理想、浪漫与人性

发布时间：2018-01-17 14:02

本文关键词：理想、浪漫与人性　出处：《中央美术学院》2011年硕士论文　论文类型：学位论文

【摘要】：潘鹤是新中国成长起来的第一代雕塑家,他的艺术生涯横跨了自新中国成立至今的整个的历程,并且以其旺盛的精力不间断地进行创作,创作的题材几乎涵盖了中国近现代发展史,从鸦片战争、太平天国、辛亥革命、五四运动、井冈山会师、红军长征、抗日战争、解放战争,到共和国成立、土地革命、社会主义建设、文化大革命、改革开放、世界和平新纪元,都成为他创作的题材,其创作是新中国雕塑发展史的一个缩影。同时在他的作品中我们可以看到新中国不同阶段雕塑发展的特点,从最早的《艰苦岁月》、《土地》、《忍无可忍》、《大刀进行曲》,到后来的《珠海渔女》、《开荒牛》、《和平少女》等,都留下了深深的时代印记。作为现代雕塑史的研究范畴,本文以潘鹤建国后到20世纪末的代表作品为切入点,以新中国雕塑创作作为研究对象,通过大量原始材料的整理和收集,在重构历史语境的基础上展开分析研究,试图界定潘鹤在中国雕塑史上的地位和作用,并探讨新中国雕塑发展的历程和线索。
[Abstract]:Pan he is the first generation sculptor who grew up in New China. His artistic career spans the whole process from the founding of New China to the present, and works with his vigorous energy. The subjects covered almost modern Chinese history, from the Opium War, the Taiping Heavenly Kingdom, the Revolution of 1911, the May 4th Movement, the Jinggangshan reunion, the long March of the Red Army, the War of Resistance against Japan, the War of Liberation, to the founding of the Republic. The agrarian revolution, socialist construction, the cultural revolution, reform and opening up, and a new era of world peace were all his subjects. His creation is a microcosm of the history of sculpture development in New China. At the same time, in his works, we can see the characteristics of sculpture development in different stages of New China, from the earliest "hard years", "Land", "beyond endurance". The March of the Big Sword, to the later "Zhuhai Fishery Girl", "the Wild cattle", "the Peace Girl" and so on, have left a deep mark of the times. As a research category of modern sculpture history, this paper takes the representative works of Pan he from the founding of the people's Republic of China to the end of 20th century as the breakthrough point, and takes the sculpture creation of New China as the research object, through the collation and collection of a large number of raw materials. Based on the reconstruction of historical context, this paper tries to define the status and role of Pan he in the history of Chinese sculpture, and probes into the course and clue of the development of sculpture in New China.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J305

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