full text is divided into two parts: introduction and text. The introduction mainly expounds the purpose and significance of this paper, the current situation of research on Mongolian clothing in the period of Mongolian and Yuan Dynasty, and the research contents, emphases, difficulties and innovations of this paper at home and abroad. There are five chapters in the text. The first chapter analyzes the social background of the Mongolian and Yuan dynasties, the origin of Mongolian dress and the early national cultural exchange. The second, third and fourth chapters respectively analyze the changes of Mongolian costume in the period of Mongolian and Yuan Dynasty under the influence of Central Plains, Western regions, Tibet and Koryo. In the second chapter, the culture of the Central Plains is extensive and inclusive, which affects the overall pattern and basic trend of Mongolian clothing. The Mongolian people began to learn the strict clothing hierarchy system of the Central Plains and strengthened their feudal rule. In the third chapter, the influence of Western culture on Mongolian dress is mainly reflected in the material, decoration and color composition. In the fourth chapter, Tibetan Buddhism brings new decorative patterns and decorative materials to Mongolian dress. The fifth chapter, through the exchange and communication between Mongolian dress culture and various national cultures, as well as the inheritance and changes of Mongolian and Yuan dress in the Ming and Qing dynasties, we can conclude that the Mongolian and Yuan costumes are diversified and open. There are three basic characteristics of bidirectional interaction and national subjectivity. At the same time, it sums up the enlightenment of the cultural exchange of Mongolian and Yuan dress to the cultural exchange of nationalities in today's society, that is, culture needs communication, but it needs the adherence of national subjectivity.
【学位授予单位】：烟台大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K247
本文编号：2215152
[Abstract]:China is one of the four ancient civilizations in the world. The 56 ethnic groups all have their own splendid and long historical and cultural traditions, and their national costumes have their own characteristics, various kinds, profound cultural connotations and powerful appeal. As an ancient nomadic nation, the Mongolian nationality's costume culture development is different from other nationalities, from the origin of Mongolian nationality to the unification of Mongolian grassland, and the establishment of Yuan Dynasty. The Mongolian people maintain a tolerant and open attitude towards the other fraternal cultures or foreign cultures around them. It is this kind of mentality that makes the development of Mongolian dress present the result of multi-cultural exchange. It is the comprehensive reproduction of Chinese traditional farming culture and nomadic culture, eastern dress culture and western dress culture. It is also the perfect combination of Eurasian dress culture and art. The study of the exchange of Mongolian costume culture can also provide enlightenment and reference for the cultural exchange between China and the rest of the world. From the perspective of cultural exchange, this paper analyzes the communication and communication between Mongolian costume and various cultures in the period of the Mongolian and Yuan dynasties. The full text is divided into two parts: introduction and text. The introduction mainly expounds the purpose and significance of this paper, the current situation of research on Mongolian clothing in the period of Mongolian and Yuan Dynasty, and the research contents, emphases, difficulties and innovations of this paper at home and abroad. There are five chapters in the text. The first chapter analyzes the social background of the Mongolian and Yuan dynasties, the origin of Mongolian dress and the early national cultural exchange. The second, third and fourth chapters respectively analyze the changes of Mongolian costume in the period of Mongolian and Yuan Dynasty under the influence of Central Plains, Western regions, Tibet and Koryo. In the second chapter, the culture of the Central Plains is extensive and inclusive, which affects the overall pattern and basic trend of Mongolian clothing. The Mongolian people began to learn the strict clothing hierarchy system of the Central Plains and strengthened their feudal rule. In the third chapter, the influence of Western culture on Mongolian dress is mainly reflected in the material, decoration and color composition. In the fourth chapter, Tibetan Buddhism brings new decorative patterns and decorative materials to Mongolian dress. The fifth chapter, through the exchange and communication between Mongolian dress culture and various national cultures, as well as the inheritance and changes of Mongolian and Yuan dress in the Ming and Qing dynasties, we can conclude that the Mongolian and Yuan costumes are diversified and open. There are three basic characteristics of bidirectional interaction and national subjectivity. At the same time, it sums up the enlightenment of the cultural exchange of Mongolian and Yuan dress to the cultural exchange of nationalities in today's society, that is, culture needs communication, but it needs the adherence of national subjectivity.
【学位授予单位】：烟台大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K247
【参考文献】
相关期刊论文 前10条
1 苏日娜;刘杨;;从非言语象征符号解析蒙古族服饰的象征意义与功能[J];中央民族大学学报(哲学社会科学版);2015年05期
2 任丽梅;;马克思主义中国化与传统文化转型[J];重庆社会科学;2012年01期
3 韩炳华;霍宝强;;山西兴县红峪村元至大二年壁画墓[J];文物;2011年02期
4 罗玮;;明代的蒙元服饰遗存初探[J];首都师范大学学报(社会科学版);2010年03期
5 董晓荣;;蒙元时期蒙古族衣着左右衽与尊右卑左习俗[J];兰州学刊;2010年03期
6 许晓东;;中国古代琥珀艺术——商至元[J];故宫博物院院刊;2009年06期
7 李晓婧;;对明初承袭元制的思考[J];文化学刊;2009年03期
8 乌兰;;论蒙古族栖鹰冠的起源和发展[J];内蒙古师范大学学报(哲学社会科学版);2008年S3期
9 陈高华;;元代妇女服饰简论(上)——服装和化妆[J];北京联合大学学报(人文社会科学版);2008年03期
10 李莉莎;;质孙服考略[J];内蒙古大学学报(哲学社会科学版);2008年02期
，本文编号：2215152
本文链接：https://www.wllwen.com/shekelunwen/zgtslw/2215152.html
