我国书画文物装裱修复的理念转变与实践

发布时间：2018-03-31 12:36

  本文选题：书画文物　切入点：装裱修复　出处：《东南文化》2017年05期

【摘要】：我国的书画文物装裱修复理念与实践有着悠久的传统,现阶段由于借鉴西方修复理论以及运用现代科技手段,已逐步形成了"最小干预原则"、"最大信息保留原则"、"安全性原则"、"可再处理性原则"等原则,提升并完善了修复前期调查、修复技术路线与修复效果评估等工作。特别是在转变书画文物装裱修复理念的基础上,通过对文化遗产保护修复工作的再认识,总结了"保留原裱"、"还旧装裱"、"重新装裱"等三种修复技术路线。这些理念转变与实践探索不断完善了符合中国特色、适宜中国国情的书画文物装裱修复理论体系。
[Abstract]:There is a long tradition in the idea and practice of painting and calligraphy cultural relic mount and repair in our country. At this stage, because of drawing lessons from western restoration theory and using modern scientific and technological means, The principles of "minimum intervention principle", "maximum Information retention principle", "Safety principle", "reprocessing principle" and so on have been gradually formed. Especially on the basis of changing the idea of painting and calligraphy cultural relics mount and repair, through the re-understanding of cultural heritage protection and restoration work, This paper summarizes three kinds of repairing technical routes, such as "retaining original mounting", "returning old mounting", "remounting", and so on. These changes and practical explorations have continuously improved the theoretical system of mount and repair of Chinese calligraphy and painting relics suitable for China's national conditions.
【作者单位】： 纸质文物保护国家文物局重点科研基地南京博物院;
【基金】：联合国教科文组织项目《纸质文物修复导则——书画文物修复导则(中国篇)》
【分类号】：G264.3
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本文编号：1690766